Calligraphy works of 60-word ancient poems

The 60-word calligraphy works of ancient poetry include Li Bai's Guan Shanyue. The moon is high in the sky and the smoke is vast. It is a beautiful story. The wind blows from thousands of miles away and beats the battlements of Yumenguan. At that time, Han soldiers pointed at the mountain road, and Tubo coveted the vast territory of Qinghai. This is a land of wars in past dynasties, and few soldiers can survive. The soldiers turned and looked at the border, thinking of home with longing eyes. The soldier's wife looked at the tower and lamented when she would see her relatives far away.

There is Meng Haoran's Qiu Deng Lan Shan for Zhang, including On the North Peak among the White Clouds and The hermit map. Now, when I climb this mountain to see you, my heart flies high with the geese. Sadness is often the mood of dusk, and the mood is often the atmosphere of autumn. Tourists come to the village on the mountain, walk across the beach, sit at the ferry and have a rest. The forest in the distance is like a shepherd's purse, overlooking the river bank like a crescent moon. I hope you will pick me up, bring a basket of wine and get drunk on the Double Ninth Festival.

The layout of calligraphy is also important. The layout of calligraphy involves the relationship between words and lines. Good calligraphy layout is the foundation of calligraphy works, and the layout of calligraphy works is also one of the important factors for the success of calligraphy works.

There are many ways to arrange calligraphy, including lines and columns, lines and columns, lines and columns, etc. The line and column method means that the whole article is balanced vertically and horizontally, with strict and regular sequence style, neat and generous overall, even and clear, and very beautiful.

The method of rows without columns is the layout of vertical lines and horizontal lines without columns. Writing follows the law of writing style, and the vertical center of lines deviates from the left and right according to the nature of writing.

The method without lines and columns is more neat and changeable than the method without lines and columns, and it is suitable for writing all kinds of calligraphy fonts, with more cursive scripts.

In the remains of ancient books, there is often a method without lines and columns, and the distribution between works is vertical and horizontal, which is very natural.

Calligraphy works are composed of some comprehensive factors, such as content, font, brushwork, structural layout and so on. Different layouts of calligraphy show different momentum, artistic conception and style, and a good layout can better reflect the aesthetic feeling of calligraphy works.