When Mr. Hu was involved in social unrest for ten years, he was sent to the countryside for several years because of his youth, conceit, love of literature and ink, and hard work. After returning to the city, I worked in state-owned enterprises and arts and crafts colleges for several years, but I was also frustrated. However, no matter where Mr. Hu was, no matter what he did, he never gave up his obsession and preference for art. Finally, in the early 1990s, he decided to get rid of all kinds of troubles and resolutely go out of the enterprise to realize his personal artistic pursuit. 1994 After the teacher died, Mr. Hu left the ancient city of Yangzhou resolutely and resolutely, following the old adage "read thousands of books and take Wan Li Road". Middle-aged people began to travel north and south of China, living a wild crane-like artistic life, once again contacting the real life of working people of all ethnic groups in various places for a long time, feeling the wonderful rivers and mountains of the motherland and the gorgeous folk arts in various places, and accumulating a large number of original ecological Chinese painting creation materials. 1999 After the Kunming World Expo, Mr. Hu was attracted by the strange mountains, strange waters and colorful ethnic customs all over Yunnan and began to live in Kunming for ten years. His painting style has changed greatly in the life of the red soil plateau, with gorgeous pen and ink, vigorous and bold, and high artistic conception. During his stay in Yunnan, Mr. Hu went deep into various ethnic areas in Yunnan for a long time, and forged a profound friendship with the people of all ethnic groups in Yunnan. During this period, he also created a number of excellent local customs and traditional Chinese paintings. Today, Mr. Hu's works are no longer limited to the carefree expression of traditional literati, but have their own language system and freehand brushwork style in composition, color setting and use. His paintings are still deeply rooted in the tradition of using ink, and the clues of Shanghai style and Lingnan can be seen in the colors. Composition pays attention to revealing the light sense of western painting, the tranquil artistic conception of Qi school and the amorous feelings of Yangzhou Eight Eccentrics. His exploration fully embodies the harmonious beauty, literary beauty and poetic beauty of China's traditional cultural spirit, as well as his tolerance, reference and absorption of western painting. Whether it is a sketch or a huge one, the unique personality style shows everyone's demeanor.
In June 2005, he was awarded the title of "China Famous Painter of Chinese Painting" after strict examination by the National 1SQ9000A Art Qualification Accreditation Committee. Hu's works are good at flowers and birds, especially rattan, and have the reputation of "the king of cattle". More than 20 works such as Yongmei and Banna Impression have been collected by more than 20 national institutions such as the Great Hall of the People, the Palace Museum, Chairman Mao Memorial Hall and the Central Party School. From the 1970s to the early 1980s, Mr. Hu and Mr. Hu's oil paintings "Learning Art" and "Joy of Harvest" participated in the national art exhibition. 1984, Hu and his tutor Wang Banzai held a teacher-student exhibition in China Art Museum. Mr. Wang, then Chairman of China Calligraphy Association, visited the site and personally wrote four characters "Brilliant Forest of Art" for Mr. Hu. Around 2005, Mr. Hu held many solo exhibitions in Yunnan, Jiangsu, Guangdong and other places, which were warmly welcomed and positively praised by the local people. In 2004, Mr. Hu participated in the National Celebrity Painting and Calligraphy Competition, and was appraised by experts organized by China Artists Association, and won the highest individual award in the National Celebrity Painting and Calligraphy Exhibition. Personal artistic vocabulary has been included in authoritative dictionaries of many countries, such as Artists in China and Who's Who in China Art World.