1. The paper was selected as the first calligraphy art festival in Zhejiang "Seminar on Modern Calligraphy History in Zhejiang" and read out at the meeting (sponsored by Zhejiang Provincial Department of Culture and Calligraphers Association, Hangzhou, 199 1).
2. The paper was selected into the National Calligraphy Review Annual Meeting (sponsored by China Calligraphy Magazine, Sichuan, 1992).
3. The thesis was selected into the 6th National Calligraphy Symposium (sponsored by China Calligraphy Association, Zhengzhou, 2004).
4. The thesis has been selected into other provincial academic seminars for many times (omitted).
(2) Awards:
1, the first prize of the 6th National Calligraphy Symposium. (Sponsored by China Book Association, Zhengzhou, 2004)
2. First prize of the 4th Guangxi Literary Criticism Award. (Guangxi Federation of Literature and Art, Nanning, 2004)
3. First Prize of China Classical Library Papers. (China Foundation for the Aged, Beijing, 2004)
4. The second prize of the 5th Guangxi Literature Review Award. (Guangxi Literary Federation, Nanning, 2005)
5. First prize of the 6th Guangxi Literary Criticism Award. (Guangxi Literary Federation, Nanning, 2006)
6. Nomination for the 2nd China Calligraphy Lanting Award. (China Calligraphers Association, 2006)
7. The 7th Guilin Literature and Art Creation Gold Award (Guilin Municipal People's Government, 2007)
(3) Publication of the paper:
1, On Aesthetic Modeling of Calligraphy Art (Journal of Guangxi Normal University, 1990, 1)
2. On Feng Zikai's artistic view (Zhejiang Modern Calligraphy Collection, Zhejiang Academy of Fine Arts Press, 1992).
3. From superficial expression to deep thinking (Youth Calligraphy, Henan Fine Arts Publishing House,No. 1993,No. 10)
4. On the historical and cultural construction of calligraphy criticism (China Calligraphy, No.6, 1993).
5. The structural beauty of calligraphy art (edited by Jin Kaicheng and Wang Yuechuan, a national key book during the Eighth Five-Year Plan, A Grand View of Calligraphy Culture in China, published by Peking University Publishing House, 1995).
6. On "Reading Pictures" (Journal of Capital Normal University,No. 1997,No. 1)
7. There is a universe in the chest, painting mountains like people —— On the traditional paradigm of China's landscape painting (Sociologist, No.3, 1997).
8. Song was born after the Tang Dynasty, and it's really difficult to explore-on Huang's calligraphy creation mentality (Journal of Guangxi Normal University,No. 1998,No. 1 period).
9. Cultural interpretation of the degeneration of seal script (Friends of Calligraphy, Anhui Fine Arts Publishing House, 1, 20065438)
10, biochemical characteristics of Shi Tao's painting concept (Journal of Wuzhou Teachers College, No.2, 2002)
1 1, on Wu Yuru (On Modern Calligraphers, edited by Liu Zhengcheng Wang Rui, published by Shaanxi People's Publishing House in 2003).
12, the artistic production mode of contemporary calligraphy and its production relations (① Calligraphy World, Anhui Fine Arts Publishing House,No. 10, 2003; ② In July 2004, the 4th Guangxi Literary and Art Criticism Award of Nanning Guangxi Federation of Literary and Art Circles won the first prize).
13, the artistic expression mechanism of aesthetic deformation (Calligraphy Newspaper,No. 10, 2004)
14, the artistic expression mechanism of modern calligraphy in contemporary China —— ① Proceedings of the Sixth National Calligraphy Seminar edited by the Academic Committee of China Calligraphers Association, Henan Fine Arts Publishing House, April 2004. ② Hundred Works of China, Economic Daily Press, June 2004, 5438+0. ③ Journal of Guangxi Normal University, No.3, 2004. (4) First prize of the 6th National Calligraphy Symposium (sponsored by China Calligraphers Association, Zhengzhou). Read by the general assembly). ⑤ The second prize of the 5th Guangxi Literary Criticism Award (Guangxi Federation of Literary and Art Circles, Nanning, September 2005). ⑥ Nomination for the 2nd China Calligraphy Lanting Award. (China Calligraphers Association, 2006)
15, Modernity of Calligraphy in the Age of Popular Culture (Theory and Creation, No.3, 2004)
16, Discourse Expression and Historical Evolution of China's Calligraphy Rhyme (Journal of Wuzhou Normal University, No.2, 2004)
17, History and Future: On the Inheritance and Transformation of Tradition from the Phenomenon of Wang Xizhi, Art Album of Journal of Guangxi Normal University, (10, 2004).
18, "controlling the shape with air, proudly and wonderfully-on the artistic characteristics of Mr. Shuai Lizhi's calligraphy", Journal of Guangxi Normal University, Art Album, (10, 2004)
19, Duality of Calligraphy Art —— Qiu calligraphy theory and Creation, Friends of Calligraphy, Anhui Fine Arts Publishing House, No.8, 2002.
20 The Art of the Times-Qu Zejian's Calligraphy Creation, Guangxi Pictorial, the second half of June 2005.
2 1, Modernity and Popularization of Contemporary Calligraphy Art, Heilongjiang Calligraphy Appreciation Magazine,No. 1 issue, 2005.
22. Historical changes in the aesthetic form of contemporary calligraphy art, Proceedings of the 2004 Contemporary Literature and Art Forum of China Federation of Literary and Art Circles, published by China Federation of Literary and Art Circles Press in 2005. First prize of the 6th Guangxi Literary Criticism Award. (Guangxi Literary Federation, Nanning, 2006)
23. The Transformation of Humanistic Value in the Development of Calligraphy Modernity, Reform and Thinking of Higher Art Education, Guangxi Fine Arts Publishing House, published in February 2006.
24. Chapter 10 "Calligraphy" of "Research on Literary Phenomenon in Guangxi in Thirteen Years" was published by Guangxi People's Publishing House in May 2007.
25. Building a Spatial Schema of Calligraphy Art with Times Characteristics, Guangxi Pictorial, Guangxi News Pictorial, the first half of March 2007.
26. Ideographic Practice and Artistic Mechanism of Contemporary Painting and Calligraphy, Art Collection and Investment, China Culture and Media Press, No.28, 2007.