Whose pen copybook is better for girls?

First of all, there are many famous calligraphers, but the famous ones are not necessarily good. It is not recommended to use Pang Zhonghua's copybook, because my colleague thinks that the font is very flat and unsightly after practicing it, and the strokes are too much to look at, such as the parts that are lifted and folded horizontally. If they practice too much, they will persist. For example, words with a horizontal compromise are curved. Of course, there are also deliberate edges and corners.

Secondly, calligraphy includes hard pen and brush. If you practice hard-pen calligraphy and regular script, I suggest you use the copybook from Si Mayan or Liu Jia. I have practiced it. These two characters look generous, without artificial modification and deliberate transformation, with clean strokes and delicate structure, which is suitable for beginners to lay a good foundation for strokes and structure.

Third, brush calligraphy and regular script, I personally prefer European style. As for Wang Xizhi's handwriting, I don't like it very much, because I think Wang's handwriting is gorgeous and more showy. The speech is for reference only. European style, at first glance, feels solemn, thin and hard, angular, but when you practice, you feel that the strokes are full and round, European style is simple, not as fancy as some fonts.

In short, copybook practice is to imitate copybooks from the beginning. It is better to imitate them vividly and confuse the fake with the real. It is better to persevere and change quantity to cause qualitative change. Writing one page carefully every day is more effective than scribbling ten pages quickly.

According to my practical experience, if I can practice seriously, I can improve in about a month, form good writing habits and paradigms in three months, and basically write standardized words in about half a year. Of course, we should start with regular script. If you want to write a running script, you must first lay a good foundation for the font structure.

The most important thing is that practitioners can understand the way of writing, sum up experience in time, and use these experiences in the following writing, and finally find the writing rules that suit them and integrate the advantages of famous artists, so as to achieve the purpose of creative learning calligraphy.