1, Tian Zige wrote the first stroke on the left side of the center line. When he started writing, he wrote one third of the center line and one third of the center line.
2. The second pen is written on the right, and the pen is a little higher than the right. When we start writing, we need to draw a diagonal line from the upper left corner to the lower right corner, and then find a suitable point on the diagonal line as the starting point. When writing, you need to control the strength and direction, so that skimming can be completed smoothly and smoothly.
3. The third pen is written on the left, one third of the pen center line. This curl should be kept at an appropriate arc to conform to the shape of the flame. This curl should be slightly longer and more oblique than the first and second strokes. Its radian should be just right, not too curved or too straight, so as to better express the streamlined characteristics of the flame. At the same time, this apostrophe should echo the other two strokes to keep the balance and beauty of the whole word.
4. The fourth stroke is written in the middle of Tian Zige, the angle should be from top to bottom, and the length should be moderate, neither too long nor too short.
The evolutionary history of the role of fire;
Fire character is a hieroglyphic, and its evolution can be traced back to ancient Oracle Bone Inscriptions and inscriptions on bronze. In Oracle Bone Inscriptions and Jin Wen, the shape of fire looks like a burning flame, which consists of two parts: the top is a horizontal line, representing the top of the flame; Below is a vertical one and an oblique one, representing the main body and tail of the flame.
With the passage of time, people gradually simplified the shape of the fire character, simplified the shape of the flame to four points, and the whole font tilted to the right. This simplified fire character appeared in the Spring and Autumn Period and the Warring States Period, and gradually became popular in the Qin and Han Dynasties. In the Han Dynasty, with the appearance of paper and brush, people began to pay more attention to the beauty and standardization of calligraphy, and the shape of fire characters was further standardized and beautified.
Yan Zhenqing, a famous calligrapher in Tang Dynasty, wrote the most standardized fire characters, and his writing style became the standard style of fire characters in later generations. The fire character in modern Chinese characters is no longer a simple hieroglyph, but has the function of expressing meaning and combining words. It can be a single word or combined with other phrases to form a word or idiom. Such as trains, hot pot, fire and so on.