The calligraphy works of Beijing’s central axis are as follows:
The cultural connotation of Beijing’s central axis. The Beijing Sheji Altar is a square altar, symbolizing the vast land and territory of the motherland, and is piled with soil in five colors. Become. Among them, the middle is loess, the east is green soil, the south is red (red) soil, the west is white soil, and the north is black soil. The five colors of soil also symbolize the five directions of the world, representing east, west, south, north and center.
In traditional Chinese culture, the five directions are combined with the gods respected by the five directions. For example, the East respects Taihou, assisted by the Wood God; the South respects the Yan Emperor, assisted by the Fire God; and the West respects the Young Master. Hao, the assistant is the god of gold; the north respects Zhuan Xiang, and the assistant is the god of water; the center respects the Yellow Emperor, and the assistant is the god of earth. The change from advocating loess soil to advocating bright yellow color is a significant sign that ancient Chinese society moved from primitive to feudal hierarchical society.
In Chinese feudal society, not only the loess soil was respected, but also the color yellow, which was interpreted as a symbol of imperial power and nobility. In Chinese feudal society, the core idea or concept of great unification was imperial power and the emperor, and the iconic color of imperial power and emperor was yellow. For example, the palace must be built with yellow glazed tiles, and the emperor must wear yellow dragon robes or mandarin jackets on formal occasions.
As an ancient imperial capital, Beijing’s basic city colors are city walls, streets, alleys, alleys and courtyards with gray walls and gray tiles. In the core area of ??the city, there are palace buildings with red walls and yellow tiles. This large-scale architectural form of yellow glazed tiles can be said to be a significant symbol of Beijing as a feudal imperial capital. ?