1.
The stroke shape is the basic image of the strokes in the text, and this basic image is a variable element of the font, and the font formed must be reflected in the style of the stroke shape. In order to create a new font, shaping the brush shape is the first key. In the creation of pen shapes, we should be good at summing up, dare to imagine and be brave in innovation.
2. The reorganization of the pen shape
The strokes of the font have a very rich composition, showing various vitality with a distinctive image style. Based on two strokes, a font with another stroke style can be formed through the process of reorganization. According to this principle, we will examine the strokes of various fonts and produce more strokes on this basis.
3. The change of pen shape
The stroke shape of a font cannot be changed for the specified font, but it can be changed according to different creative sources relative to the creative individual. Through the treatment of various transformation techniques, such as mutation, unreasonable rotation, superposition, excessive transformation, mutual contrast, etc., unique new fonts can often be brought.
4. Breakthrough of glyphs
After a long-term evolution, the font form has formed a standardized form, and breaking through the too rigid font form will inevitably become one of the leading directions of many modern media. On the basis of following the overall shape specification of fonts, we can selectively break through one or two strokes through the definition of shapes, and secondly, we can change fonts into various inorganic forms according to the needs of specific themes. To break through the appearance of fonts, we should consciously jump out of the original box and change the direction of the overall image of fonts from a flexible perspective, so that the style of the overall image of fonts presents different internal vitality and visual impact.
5. Structural transformation
6. Redesign the font structure
The redesign of the structure is based on the traditional font structure and breaks through the original font structure specification. According to the new visual image aesthetics, some radicals have broken through the composition rules of the original structure and created new structures on the original structural arrangement. This is in line with the development of various comprehensive factors in society, and people require various forms of visual media to be personalized and form aesthetic vision.
7. Image superposition in the structure
Since its birth, fonts have always used visual symbols to express various image meanings. In people's memory and recognition, subtle changes in a font will make great differences in people's senses. Therefore, making full use of images to change the original structural style in font structure can form a breakthrough personality from the essential characteristics of font composition. Its methods include image contrast, image lending and image lending.
8. Changes in the relationship between black and white areas
The entity composed of font strokes is called black area, and the imaginary part that depends on strokes is called white area. The boundary between black and white areas is mainly reflected in the boundary between real strokes and imaginary non-strokes. Black-and-white area is an important factor to reflect the creativity of fonts and to test the performance of fonts. The formation and change of many font styles, as long as this dividing line is slightly changed, will form a completely different font creation style. In terms of specific changes, usually based on the definition of black and white areas, starting from the black and white areas, the novel personality of fonts will be shown from different aspects. Handwriting-oriented
Or look for calligraphy pictures on the internet. . Spell it word by word.
Then there is a similar calligraphy font on the computer, Founder Yellow Grass, which can be downloaded online.