How to write a sketch

Before discussing composition, it is necessary to talk about the form of sketch content. In fact, the form of content is actually very simple, one is multi-word content, and the other is few-word content. We might as well understand the content form of the so-called few words as follows: some sketches don't need to write a poem, and a word, such as Fu, Lu, Shou and so on, is written in fine print, which is also quite beautiful and has a clear theme, and seems to have the meaning of an inscription. This kind of work is often seen in tourist shops and some people's offices. For example, I have seen many sketches with forbearance as the main body. The content of two words, four words or a poem, if the composition, composition and content are skillfully played, is actually very brilliant. The key is how to choose the content. I think sometimes sketches with fewer words are more intuitive, eye-catching, decorative and hanging. Essays with many words mainly reflect the writer's kung fu, with dozens or hundreds of words. A complete content is more suitable for collectors who buy things by numbers. Moreover, the complete content seems to be very satisfying. However, compared with prose with fewer words, it seems that intuition, suspension and appreciation are slightly weak. However, this is the case, and each has its own advantages. First of all, I want to explain that sketch is not only a square foot sketch, but also a very casual form in the graphic scale of paper. For example, four-foot three-open, 16 open stationery, round (although it belongs to the sector category), horizontal and vertical. . . . In this regard, I suggest you don't stick to the rules. There are many such things in the works of ancient calligraphy and painting for our reference. In addition, don't just learn from the size, but also learn the proportional relationship, horizontal-width ratio and golden section of ancient sketches. , so that the scale of the sketch looks comfortable at first glance. Essays, these should all belong to gadgets. Since it is a gadget, I think we should focus on several characteristics: (1) hanging, ornamental (2) elegance (3) decoration (4) collection. Second, the problem of composition According to my observation of sketching for many years, I found that although it is not big, it is as small as seal cutting. Even among the flat rulers, some masters can manage their positions well and create a great world. And some people will make it seem awkward between flat feet. This should be caused by an author's sense of spatial division! For example, if everyone is given a space of 50 square meters, some people will divide it reasonably, including kitchen, bathroom, wardrobe, bedroom and mini-bar, and some people will make it messy and crowded. Some people will use very simple patterns to mine, simple and generous patterns. Many people may think that I have a way to arrange the rules. I often do this at national exhibitions. Yes, the national exhibition pays more and more attention to composition, doesn't it? In fact, national exhibitions pay attention to formal composition, such as stitching and color, and these sketches are also very needed. But sketch should pay more attention to the division of space, and pay more attention to simplicity+variety.