2. The lines are consistent with each other and connected without violating each other. Interpretation of Ode to the Heart of the Country.
3. There are fixed methods for ancient books, based on font size. Bao's "Art Boat and Two Ships"
4, indulgence should save strength, and the potential pen should follow the trend. Wang Xizhi's Twelve Chapters of Pen and Ink
5, endless words, Mao also; What you said is enough, and it's a secret. . Liu Xizai's Outline of Art
6. The trend of writing is to think carefully before writing. . Wang Xizhi's "Gesture Theory"
7. Make the pen focused, the characters tangible and the lines unique, which is extremely natural and legal. Song Cao's "Calligraphy Covenant"
8, where the pen is tied, the upper cover is connected with the lower cover, which reflects the situation and has no potential. Cai Yong's "Nine Potential"
9, the body of the word, made in one stroke, occasionally interrupted, continuous blood, staggered climate. . Zhang Huaiguan's "Book Break"
10, posture is between the lines, losing is better than hurting; It's better to lose your ugliness than your flattery. Qing dynasty. Wang moxian's calligraphy guidance
1 1, the shape is unchanged, and the trend has its own modality. The trend is one-sided, so is the seven-sided trend. Chen Yizeng, essence of Hanlin
12. In fact, the branches are covered with white cloth and there is no outer shelf; It is not as good as ambition to set up a shelf and then change it vertically and horizontally. . Zhu Hegang's Linchi New Street
13, Gai said that big people should be as detailed and tortuous as small books, and small people should have the physical momentum of big people. . Chen Qi's Negative Lu and Chen Qi's Negative Lu.
14, the ancients wrote a book, which is a whole piece of white cloth with various lengths and tons. Each book is very interesting and the calligraphy is wonderful. Fan's Introduction to Calligraphy
15, as sick as snakes and scorpions, it is heartbreaking. The crow is slow, and the magpie is urgent, smoking like a pheasant pecking and lighting like a rabbit throwing. Xiao Yan's cursive formula
16, the author here, the first word, the momentum can be controlled to the end, then this word is the leader of the whole article. Ge Shouzhi's Overall Interpretation of Han Xi's Calligraphy
17, those that are empty, that is, black and white: one word is empty, one line is empty, and one picture is empty. True story of Feng Wu's calligraphy
18, the empty plain land in the middle of the deposit also has statutes, which are not far apart or near, such as brocade method, there must be flowers and land. Zhang Shen's Overall Interpretation of Calligraphy
19, people who connect books are easy, but dense, short and fat, and suddenly changed. They can dive into the air and turn inside. This is the so-called ear of God. . Liu Xizai's Outline of Art
20, it must be open up and down, clear left and right, and natural and unrestrained. If the sky is full of paintings, there will be no wind. This is the first point. "Twelve taboos of painting school" is naturally forgiven.
265438+ Xiangmu calligraphy elegant characters
22. It is difficult for a husband to write a word. He comes and goes, and he will return it again and again. He cares about the investigation he is good at and then writes. Wang Xizhi's Twelve Notes on Pen Writing in the Eastern Jin Dynasty
23, make the whole blank is not forced to push, not loose, not sporadic, not lonely, not row teeth, that is, the whole body blank, that is, the whole body Long Mai. Karin's "The Secret of Nanzong"
24. Zhang Shixing said: When writing, read the words first, and what method should be used. Writing is like composition, with writing methods, writing methods and final structure.
25, late to take advantage of, is about to take advantage of, first to speed, and then late. If you can't be a vegetarian, but you are late, you have no air; If you specialize quickly, you will lose more power. . Jiang Kui's Continued Book Score
26. Zhang Jingyuan said: Every font has its own control. One word controls two words, two words control three words, so that one line, one line controls two lines, and two lines control three lines, so that a piece of paper can be managed well. Liang Zhangju's "Learning Characters"
27. This word must be manipulated. At the beginning of writing, I was extremely interested; Turn around and try to move. The natural structure is stable and comfortable, and the so-called hairspring is also in the palm. . Zhu Hegang's Linchi New Street
28. Eccentricity is one of them, even if it is positive. Not surprisingly, although solemn and solid, unchanged and simple, there are not many words. Strange and upright, heroic and bright, but not elegant. Elegant Ci in Xiangmu Calligraphy
29, beginner distribution, but seeking justice and chasing danger; It can not only avoid danger, but also restore the past and rehabilitate. It wasn't enough at first, but it was over, and then it passed. At the meeting, everyone was old. Sun Guoting's Book Score
30, the husband has a shooting method, the arrow is far away, the near use is deep, and the potential is more than enough; If you can't do it, the arrow will fall close, the thing will be lost, the solid will not be deep, and you will be exhausted because of your feelings. Zhang Huaiguan's "Six-body calligraphy theory"
3 1, writing books is expensive. Every word, up and down, left and right echo, folding, is perfect. In other words, numbers, lines and dozens of lines are always unified in spirit. . Zhu Hegang's Linchi New Street
32, the word is graceful and graceful, especially expensive and powerful. Posture can attract people's attention and strength can attract people's heart. Otherwise it tastes like chewing wax. For example, without color and posture, beauty can't be moving. Wang Moxian, Calligraphy Guide
33. So when discussing the physical situation, parity comes first. Dignity is more accidental, and beauty is more exotic. Although the parallel body must be very strange to vibrate its momentum; Although there must be occasional bone grafting when it is scattered. Bao's "Art Boat and Two Ships"
34, the structure must be static to the paper element, first set a chapter in the chest, first in the pen, and then arbitrarily arranged, * freely. Sparse people, dense people, take care of them from all directions, and you will be able to get rid of the toilet and dust. Qin dynasty's "painting method through sound"
35. Be angry when writing. Qi must come from familiarity, and it is powerful. Size, height, neatness, follow the pen, naturally concentrate and form fragments. But you can't push it around. You'll know when you grow up. . Liang's "On the Book of Frequency Loan"
36. The writing of words mainly depends on spirit. Put pen to paper with strength, twists and turns in the horizontal direction, roundness in the turning point, Teton in the straight direction, straightness in picking ti, calmness in holding pen, subtlety in reflection and review at the end. . Zhu Hegang's Linchi New Street
37. The ancients discussed books with composition as a major event, and so did the so-called thick lines. The preface to Lanting of the right army is the first in ancient and modern times, and the words are all reflected, small or big, all of which are dharma, so it is also divine. Dong Qichang's Essays on Painting Zen Rooms
38. Large characters become smaller, small characters are enlarged, and the natural width is appropriate. For example, Japanese characters are small, and it is difficult to be as big as Chinese characters. For example, if a word is sparse, I also want calligraphy and painting to be dense. You must consider all the positions in order to reflect them correctly and then put them on them. . Article 36 Laws of Ou Yangxun
39. This word is pushed by heart, and there are clean methods. In one of the articles, there is no way to clean the moment. The upper word is opposite to the lower word, and the left line is opposite to the right line, which is oblique and dense, and each has its own advantages. Up and down, look around, in all directions, such as disposal: different opinions, although the fight is chaotic, it is not chaotic; Chaos, round but not broken. Jie Jin's Miscellanies of Spring Rain
40. Brilliant fading can be seen in composition, which is derived from brushwork. People with bad flowers, the flowers are green and the color fades; People with dead leaves and sparse branches in late autumn will be left behind by those who are condensed with business and anger. Brilliant books, because of their weak strength, can't shoot ink with pens, which means that they can't foreshadow and can't publish books at will, so the disadvantages of brilliance are particularly obvious; Because of timidity, the dry pen is all in the painting and the knot is only in the words, so the dry state is particularly obvious. Bao's "Art Boat and Two Ships"