Original: Changsha Qinyuanchun
Modern: Mao Zedong
Independent cold autumn, Xiangjiang North, Orange Island.
You see the mountains and plains, and the layers of forests are all dyed; The river is full of water, and hundreds of people compete for the flow.
The eagle strikes the sky, the fish is shallow, and all kinds of frost fight for freedom.
Lonely, ask the boundless earth, who is in charge of ups and downs?
I took a hundred couples on a trip to reminisce about the past years.
Just a classmate and teenager, in full bloom; Scholar spirit, Fang Qiu.
Pointing out the maze, inspiring words, the dirt in Wan Huhou that year. ?
Remember hitting the water in the middle stream and the waves stopped the speedboat?
On a crisp autumn day in late autumn, I stood alone in Orange Island, watching the clear water of Xiangjiang River slowly flow northward. You see that ten thousand peaks in Qian Qian have turned red, and layers of trees seem to be stained with color. The river is crystal clear, and the big ships are racing against the wind and waves. The eagle flies briskly in the vast sky, the fish swims briskly in the clear water, and everything competes for free life in the Qiu Guang.
Facing the boundless universe, I want to ask: Who decides to dominate the rise and fall of this boundless earth? In retrospect, my classmates and I often come here hand in hand to play. Talking about state affairs together, countless extraordinary years still haunt me. Students are in their youth and prime of life; Everyone is ambitious, unrestrained and strong. ?
Commenting on state affairs, writing these turbulent and clear articles, treating the warlords and bureaucrats at that time as dirt. Do you remember we swam in the rapids together? At that time, the waves were big enough to stop the fast-moving ships.
Extended data:
Aesthetically speaking, sublime beauty is manifested in the external aspect, which is embodied in magnificent scenes such as tall, vast, majestic and magnificent. German philosopher Kant divided sublimity into two categories: mathematical sublimity, such as the volume of mountains; The sublimity of mechanics, such as the momentum of a storm. Chernyshevski, a famous Russian literary critic, also said: "One thing is much bigger than everything compared with it, and that is sublime."
This work, written about 1954, is the representative work of Mao Zedong's calligraphy. It is regarded by calligraphers as the latest work, the most mature and highest work in Mao Zedong's poetry ink, and also the last monument in the ink we have seen.
Poetry and ink are written on two pages of red letterhead, *** 15 lines. Mao Zedong's brushwork is quick and convenient, but the words are independent. The whole article is blunt and elegant, fluent and fluent, and the words are a link between the preceding and the following, looking around and reaching the beauty of nature.
Get rid of the tense situation, but the bones and muscles are healthy, beautiful and free and easy, the words are small and sparse, and the words are not connected, but the veins are smooth, the ink is moist, fat and comfortable, and there are no strange words, strange pens and unbiased ink. For example, one hundred couples, young and elegant, are walking slowly on the banks of Xiangjiang River, but they are ambitious. "
This painting uses Fang Bi as a pen and Shi Lufeng as a Tibetan front. It is elegant and carefree, implicit and intriguing. The layout is dense, with lines and no columns, and the lines are close, which is almost equal to the gap between words. The book 100 words, the written test and ink color change with the book, which makes the book full of charm and perfect structure.