The calligraphy of the great Mao Zedong is my favorite.

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The most expensive quality of calligraphy lies in that kind of momentum, especially the "hairy" calligraphy, which is magnificent and guides the country. Hairstyle calligraphy is born out of "get drunk before you rest", which is the highest realm of crazy grass calligraphy and the concentrated embodiment of cultural accomplishment. We know how highly educated our beloved Comrade Mao Zedong is. We have never heard of some books he has read, and his expectations and views on various modes of war are also unique. It is this superb insight that nourishes his calligraphy accomplishment. His pen is eclectic, which reflects his free and easy state. We know that Mao's stippling is not only exquisite, but more importantly, it always shows a kind of toughness and rigidity, which many calligraphers can't learn or even understand. This stippling effort should be said to be an experience, an experience of life. As we know, the beloved President Mao Zedong is a great man who came in the rain of bullets. His lines are tortuous, without straight lines, not only elastic, but also poetic. The real calligraphy in Mao style is an aura that permeates Changhong, and it is also a concentrated expression of domineering and wisdom. The cursive script of Mao Zedong, a great man, is regarded as a "hairstyle" by the world because of its eternal charm and the combination of various methods. Its weeds originated from Zhang Xu and Huai Su, but shine on you is better than blue, and its style is unique and unparalleled in the world. In particular, the cursive script he wrote in the 1950s and 1960s is open-minded, graceful and generous, bold and unconstrained in style, rigorous in layout, natural and bold in brushwork, and it is a masterpiece throughout the ages. Hairstyle calligraphy is a calligraphy art with cursive script, rigorous layout, bold and unrestrained brushwork, natural, vigorous, bold and unrestrained, vigorous, vigorous and vigorous, and has a unique personal style. Weeds is also an extremely important part of Mao's calligraphy.

Hairstyle calligraphy, composition galloping, pen and ink dripping. His calligraphy, especially cursive script, has something in common with Huai Su's autobiographical notes: first, the strokes are thin and round; Second, the font is large; Third, in the layout of the big grass, the winding path and swaying posture are adopted; Fourth, it is very similar in "God". Mao Zedong, a great man, loved Huai Su's Weeds, but he didn't stick to it. He was brave in innovation and gradually formed a "hairy body" with both backbone and vigor. The calligraphy art of the great man Mao Zedong has three solid supporting points: first, the spirit of innovation; Second, the nature; Third, the spirit of heroism.

? Hairstyle calligraphy combines rigidity and softness, elegance and roundness, rigidity and softness, and dynamic and static combination. It is both opposite and harmonious, rich and vivid, wild without losing statutes, chic without losing merits, steep without losing solemnity, full of creativity and innovation, and full of calligraphy, painting, emotion and scenery, with a strong visual aesthetic feeling! Between the lines is full of great talent and tolerance, as if it were a leisurely stroll. If it rains, it will be a reflection of his heroic feelings and magnificent life. The calligraphy of Mao Zedong, a great man, is bold and unconstrained without losing its beauty. It absorbs the essence of the times, melts a hundred schools of thought into one furnace, while flying while flying, is elegant and magnificent, and forms a unique calligraphy style-Mao Ti. The great man Mao Zedong's calligraphy is bold and vigorous, and the majestic momentum leaps from the paper, which shows us the great man's profound calligraphy skills and appreciates the beauty of calligraphy. We can also feel everyone's manners and demeanor from the calligraphy of the great man Mao Zedong, and create a unique and elegant style. The great man Mao Zedong's calligraphy is superb, which integrates calligraphy and poetry. It is bold and vigorous, desolate and euphemistic, like thunder and lightning, like water blooming, like heaven and earth, like osawa dragon and snake, with broad mind and pure poetry. Mao Zedong, a great man, left the right path, human spirit, human soul and aesthetic ideal in time and space with his long scroll.

? The calligraphy of Mao Zedong, a great man, has been described as "the elegance of two kings", the beauty of Sun, the crazy charm of Huai Su, the boldness of Su Huang ... and it is also the object of study for many calligraphy lovers.