★ Lanting Preface is the most famous work of Wang Xizhi, a book sage. The full text consists of 28 lines and 324 words. Wang Xizhi's calligraphy art has been fully developed in this preface. In the text, whenever there are the same words, the brushwork posture will be different. For example, none of the 20 "zhi" characters are the same, which has become a must in the history of calligraphy. Its composition, structure and brushwork are all perfect, and it has been respected as "the first in calligraphy" by calligraphers in past dynasties, and it has become a model that literati must learn when writing.
★ Wang Xizhi has profound attainments in original works, cursive script and calligraphy. His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength. People call his words "floating like clouds, agile like dragons"; "Yue Long heaven, the tiger lies in the phoenix pavilion".
2. Mid-Autumn Post (Wang Xianzhi)
★ Mo Bao, one of the "Three Musts" highly praised by Emperor Qianlong of Qing Dynasty, was created by Wang Xianzhi with bold and unrestrained brushwork and occasional connection.
3. Yan Zhenqing's calligraphy
★ Duobaota Monument is the masterpiece of its original "Yan Ti" regular script, with well-proportioned and rich fonts, solemn and beautiful, and magnificent.
4. Zhang Xu Calligraphy
★ In the book world, it is known as "get drunk before you rest", and its wild grass represents the highest realm of cursive writing. Wang Yang is proud and unique.
5. Zheng Banqiao
Master Zhu Lan is a geek in painting and calligraphy. Poet, painter and calligrapher in Qing Dynasty, one of the "Eight Eccentrics of Yangzhou". Be arrogant. His paintings and calligraphy are "clear, energetic and strange", which gives a unique aesthetic inspiration to future generations. His calligraphy is very "unusual", and he used a pen to screen genuine cursive scripts and created a unique one, calling himself "six and a half books"; The font is changeable, the composition is intricate and swaying. It's really a treasure of books and a "performance show" with great temperament.
6. liuyong
"The Prime Minister of Romania" has a brilliant heart. During the Qianlong period of the Qing Dynasty, he was a prime minister and was good at writing. Calligraphy, together with Wang, Liang and Weng, are also called "four masters in the early Qing Dynasty"; I started learning from Zhao's page and Dong Qichang, which won my samadhi. He studied Yan and Su in his middle age and devoted himself to the study of steles in the Northern Dynasties in his later years. Finally, with solid skill, he became a unique person. Liu Yong's calligraphy pen is short and thick, and his posture has not changed much. He has been criticized in the industry and even called it "ink mark". It can be seen that understanding Liu Yong's calligraphy requires a high vision. In the Qing Dynasty, most people who studied beauty got their form and meaning, and only Liu Yong really took its essence. Being gentle and sincere with the distance between words is the charm of the essence of small letters in Wei and Jin Dynasties. Thick pen and ink, wide and comfortable, more leisurely and all-encompassing.
7. Tang Bohu
The first romantic talent in Jiangnan. Painters and painters in the Ming Dynasty are legendary among the people. Zhou Chen, the first painter in the Tang Dynasty, was especially good at landscapes, and was called "Ming Sijia" with Shen, Wen and Qiu. Calligraphy originated from Zhao's pages, and its writing is round, beautiful, rich and elegant, forming a unique style with strong inner bones, beautiful appearance and fine flow. The following is an anthology of his fallen petal poems, all of which are excellent. Let us appreciate the elegance and charm of "the first romantic talent in Jiangnan" in the past.
8. Su Dongpo
Qian Qiu Hanmo generation literate sect. The prose of Su Dongpo, a great writer in the Song Dynasty, was listed as the Eight Masters in the Tang and Song Dynasties, and his ci chapter created the "uninhibited school". His calligraphy changed the tradition of "respecting the law" in the Tang Dynasty, pursued the "respecting the will" of individual liberation, and acted as a "Depth Charge figure" who constantly reformed the art of calligraphy, and was also called ""with Huang, Mi and Cai. Po's calligraphy likes to use a lying pen to tilt the front, and the character tends to fall back and tilt, so it can give people a feeling of roundness, breadth and forgetfulness, and also enable us to appreciate an unrestrained and innocent life.
9. Evonne
Shi Bi hates Danqing Yongji. The famous monarch who lost his country in the Northern Song Dynasty. However, he loved calligraphy and painting since childhood and explored and practiced all his life, but he became an irreplaceable outstanding figure in the history of calligraphy in China. He is good at meticulous flower-and-bird painting. His painting style is realistic and meticulous, and because of his advocacy, meticulous flower-and-bird painting in Song Dynasty reached the highest artistic peak. He went in and out of Huang Tingjian's calligraphy, creating a thin, vigorous and sharp "thin gold body", which was copied from generation to generation and also entered today's computer font. He established a national painting academy, which was the first one made public. He presided over the compilation of Xuan He Shu Pu. Therefore, many important artistic materials have been preserved.
A survey of ancient famous calligraphers
Four masters of regular script-Yan Zhenqing, Liu Gongquan and Ou Yangxun, four masters of Zhao Mengfu in the early Tang Dynasty in Yuan Dynasty-Yu Shinan, Ou Yangxun, Chu Suiliang and Zhong Wang in Xue Ji-traveled in the Three Kingdoms Period, and two calligraphers of Wang Xizhi in the Eastern Jin Dynasty-referred to Zhao Dong in the Eastern Han Dynasty and Zhang Xu in the Tang Dynasty-referred to Zhao Mengfu in Yuan Dynasty, Dong Qichang and Xing Dong in Ming Dynasty. Among them, Dong Qichang and Xing Dong have the theory of "Xing in the East, South and North". "Zhong Hao's four gifted scholars" refer to the calligraphers Tang Bohu (Tang Yin), Zhu Yunming in southern Jiangsu in the Ming Dynasty. : refers to the two brothers, Shen charm, who were also called "Bachelor of Size" in their early years. The former is sure to win, and the latter is sure to win. Xian Zhao refers to Zhao Mengfu and Xian Yushu, calligraphers of the Yuan Dynasty. Also known as Yuan's "Second Brother". Zhao's representative works include Qiu E's Epitaph, Sanmen Collection, Biography of Ji An, Postscript of Erlu, Dear John, Thirteen Prefaces to Lanting Collection, etc. The representative works of Xian Yushu include Han Yu's Understanding Learning, Poem of Fisherman, Song of Ancient Transparent Mirror, Song of Stone Drum by Han Yu, Poem of Begonia by Su Shi, and Tao Te Ching by Lao Zi. Refers to Mi Fei and Xue in the Northern Song Dynasty, whose representative works include Miscellaneous Books. Su Huang Camouflage: It refers to Su Shi, Huang Tingjian, Mi Fei and Cai Xiang, the "four great masters" in Song Dynasty. Su's representative works include Dark Clouds in the Sky, Poems of Dongting Spring, Poems of Zhongshan Song Dynasty, Poems of Cold Food, Notes of Drunk Pavilion, etc. Huang's representative works include Song Fengge, Su Shi's cold food poems, flowery poems and chair poems. Mie's representative works include Poems of the Classrooms, Poems of Tiaoxi, Poems of Shu Su, etc. Chua's masterpieces, such as Wan 'an Bridge and Confessions of Yan Zhenqing. Caiyi in the "Four Schools" is called Cai Jing. Yan Liu: It refers to the calligraphers Yan Zhenqing and Liu Gongquan in the Tang Dynasty, and is also called "Yan Liu Jin Gu" in the history of books. The representative works of the former include: Multi-Tower Induction Monument, Guojia Temple Monument, Yuanji Tombstone, Yan Monument, Yan Jia Temple Monument, Ji Ming's Manuscript for Sacrificing Nephew, and Competing for Seats. The latter's representative works include Li Sheng Monument, Diamond Sutra and Shence Army Monument. Zhang Dian drunk Su: Zhang Dian is Zhang Xu, and his masterpiece is Abdominal Pain Sticker; Zuisu refers to Huai Su, whose representative works are orderly posts, thousand-character essays and bitter bamboo shoots posts. They were also sages of the Tang Dynasty. Yu Ou refers to the four great calligraphers in the early Tang Dynasty: Yu Shinan, Ou Yangxun, Chu Suiliang and Xue Qi. Yu's representative works include Confucius Temple Monument, Ouyang Xiu's representative works such as Liquan Ming in Jiucheng Palace, Buddhist Pagoda of Yong Zen Master in Huadu Temple, Mianhe Monument by Yu Gonggong, Huangfu Birthday Monument, and Chu's masterpieces such as Preface to the Wild Goose Pagoda and Master Meng Monument. Xue's representative works include. Bai Yang: Yang Xin and Bo Shaozhi, calligraphers of Guide Dynasty and Song Dynasty. The former is good at official script, while the latter is good at cursive script. Wang Xizhi and Wang Xianzhi in the Eastern Jin Dynasty. The former is a book sage, and his masterpiece is Preface to Lanting, while the latter is like Duck Head Pill and December Post. Three thanks: Xie Shang (younger brother), Xie Yi (older brother) and Xie An (younger brother) in the Eastern Jin Dynasty. They are not only famous in politics, but also accomplished in calligraphy, hence the name. Cui Du: refers to Du Cao in Cui Yuanhe during the Eastern Han Dynasty (now Du Du). Both of them were good at teaching and learning. Refers to Zhang Zhi in the Eastern Han Dynasty and Yao in the Three Kingdoms period. Zhang Chuang created this kind of grass, which is called "the sage of grass". Zhong's representative works are "Declaration Form" and "Joint Statement".