Luo Jizu's Calligraphy Art

Luo Jizu loved painting and calligraphy since childhood. At the age of 65,438+06, he studied the classics written by the Tang people, and later studied the schools of Tang and Song dynasties, patriarchal clan system and meticulous brushwork. His calligraphy is neat and upright, full of book spirit, and enjoys a high reputation at home and abroad. Selected for the first national calligraphy and seal cutting exhibition held in Tokyo in 1987 and the exhibition of 100 calligraphers' works in China. But he doesn't make public, and he is too lazy to pursue fame and fortune. He called his calligraphy "a book without exchanging gold", because someone asked for his calligraphy, whether he knew it or not, he would gladly accept it, and he would not charge a penny for embellishment. The paintings are all sketches of mountains and rivers, meticulous and traditional. Although it is only a pamphlet with less than 200 pages, its calligraphy album Notes of Mo Servant, together with the works of Zhang Taiyan, Zhu Ziqing, Zhu Guangqian, He Lin, Gu Jiegang and Ye Shengtao, is listed in the "Scholar's Forum Series" of Shanghai Literature and Art Publishing House, which shows its extraordinary academic status.