Inscription by Shen Peng (honorary chairman of China Book Association and former chairman of China Book Association):
"Yong Feng Jun's book is a wonderful pen."
Shen Peng, honorary chairman of China Book Association and former chairman of China Book Association, sent a letter to Mr. Shi Yongxin.
Interpretation: Yong Feng Jun, thank you for your masterpiece. It feels very kind. My cursive script is frank, and I think it's also because of my heart. I have a book of poems at hand, and I am sending you a calligraphy and two volumes of poems. Winter in Shen Peng,1February 5th.
Ouyang Zhongshi (former vice chairman of China Book Association, educator and doctoral supervisor of Capital Normal University)
Praise: "Great weather and spirit"
Inscription by Su Shizhu (Chairman of China Book Association):
"Mr. Yongfeng's" Six-country cursive theory "is nuanced, with a stable structure and elegant composition. There is both the rhyme of the book spectrum and the Nangong bearing. The whole story is simple and elegant, unrestrained and free and easy, which is really a masterpiece. "
Wu Xiao (famous calligraphy critic, editor-in-chief of Damei County, Central Party School Press)
Looking at Mr. Shi Yongfeng's calligraphy works, the words are clever, the momentum is taken from the side, the style is full, and it won the essence of the "two kings". The cursive script, in particular, has inherited the styles of all ancient and modern people, the unpredictability of Zhang Zhi and Huai Su, and has a unique interest in beige, and also inherited the style of combining rigidity with softness of Mr. Shen Peng. Bold with a pen, Zhang Chi has a degree, and he can put it away at will. The overall composition and management layout are ingenious, patchwork and neat, and the lines between the lines are full of elegant and smart rhythms, filled with ethereal and distant poetry. The whole article contains sparse and fresh Zen, which can be called a natural artistic masterpiece. After studying his long cursive script, Mr. Wang couldn't help clapping his hands to congratulate him, and happily wrote "exquisite calligraphy" and "his cursive script is magnificent and good at accommodating the family", which I think is also a heartfelt compliment. Mr Ouyang, a famous calligrapher in China and former vice chairman of China Calligraphy Association, even praised Mr Shi's calligraphy works. Mr. Su Shizhu, the current chairman of China Calligraphy Association, read his cursive script Six Kingdoms, and immediately wrote an inscription for Shi Yongfeng: "Mr. Yongfeng cursive script Six Kingdoms, with meticulous brushwork, steady structure and elegant style. There is both the rhyme of the book spectrum and the Nangong temperament. The whole story is simple and elegant, unrestrained and free and easy. It is really a masterpiece. " It is rare for three top calligraphers in China to give such high praise to the same calligrapher at the same time.
Zhu Xijing (contemporary writer, winner of Russian Chekhov Literature Prize)
? Shi Jun's calligrapher is ancient but not earthy, less crazy, ugly and kitsch. Like his whole life, Shi Jun is open-minded, full of fresh, natural and lively life, full of backbone and integrity. Seeing his calligraphy or pen flying ink dance, the passion is surging, such as storms, devouring mountains and rivers; Or the pen is solid and heavy, graceful and graceful, such as the breeze and bright moon, the valley of birds singing; Or compare the length and avoid it, like a heavenly soldier and a god, and the god hisses. Or point to echo, look forward to love, like a winding mountain stream looking back, it will rain when it rains; Or Fiona Fang has both, hidden but not seen, such as the golden hook curtain, the rain is clear at dusk; Or the pen is full and free, like a river, like the wind, like a cloud.
Zhao Wangjin (Honorary Chairman of Shanxi Book Association)
? Yongfeng is a fellow cursive writer. After work, he visits famous posts all over the world, benefiting many teachers, especially Mr. Shen Peng, a cursive master!
Lu Wang, (former vice chairman of Shaanxi Book Association and chairman of Yuncheng Book Association)
? Yongfeng's calligraphy is bold and unrestrained, vigorous and powerful, and he often inadvertently sees kung fu, and his charm is vividly on the paper. In particular, cursive works are simple and elegant, concise and decent, full of meaning and regularity, stable and strange. Close up, their front turns fine and beautiful, with high rhyme and strong spirit, and their kung fu is reflected in stippling. While imitating the pen and ink of the sages, it is especially influenced by the contemporary calligrapher Mr. Shen Peng. It is relaxed, natural, mysterious, empty, elegant and beautiful, and will be a great success!
Cui Shilai (former editor-in-chief and calligraphy critic of Yuncheng News Pictorial)
? Mr. Yongfeng has been learning from children's books for many years, becoming a scholar of two kings and learning a lot from famous scholars. His writing style is dense and comfortable, and there are ethereal images in cross-examination. The lines of the pen turn round, the words avoid the square and tend to be round, the gong contains connotation and the composition is strange and changeable. When he writes, there are no obstacles. Where he writes, there are secrets. Throughout his calligraphy works, the bottom of the pen is undulating, extraordinary and refined, converging Zhang Chi, combining rigidity with softness, elegant and refined, and appealing to both refined and popular tastes. The bottom of the wrist is a thoroughfare, reaching a refined state like stone and beads.
Shi Yongxin's Personal Profile
Shi Yongfeng, a native of yongji city, Shanxi Province, is a member of China Calligraphers Association, Shanxi Calligraphy Association, vice president of Guan Gong Painting and Calligraphy Institute, art consultant of Qin Jinyu Yellow River Golden Triangle Culture and Art Institute, and vice president of Shanxi Sanjing Painting and Calligraphy Institute.
I know from a distance where my brother climbed, and there is one person missing from the dogwood.
Excerpts from Shi Yongxin's Changcao Works.