Calligraphy education is an important part of basic education. It is an important way to inherit the excellent Chinese culture and cultivate patriotism. It is an important measure to improve students' Chinese character writing ability, cultivate aesthetic taste, improve cultural accomplishment, and promote all-round development. . What I show you below is Chinese calligraphy. I hope you like it.
Appreciation of Chinese calligraphy:
Chinese calligraphy 1
Chinese calligraphy 2
Chinese brush calligraphy 3
Chinese brush calligraphy 4
Chinese calligraphy brush calligraphy 5
The traditional nature of calligraphy:
The so-called "tradition" refers to the thoughts, beliefs, customs, habits, etc. passed down in the past. To understand Chinese calligraphy Only by putting her into traditional Chinese culture can we understand her charm. Since calligraphy is a traditional culture, it means that calligraphy is a complete and systematic writing method that has been passed down for thousands of years and needs to be respected and imitated by later generations. But you can't leave the tradition and create another one, otherwise it won't be called calligraphy. Then add a lot of restrictive words in front of the calligraphy. For example: popular calligraphy, modern calligraphy, artistic calligraphy.
The so-called "law" means methods, techniques, laws and regulations. The dictionary explains that there are two meanings, "some rules enforced by the state" and "imitation". Since it is calligraphy, it is the law of calligraphy. These are mandatory rules that must be followed, otherwise it cannot be called calligraphy. To imitate is to imitate the predecessors. Regarding this issue, the calligraphy principles and calligraphy rules accumulated through the creations of thousands of years of sages must not be abandoned. We must first inherit and then innovate. I hope that Chinese people will love and cherish tradition, and will not destroy its beauty, nor make fun of or ruin its beauty. The content of law is very broad and can be divided into broad and narrow senses. In a broad sense, it is as Shi Tao said: "There is nothing that can't be done in ancient times, and the simplicity will never fade away." Once the great simplicity is dispersed, the Dharma comes into being. ?This generally refers to ?methods?,?methods?laws?and so on. The methods often mentioned in calligraphy are mostly methods in a narrow sense, such as brushwork, composition, etc. For writing, the most important things include: brushwork, structure, and composition.
Brushwork is considered to be of paramount importance in calligraphy techniques, and it is not easy to change through the ages. Calligraphy without brushwork would not be calligraphy, but just writing. There are also writing methods in the writing method, such as the " stirrup method ", which has eight characters: pressing, hooking, uncovering, resisting, rejecting, guiding, and sending. The technique of writing is like the Eight Methods of Yongzi, which are also eight characters.
Structure, that is, "interval structure". In order to make the text with different shapes, different postures and different strokes present a vivid posture due to the connection and insertion of stipples. The most widely circulated ones include Ouyang Xun's "Thirty-six Methods" and Huang Ziyuan's "Ninety-two Methods". Among them are rowing, avoiding, supporting, crossing, turning away, giving way, rescuing, accompanying, hugging back, etc.
Composition, also known as layout, refers to the layout of a work. Wang Xizhi’s discussion of composition in "Inscribed on Mrs. Wei’s Brush Formation Picture" compares a piece of calligraphy to a battlefield. There are generals, swords and guns. In fact, it talks about the relationship between words and words and lines.