Source information 2017 065438+1October 22nd.
20 16 ancient paintings and calligraphy are extremely eye-catching. In 13 lots with a price of over 100 million, ancient paintings and calligraphy accounted for 4 pieces. Among them, in 2009, China recorded a calligraphy record of 65.438+0.08 million yuan, and Ceng Gong's "Jushi Tie" became the top spot in ancient calligraphy and painting in the spring of 2065.438+06, and it was sold in China Guardian for 207 million yuan. Jiang Tinghua's Hundred Kinds of Peony, published by Beijing Shi Kuang and collected by Shiqu Baodi, was sold for 654.38+74 billion yuan. In the autumn shoot, Beijing Poly released Ren Renfa's "Five Kings Drunk", which was finally sold for 303.6 million yuan and was bought by Suning Group, becoming one of the treasures of Suning Museum, which is about to open. Another Zhenwu painting "Listening to the Rain from a Mountain Window" set a new record for the auction of personal works with a transaction price of 654.38+72.5 million yuan.
During the period of market adjustment, ancient calligraphy and painting played a mainstay role and stabilized the auction market of calligraphy and painting in China. In this regard, Liu, executive deputy director of the Art Committee of the Chinese Film Association, analyzed that ancient calligraphy and painting will be long-term concerned by collectors. "These ancient paintings and calligraphy works with very high turnover have been published, recorded and even photographed many times and passed down in an orderly manner, which has won collectors' understanding of artistic value. In the long run, their prices will not fall, so ancient paintings and calligraphy will be concerned by collectors for a long time to come. "
The fever of literati's works in Ming and Qing dynasties
China's art market generally follows the staging method of China's art history, and regards the paintings and calligraphy before19th century, including the remains of paintings and calligraphy before the whole19th century, that is, the "maritime painting school" in the late Qing Dynasty, as "China ancient paintings and calligraphy". After nearly 65,438+00 years of development, the art market has formed nine plates in the overall pattern, namely, Song and Yuan plate, Ming Sijia plate, calligraphy plate in the late Ming Dynasty, calligraphy plate in the early Qing Dynasty, six orthodox descendants in the early Qing Dynasty, four in the early Qing Dynasty and Ye Yi School in the early Qing Dynasty. Among them, "Painting and Calligraphy in Late Ming Dynasty" can be subdivided into Dong Qichang and Songjiang School, Lan Ying and Chen Hongshou. The "Qing Dynasty Palace Painting and Calligraphy and Official Painting and Calligraphy" section can be divided into Qing Dynasty Empress Painting and Calligraphy, Qing Dynasty Palace Painting and Calligraphy, and Qing Dynasty Ci Chen Painting and Calligraphy.
Analyzing the ancient calligraphy and painting market in recent years, it is not difficult to find that its achievements have been climbing all the way, especially in the Ming and Qing Dynasties. According to the latest data, Gu Shuhua artists' price index in autumn auction of 20 16 ranks in the top ten, and officials and literati in Ming and Qing dynasties account for 8.
High-priced painters and painters are generally masters of the school. In the Ming Dynasty, there were Shen Zhou, Wen Zhiming, Tang Yin and Chou Ying, a generation of flower and bird painters, Chen Daofu and Xu Wei, Dong Qichang, the originator of Huating School, Dai Jin, the leader of Zhejiang School, and Lan Ying and Chen Hongshou, the representative painters of Wulin School. In the Qing Dynasty, there were four kings, Wu Yun and four monks, Jin Nong, Zheng Xie and Hua Yan of Yangzhou School of Painting, Wu Changshuo, Zhao, Xu Gu and Ren Yi of Shanghai School, Gong Xian of Jinling School of Painting, and the boundary painting represented by Yuan Jiang.
Emperor calligraphy and painting fever headed by Qianlong
As a category of ancient calligraphy and painting, the imperial brush will not be photographed much every year, but every time there is a fine product, it will become the focus of auction. Because the Qing emperors were closest to the present world, their works were relatively well circulated and preserved, so they became an indispensable part of the ancient painting and calligraphy market. Among them, the works of Kang, Yong and Gan are the most popular in the market.
1994, China guardian took the lead in publishing the calligraphy works of emperors in Qing dynasty, but this plate was always in a period of low adjustment. It was not until 2004 that the calligraphy of the Qing emperors began to rise, and the "Qing Palace Imperial Pen Special Session" first launched by China Trade Shengjia won 100% of the transaction. Among them, Gan Long's "Friends in China Mo Lifeng Post" was sold for 6.608 million yuan. Since 2009, there has been a qualitative leap in the price and quantity of the calligraphy works of the Qing emperors, among which the market performance of the works of Emperor Qianlong is more eye-catching. In the autumn of 20 10, Emperor Qianlong's "Bai Han Tu" was sold in Beijing Poly for 87.36 million yuan.
Judging from the market situation of calligraphy in Gan Long, it is on the rise in recent years. In chronological order, Gan Long's painting reached its peak in 2004, 2007 and 20 10. In the 20 10 Jiadechun auction, the dry dragon lotus was sold for 6.5438+0008 million yuan, which broke through the 10 million yuan mark for the first time. In the same year, * * *10000000 yuan ten lots, setting a new record for the large-scale transaction of Ganlong's works. Among them, the vertical axis of "Bai Han Tu" shot by Beijing Poly became the first in the auction list of Ganlong works at a high price of 87.36 million yuan. 20 13 Beijing poly specially launched the autumn shoot "the great cause of Qianlong", among which the work "Tang yin Wen zhi Ming LAN ting calligraphy and painting" by emperor Qianlong 1744 won the high price of 54.625 million yuan. In 20 14, The Story of Baita Mountain by Beijing Poly Qianlong pushed it to the peak of 100 million yuan.
Analysis of Ancient Painting and Calligraphy Market
The market structure of ancient calligraphy and painting in China is becoming more and more perfect, and the current market development is also in a benign state. The resources of ancient calligraphy and painting works are scarce, so famous works are still the vane of the whole market. Some sections of China Ancient Paintings and Calligraphy have an internal demand for adjustment, or have shown an adjustment trend. Therefore, in the investment direction, grasping the investment opportunities of some emerging sectors and sectors in the initial stage will easily bring higher appreciation space and return on investment.
Through the analysis, it is found that the number of over 100 million pieces of ancient paintings and calligraphy has obviously fluctuated twice during the period of 20/200916. One is the bubble peak of the art market during 20 10-20 1 1; The other is 20 16, showing obvious signs of recovery.
According to the dynasties, the ancient paintings and calligraphy works with more than 100 million yuan in 2009-20 16 can be found that the Qing Dynasty occupied the most position, roughly because of the recent years, and the amount of preserved works was relatively large; Painting and calligraphy in Song and Yuan Dynasties are not far behind, with six works each exceeding 100 million yuan, which is based on the limited stock of painting and calligraphy in Song and Yuan Dynasties. Every time a good work appears, it will show great concern and high price.
In recent years, the ancient painting and calligraphy market has become lively, and the first prize in the auction is often ancient painting and calligraphy, accounting for 80% of the painting and calligraphy records exceeding 1 100 million yuan. However, this does not mean that the spring of the ancient painting and calligraphy market has arrived, because the recent increase in ancient painting and calligraphy is mainly reflected in two works. The first is the rapid increase in the orderly works of ancient masters, and the second is the works recorded by Shiqu Baodi. The market pays too much attention to palace works and ignores the examination and approval of artistic level. The commercial behavior of quick success and instant benefit dominates the market, but it does not mean that the market affirms the preciousness and rarity of ancient works of art, but only affirms the royal collection.