Walking along Huangsha Road on a Moonlight Night in Xijiang River is a poem by Xin Qiji in Song Dynasty, which intones rural scenery. The time is a summer night, and the place is a rural field with mountains and water, which reveals the joy of the poet's harvest year and his love for rural life. This is the author's happiness from forgetting nature.
The original text is as follows:
The moon on the horizon rose to the top of the tree, scaring away the magpies perched on the branches.
The cool evening breeze seems to have spread to cicadas in the distance.
In the fragrance of rice and flowers, people talk about the harvest of a year, and frogs croak in their ears, as if in a bumper harvest year.
In the old days, Maodian was near the forest, and the road turned to the stream bridge. ?
Vernacular translation:
The bright moon on the horizon rose to the treetops, scaring the magpies perched on the branches. The cool evening breeze seems to blow the cicadas in the distance. In the fragrant rice, people are talking about the harvest year, and there are waves of frogs in their ears, as if talking about the harvest year.
There are faint clouds in the sky, twinkling stars appear and disappear, and there is light rain in front of the mountain. In order to avoid rain, I hurried across the stream from the bridge. Where did the hut shop by the Woods near the Land Temple go before? Turning a corner, Maodian suddenly appeared in front of us.
Extended data:
Creative background:
This is a sentence written by Xin Qiji when he passed Huangshaling Road in Shangrao, Jiangxi Province in his middle age. Xin Qiji was an official in the Southern Song Dynasty, but his bold and open-minded remarks and decisive and capable style, especially his political proposition of resuming the war of resistance, were envied by his colleagues and hit by the highest ruling class.
In the eighth year of Song Xiaozong Xichun (1 18 1), Xin Qiji was dismissed as a traitor and returned to his home in Youhu, Shangrao. He lived like this for nearly fifteen years and lived a retired life. During this period, although he also had a short official experience, most of him lived in Shangrao and left many poems. This word is one of them. ?
Literary appreciation:
If the first part of the poem is not a description of the vast summer scenery, then the second part is obviously won by the changing waves and Liu Yin Road. Because there is a clear pause in conception and melody at the end of the first part, at the beginning of the second part, the poet sets a steep peak and uses antithesis to strengthen the stable tone.
There are seven or eight stars in the sky, two or three before the rainy mountain. The "stars" here are sparse stars, and the "rain" is a slight shower, which is in line with the quiet night, quiet atmosphere and simple atmosphere in the upper city.
In particular, a poem "Beyond the Horizon" and a poem "In front of the Mountain" were originally out of reach, but as soon as the pen turned and the bridge passed, the shadow of the Maodian near the village forest was unexpectedly displayed in front of people.
Although the poet is familiar with the path on the Huangsha Road, he always forgets to cross the "outer sky" and the "front of the mountain", because he is obsessed with the sound of frogs pouring out the joy of the good years in front of him, and even the Maodian near the forest near the Shemiao is unaware of it. The previous article "Road Turn" and the latter article "Suddenly enlightened".
It not only shows that the poet suddenly saw the joy of being close to the old house, but also expresses the ecstasy caused by being immersed in rice flowers or even forgetting the distance, which brings out the best in each other and reflects the author's profound artistic foundation, which is intriguing.
On the surface, the theme of this word is nothing more than some seemingly ordinary scenery. There is no carving in the language, no use of an allusion, and the arrangement of levels is completely natural and simple. However, it seems dull, but it has the poet's concentrated artistic conception and sincere feelings. Here, readers can also appreciate another realm of Jia Xuan's ci beyond the majestic and heroic.