Wei Bei's interpretation of Chinese characters is: the general term for the inscription in the Northern Dynasties (1) in Wei Bei, which is characterized by strong brushwork and font, and is a model of calligraphy in later generations. The phonetic notation is: ㄨㄟ _ㄅㄟ. The pinyin is: wè ib ē i. The structure is: Wei (left and right structure) monument (left and right structure).
What is the specific explanation of Weibei? We will introduce you through the following aspects:
First, list and explain the details of this house viewing plan.
1. A general term for stone carvings in the Northern Dynasties. It also refers to the writing style of stone inscriptions. His calligraphy is the most famous in the Northern Wei Dynasty, with the styles of Jun Fang and Fiona Fang. Exquisite structure, calm and dignified brushwork, the first in Sui and Tang Dynasties.
Second, the national language dictionary
The general name of inscriptions in Yuan and Wei Dynasties. Calligraphy is mostly neat in structure and vigorous in brushwork, with the Northern Wei Dynasty as the highest standard, which is one of the later calligraphy models. German tafelinschrieffetenausderzeitdern _ rdlichendynastien
Third, the network interpretation
Wei Wei Bei stele is the general name of stone carvings in the Northern Dynasties during the Southern and Northern Dynasties (420-588 AD), with the Northern Wei Dynasty as the most refined, which can be roughly divided into four types: stele, epitaph, statue and cliff stone carvings. Calligraphy at this time is a transitional calligraphy system that connects the past with the future and opens up the future. Zhong Zhishuai said that Wei Bei "can see the old customs of Han and Qin dynasties from above, and can observe the habits of Sui and Tang dynasties from below." Wei Bei's calligraphy had a great influence on the formation of regular script in Sui and Tang Dynasties. In the process of innovation and change, calligraphers of past dynasties also learned useful essence from it. Weibei has a variety of styles, simple and steep, comfortable and beautiful. Famous ones include Zheng Wengong Monument, Zhang Menglong Monument, Gao Zhen Monument, Yuan Huai Epitaph and Zhang Xuan Epitaph, which initiated the rule of regular script in Sui and Tang Dynasties. In the middle of Qing dynasty, he advocated "respecting monuments and restraining posts", which broke through the bondage of "pavilion style". With the rise of inscriptions, the style of calligraphy has changed. Wei Bei inherited the tradition of Han Li and created a new style of Tang Kai, which laid a solid foundation for the structure and brushwork of modern Chinese characters. But there are many cliff carvings, which are carved directly on the stone surface, not the first book. Be careful not to exaggerate the knife marks when writing, so as not to form a habit.
Poems about Weibei
Therefore, write Weibei with Yan Rou.
Idioms about Weibei
Monument Shen Hanshui, Guo Tai Monument and Hehuang Weiziyang Monument are still weeping proverbs, and Wei Que's word of mouth is back to the road monument bureau.
About Weibei
Save Zhao Yuwei, set up a monument to Guotai, set up a monument, and sink the Han River. The tablet in Wei Quekou is carrying a road, and the sheep tablet is still crying. Wei Zi and Yao Huang have a common saying that Wei Que has no branch.
On Weibei's Sentence Making
1, in fact, regrets are more real, such as brokeback Venus and Han and Wei inscriptions.
2. Mr. Xu's calligraphy is from the tablet, and the two kings are cursive. The famous ink of past dynasties has been pursued tirelessly for decades.
3. The calligraphy of Feng He's epitaph belongs to the category of Wei Bei, in which the Chinese side values modesty, which means wonder.
4. "Wei Bei is the number one scholar, and the white pony is like a flying dragon", which is a compliment to the calligraphy relics of Linglong Mountain after visiting Linglong Mountain in Qingzhou.
5. His calligraphy is rooted in tradition, dating back to the second king Mi Fei, and fully absorbed the calligraphy of Weibei and Song Dynasty. His brushwork is changeable, his lines are both rigid and flexible, his structure is graceful, natural and simple, and he is full of literati atmosphere.
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