Tong Zhongtao
(Professor of China Academy of Art)
Yu has known Gao Jie for more than 40 years, and seeing his diligence in sketching and poetry writing, He is a fusion of Chinese and Western, loves to learn and think deeply, and always admires it. Although this volume was written under the lamp, it is opened and closed properly, and it has a leisurely and far-reaching interest. It cannot be reached without the power of a stone in five days or a water in ten days. (2001 title "Fuchun Jiasheng Picture Scroll")
Song Zhongyuan
(Former Vice Chairman of Zhejiang Artists Association, former Vice President of China Academy of Art)
< p>I think his works have two major characteristics: First, in his 45 years of teaching and creative activities, he taught and educated people, diligently created, and his teaching proposition of "teaching the rules thoroughly and teaching the methods to life" not only cultivated A large number of outstanding talents are also fully reflected in his works, which are both rigorous and standardized, yet flexible and changeable. His work is of a high level of exemplary quality. Second, for 40 years, he has insisted on emphasizing both China and the West. One hand is Western watercolor, and the other is Chinese landscape painting. The two absorb each other, blending China and the West, and both have reached a high level, which is extremely rare. In recent years, in order to continue to develop the tradition of Chinese landscape painting, Teacher Du has explored the boneless landscape technique of using color instead of ink. This spirit of advancing despite difficulties and constantly seeking change is worth learning from us. (Speech at the opening ceremony of Du Gaojie’s work exhibition in 1999)Pan Yunhe
(Vice President of the Chinese Academy of Engineering, former President of Zhejiang University)
Mr. Du Gaojie He has been engaged in art education at Zhejiang University for 45 years. He is a professor in the Department of Architecture of Zhejiang University and a famous artist at Zhejiang University. Over the past 45 years, it has cultivated many art talents and architectural talents, which can be said to be spread all over the world. He is conscientious and innovative in education, and has won praise from leaders, colleagues and classmates; he strives for innovation in art, calligraphy, and poetry creation. He not only has a profound foundation in Chinese painting, but also has in-depth study in Western painting. What is especially valuable is that he combines the two well and explores unique effects, which has been praised by his domestic peers. (Speech at the opening ceremony of Du Gaojie’s works exhibition in 1999)
Lu Yanshao
(The late master of Chinese painting)
Comrade Gao Jie was a native of Shu and was good at Writing about the landscape of central Sichuan, the winter of Bingyin displays recent works on the West Lake, huge mountains and large scrolls, writing about the landscape of the Jialing River for three hundred miles, with mountains and mountains, mist and mist, rushing waves, and rivers and mountains. win. This is a place I once traveled to, and it reminds me of my past. I feel like I am going through dangerous water and hear the sound of the boat drumming forward. The vigorous brushwork and the twists and turns of the position are all wonderful. I have no regrets and I am extremely admirable.
Wang Bomin
(Professor of China Academy of Art)
Many of Du Gaojie's paintings are huge, while the small ones are vivid and vivid, with simple brushwork and profound meaning. Achievements, I have spoken at symposiums in the past, and there are four important things:
1. The writing is vigorous and powerful, not frivolous, not jumpy, like the person;
2. The composition Steady, well-dense, orderly gathering and dispersion, and thoughtful corners;
3. The smoke and clouds are dyed and natural, and the top of the mountain in the clouds hides the dew and combines the clever changes of nature;
4. The color is light and gorgeous, and the color is not much but it can grow; look at its exquisite points, sparse and light means far, thick and heavy means near; more importantly, in important places, bright colors will show that they are hidden, and flat colors will make them extremely rich. The charm; and so on, make people appreciate and praise it.
Kong Zhongqi
(Professor of China Academy of Art)
① Lao Du can be said to be my classmate, colleague and friend for forty years. He just came in and took a quick look at the exhibition. Generally speaking, from Zhejiang University President Pan Yunhe’s enthusiastic congratulatory poems and books to Brother Du’s brilliant poems and ink paintings, I was still impressed. ② Painters and senior educators like Lao Du who pay attention to comprehensive cultivation and diligence are very valuable. I remember that 25 years ago, we were sketching together, trekking through mountains and rivers. I once gave him a limerick: "Walking, walking, walking, walking, walking, walking, etc." "Traveling, notebook after notebook, painting and reciting poems, throwing away every inch of shade", this should enlighten the current impetuous phenomenon of not learning deeply or extensively, and eager for success. In the contemporary era, we can achieve both poetry and painting, integrating Chinese and Western styles. There are not many painters left, and my peers and I should also learn from them. ③Lao Du has a variety of "verbal" expression abilities and can express his emotions in an eclectic manner. Of course, I also hope to grasp the key points and strive for breakthroughs as I grow older. Lao Du and I have the same thing, we both work hard on the word "truth"! This is the avenue. But we must encourage each other in abandoning the form to capture the spirit, searching for the wonderful and creating the true.
Although Gao Jie is past his sixtieth birthday, his diligence is not inferior to that of a promising young man. I understand that greatness and excellence will surely come soon!
Baolin
(Ph.D. Supervisor, Academy of Fine Arts, Tsinghua University)
Teacher Du is a multi-talented and prolific artist. The painting is like the person, upright, kind and generous. In the field of art education, he served as a role model and worked hard, cultivating a large number of talents, and their talents are all over the world. At the same time, he has the courage to innovate in the field of art creation and has achieved remarkable results. In his Western painting creation, he integrated the freehand concepts and brushwork awareness of Chinese painting, giving his works a completely new look. This approach was successful. When creating Chinese paintings, he also absorbed the observation methods and realistic techniques of Western paintings and explored the creative path of "replacing ink with color". This path is not only a path of exploration, but also courageous and knowledgeable. The works are perfect and harmonious, but further efforts are needed. . (Written speech at "Du Gaojie Works Exhibition" in 1999)
Ding Ning
(Professor and doctoral supervisor of Peking University)
Mr. Du Gaojie teaches at Zhejiang University and is engaged in The 45th Anniversary Art Exhibition is like a fresh and pleasant breeze in this hot season, bringing us a rare enjoyment. First of all, I would like to express my sincere congratulations to Mr. Du. This exhibition integrates Chinese paintings, old-style poetry, watercolor and pastel paintings, etc. It is exciting and interesting. Overall, Mr. Du has the image of a cultural protector. He strives to absorb the nourishment of tradition and classics, and is also committed to expressing his thoughts endlessly. The exhibition of his works will somewhat remind people of the cultural ideals of ancient literati, who were either good at poetry, calligraphy and painting, or had all the talents to do everything. It should be said that in this current trend of excessive impetuousness, Mr. Du still remains the same and gentle gentleman, which is really worthy of praise.
However, Mr. Du is by no means conservative. At least in this exhibition, what is particularly noticeable is that the mutual integration and mutual reflection of Chinese ink painting and Western watercolor painting have become the highlights of his inner talent. This is far from a combination of one plus one, but a natural encounter after accumulation of knowledge. In my opinion, instead of having earth-shattering effects, it is better to hope for "no trace" of "moisturizing things silently". In a sense, the latter requires more effort and is more difficult. Mr. Du undoubtedly focused on the latter, so the works on display are quite interesting. If we talk about summary, this is enough. (Speech at the symposium of "Du Gaojie Works Exhibition" in 1999)
Bao Chenchu
(Executive Vice President of Hangzhou Municipal Calligraphy and Painting Research Institute)
Mr. Gao Jie Proficient in Chinese and Western painting, good at calligraphy and poetry, he is both an educator and an artist. He has worked hard in the teaching and art circles for 45 years to form his own four characteristics: the integration of Chinese and Western styles. The integration of Chinese and Western elements has been advocated by scholars and practiced by painters for many years! But there aren’t many that really do it well. He worked hard on Chinese and Western paintings at the same time, and made in-depth comparative studies of Eastern and Western cultures, so that his works can be said to be a seamless fusion of Chinese and Western. lose their respective characteristics. Poetry and painting permeate. Painting within poetry and poetry within painting have existed since ancient times, but there are too few modern painters who are good at poetry and painting at the same time. He has a well-educated family background, was able to write poems at a young age, and has continued to grow. He integrated poetry into the painting environment and improved the connotation of the painting, such as the watercolor "Moon and the Hidden Pond". As for the landscape painting, there is more poetry in the painting. The combination of the beauty of life and the beauty of art. He attaches great importance to the origin of art from life, and has traveled all over the country, including Germany, France, Canada and other countries. He strives to sketch and absorb the essence of nature, which is reflected in his ever-changing creations. The 78 works in the exhibition all have their own features. Rigorous scientific teaching style blends with free and easy artistic techniques. As an art professor in the Department of Architecture of a university, he strictly adheres to teaching requirements when teaching in the classroom, guiding field sketches, and painting demonstration works. However, at certain times, he flexibly inspires students in many aspects. At this point, he seems to It is different from the style of other architecture art teachers. He gave his students works like "The Little-Known Grottoes" and "Dreamwalking in the Northwest Part 1", or landscape paintings that were informal and vivid in style. His tension and relaxation, and relaxation are another characteristic that complement each other. (Speech at the symposium of "Du Gaojie Works Exhibition" in 1999)
Yang Chengyin
(Professor of China Academy of Art)
I have known Mr. Du Gaojie for more than 40 years Years old friend. All the works he exhibited at the Jiujiu Art Solo Exhibition once again demonstrated his profound artistic skills and unlimited development prospects in landscape painting, watercolor, pastel painting, and calligraphy and poetry creation.
I believe that Du Gaojie has always followed a correct path in artistic creation and art teaching that is completely in line with the laws of art. He should be regarded as a role model for young and middle-aged artists to follow. He has laid a solid and comprehensive foundation in the basics of plastic arts and general cultural accomplishment, especially in traditional Chinese cultural accomplishment. For Chinese and Western paintings, he was eclectic and harmonious: he used the realistic ability of Western paintings to pay attention to dignity and sense of space to inject new blood into Chinese landscape paintings, making them more expressive and vital; he combined the artistic concepts of traditional Chinese paintings with Certain techniques are incorporated into the creation of watercolor pastel paintings, giving them a national spirit and style. He also integrated his attainments in calligraphy and poetry into his painting creation, adding the unique formal beauty of Chinese painting and being filled with a rich poetic flavor. His art teaching is well-known. Some people even say that the Academy of Fine Arts is in need of teachers like Du Gaojie. As far as I know, Mr. Du Gaojie is not satisfied with his existing achievements. With his innate spherical artistic talent and comprehensive artistic accomplishment, I believe he will achieve even more amazing achievements in his future artistic development. (Speech at the symposium of "Du Gaojie's Works Exhibition" in 1999)