Is it good to learn calligraphy
Everyone should be familiar with calligraphy. In fact, most people should be exposed to calligraphy, and of course not all people can master the skills of calligraphy. It is not difficult to practice calligraphy well. Let's take a look at calligraphy. Is it good to learn calligraphy? 1
Calligraphy can also be regarded as "childlike innocence", but it is not necessarily that the earlier you learn, the better. Parents in China often think that they can't let their children lose at the starting line, but life is a long-distance race. Running too early and too fast is not enough stamina. The ancients did not always learn calligraphy at a young age. Children's initial enlightenment is to recite and read.
just write and read. Learn calligraphy when you are a little older, usually about ten years old. Children learn books, and their bones are soft and easy to hurt. Learning calligraphy is not only mental work, but also physical work. Children are too young, and their intelligence and physical strength have not developed to a sufficient degree. Instead, it is to encourage them. A few-year-old children may not have enough patience, physical strength (for example, standing on their elbows for a long time to write a book) and understanding to ponder the calligraphy, and wait until the right time to learn it with half the effort, otherwise it will be counterproductive and they will be afraid of calligraphy. Children who are not absolute and have excellent understanding and quiet personality can study earlier.
is it difficult to learn calligraphy? It is not difficult for beginners to know these points
1. Know what they like
There are many kinds of calligraphy styles, and the most common one is that books are divided into five styles. It's really good at cursive seal script, and each of them has different faces, like people in our lives, both good-looking and bad-looking.
When choosing posts, it's similar to dating. Some words seem to like them very much, while others don't like them when they see them. This is our own aesthetic standard in the deep heart, and even you can't say why you don't like it.
Find a copybook that looks beautiful, and start learning. The ancients can learn calligraphy by taking the most advanced and widely circulated versions and those with large images. Every book style, for lovers, can be introduced, not to say that there must be an order.
A friend likes cursive writing very much and has been afraid to practice it for many years. Why did he say that he didn't have a good foundation in regular script and running script? I asked him whether he had regular script or cursive script first. He said cursive script. In that case, would he still feel that he had to learn regular script first?
you can start if you like. If you like Xiao Zhuan, you can write Yi Mountain Monument, if you like cursive script, you can write a book spectrum, and you can write Huai Su. There is no problem.
2. Know how to start
At the beginning of self-study, you might as well find a teacher, but there must be a standard for finding a teacher. Don't look at how famous he is, don't look at many titles, and find a teacher who understands, doesn't fool, doesn't brag, and keeps a low profile.
My own experience is to find teachers who often win prizes in exhibitions organized by the Chinese Book Association. If you can't meet him in person, you can also watch his teaching videos and search on some platforms.
The hardest thing about calligraphy is that you may not know how the strokes are written at first, that is, the brushwork. As long as you master the brushwork, you will soon get started in learning various calligraphy styles.
3. There must be a way to work hard.
An enthusiast is diligent. He has been writing the preface of the holy teachings at home for many years, and his progress is very slow. He studies the preface of the holy teachings directly and has no foundation. The handwriting is very similar, but the works are written without charm, basically depicting the shape of strokes, without writing.
Later, with the help of a teacher, I first studied Wang Xizhi's handwritten letters and Mi Fei's Shu Su Tie. After a period of time, I returned to study the preface of the holy teachings, and I suddenly felt it. This is the importance of the method.
4. Participate in more exhibitions
A friend, a colleague of my former unit, came into contact with calligraphy last year, and wrote Wu Changshuo's seal script in addition to the diligent ceremony tablet. I always encouraged him to participate in the exhibition, but he was afraid to participate, thinking that his study time was too short.
I asked him to write a five-character couplet, and every word was found in Wu Changshuo's character. If he couldn't find the radical, he couldn't find the radical himself to graft.
As a result, a lot of paper was damaged, and an exhibition was held in the city, which was only delivered at the last deadline. I was particularly excited after winning the prize and increased my confidence. Every submission is a review of yourself, and in the middle, it will improve quickly, because you have to solve a series of problems in a short time.
composition, writing and form. If these people have never participated in the competition, they will not have this experience.
In a word, calligraphy is not difficult. It is difficult that we don't pay attention to that breakthrough in many cases. Maybe calligraphy really has nothing to do with people's talent. How to learn calligraphy? 2
The concept of artistic conception of calligraphy tips
While emphasizing the ability of writing skills, calligraphy will also point out its artistic conception beauty, which is the two attributes of calligraphy, one is the skill level, and the other is the artistic expression beauty.
For example, when people appreciate a work, they should first look at the level of writing. If they lack the skills of brushwork, brushwork and composition, the appreciation activities may be suspended.
Second, on the basis of technique expression, people tend to focus their eyes and thoughts on artistic conception, that is, what enlightenment this work will bring to people.
from the above point of view, the technique of calligraphy is the foundation, and the artistic conception is the ultimate beauty. Then, as far as artistic conception beauty is concerned, how is it realized, and what are the ways to realize it?
The concept of artistic conception
Artistic conception is an aesthetic thought and a dialectical philosophical view. "Artistic conception is an artistic realm that combines the meaning of subjective category with the environment of objective category.
Calligraphy originally refers to characters written by Chinese characters. If these characters are thought and arranged, they will form a "schema", so it will become a pictorial "image".
Subjectivity refers to the viewer, "meaning" refers to the viewer's psychological feeling activities such as thoughts, emotions and cognition, and "environment" is the sense of form shown in this image.
Therefore, artistic conception is the psychological association activity of the viewer against the image. The two complement each other, and it is only after they act at the same time that the "artistic conception" will be produced. A single party is meaningless.
However, due to the differences of people's cognition, experience and emotion, the psychological results are different when associating with "images". This is the philosophical dialectical thought of artistic conception and the psychological reference relationship of aesthetics.
The ancients have never stopped exploring the beauty of artistic conception in calligraphy. The artistic conception of calligraphy uses many words to describe its deep connotation and essence.
Sun Guoting, a calligrapher in the Tang Dynasty, said in his Book Score: "Yuan often does not grass, but makes it vertical and horizontal.
It means that although Zhong You's calligraphy is not cursive, it is as natural and agile as cursive, and its breath runs through, as if people feel the vertical and horizontal fluency of cursive.
This kind of smart and natural feeling is actually the association and description of the artistic conception beauty of calligraphy.
the necessity of expressing the beauty of artistic conception in calligraphy
the ancients created characters, and the writing of characters has evolved for thousands of years, which makes writing become culture and art again. The most fundamental reason is the result of the role of "artistic conception beauty" in calligraphy.
Different people appreciate the same work, so they will have different feelings and results. Therefore, it is a very different artistic conception, which brings different thinking enlightenment to people.
Wang Xizhi first put forward the concept of "book meaning". Simply speaking, "book meaning" is the meaning in calligraphy, which is to let people feel a certain meaning through the Chinese characters themselves.
The Tang Dynasty recorded Wang Xizhi's statement: "It is necessary to deepen the meaning of the book, and both points and paintings are intentional. I can't talk enough. If you get it right, everything will be fine. "
stippling in calligraphy can show a certain meaning, which can't be clearly stated in words. If calligraphy is shown in this way, everything is so appropriate.
In the Northern Song Dynasty, Su Dongpo was an advocate and pro-practitioner of the beauty of artistic conception in calligraphy. He believed that the "meaning" in calligraphy refers to thoughts, ideas, wills, meanings, etc. Su Dongpo's "meaning" is different from that of his predecessors. What he said is to write his own feelings on the basis of "law".
he said, "I can't make a book out of my mind, and I'm tired of asking for it."
Therefore, Su Dongpo still requires people to express their inner thoughts in writing as much as possible under the premise of following the predecessors' statutes. The former is the condition and the latter is the result, but the calligraphy without interest is lack of innovation. "Xiao San Jian Yuan" is the core idea of Su Dongpo's calligraphy artistic conception beauty.
After Su Dongpo, Huang Tingjian and Mi Fei also put forward artistic views on the beauty of artistic conception in calligraphy. They put forward artistic expression methods of "rhyme" and "naturalness and truthfulness" from their different understandings, until Liu Xizai, a scholar in Qing Dynasty, and others also made different explanations on this.
Liu Xizai said, "A book critic is pale and heroic. I call it' deep'.
those who are pale and involved in old baldness, who are male and lose their simplicity, and who are beautiful and frivolous, are not deep. Liu Xizai's statement further deepened the artistic conception of calligraphy, and the "deep" he said was more sophisticated and deepened from the sense of form.
From this, we can see that the beauty of artistic conception in calligraphy does not exist independently, but is accompanied by the writing ability and skill level. However, the performance of artistic conception is not due to the high skill level. According to Liu Xizai, the beauty of artistic conception should be "deep" and "far".
How to realize the beauty of artistic conception
To realize the beauty of artistic conception in calligraphy, we can't just stare at the legacy of our predecessors and learn to walk. Because of this, the ancients also put forward the ideological views of "individuality" and "innovation". They opposed the scholars becoming "slave books", and they should improve their artistic views through reading, thinking and cultivation, and broaden their horizons through "walking in Wan Li".
In ancient times, people who wrote were all "literate people", but they regarded calligraphy as a "spare matter", that is, things other than study and work. Ancient literati all wrote, and their "business" was reading.
Therefore, as far as calligraphy is concerned, it is a matter of "literate people". If you want to write well, you must first read books. If you want to express the artistic beauty of calligraphy, you must read more books. Only by reading and learning can you get a deeper connotation of calligraphy. "There are poems and books in my stomach that flatter me".
As Su Dongpo said, "The method of writing characters, which is shallow in knowledge, narrow in understanding and insufficient in learning, can't do its best in the end. I have everything in my mind.
The artistic conception beauty of calligraphy also requires form, composition and layout. The ancients attached great importance to the sense of integrity and form of works. They thought that the sense of form met the requirements and would also produce far-reaching artistic conception beauty.
Da Zhongguang, a scholar in Qing Dynasty, discussed the idea of artistic conception beauty from the change of white cloth and ink color.
He said, "The breadth is white, and the hand cloth is even; Scattered white, well-balanced eye cloth. Black, round and white, wide and tight.
He thinks that this kind of white cloth is arranged at will, and words and lines should be "well-proportioned" according to the overall needs, so that the work presents a certain geometric figure, and its profound meaning will naturally appear.
Of course, the highest requirement of artistic beauty of calligraphy is "profundity" as Liu Xizai said, which achieves the artistic feeling of repeated mountains and winding paths, which is the real artistic beauty. How to learn calligraphy? 3
Beginner skills of brush calligraphy
People need to pay attention to choosing a suitable entry copybook of brush calligraphy in the actual practice.
Chinese characters in China are mostly developed in the order of seal script-official script-regular script-running script-cursive script. If we look at this development process, we should pay attention to starting from seal script when practicing Chinese calligraphy. However, because the font of seal script is relatively difficult to identify and learn, most beginners will be discouraged. In this case, part of it starts with official script, such as the rule that Yan doesn't fly in pairs. This rule of writing will make beginners unable to find the way to get started and give up halfway.
Therefore, for beginners, it is best to start with regular script. Regular script is closer to the current font, easy to recognize, and the strokes are flat and normal. For beginners, they can get better results in a short time. Therefore, it is a good choice for people who practice Chinese calligraphy to choose regular script as an introduction.
For beginners, we should not only pay attention to the problem of getting started, but also know more about how beginners choose writing brushes. Only in this way can we practice better fonts in a shorter time. More questions about campus safety knowledge or students' supplies knowledge can be learned in detail in the safety net.