Shu Jiong's Works and Their Characteristics

For more than forty years, I have visited all the families in the past dynasties, studied seal script, bamboo slips and silk scripts, used genuine works, used macros as the grass, melted inscriptions, used books to prove Taoism, and combined Taoism and books to become my own face. Look at his calligraphy, but see the exquisite stippling. Like a kundao carving jade, the pen is vigorous. Hide the tendons and hold the bones. Long live the withered vine, and return empty. "Feng Yu's ups and downs will change, and it will drop to milli-awn." However, the charm is smooth and the third is natural; The words are laid out, ups and downs, swaying and swaying, like Yao Island scattered immortals, with vivid meaning and free and easy spirit; The book style is quaint and exquisite, full of strength and vitality, simple and sincere, and full of books. With criss-crossing dotted lines and rich layers of pen and ink, a formal beauty with space-time effect and vitality is constructed.