Mr. Sun Xun, an Indian from Nanjing, commented on Luo Kunzi: "Ding was the first person who made great achievements in Jinling in the 1920s and 1930s, and Luo Kunzi was the best in the 1950s." Luo Gazi's ability to manage printing can be seen from his seal cutting, and the word "one" is difficult to engrave. As we all know, when dealing with it, Mr. Luo Gazi deliberately dragged the bottom of the word "Tao" down, which is in the same strain as the word "one", and people can't help but be impressed.
After the founding of the People's Republic of China, Luo Kunzi became a director of Xiling Printing Society and Jiangsu Calligraphy and Seal Cutting Society, and seal cutting became more and more famous. His papers "The Origin and Evolution of Seal" (Jianghai Academic Journal 196 1) and "Four Schools of Seal Cutting in Xiling" (the second issue of Xiling Art Series) show excellent academic standards and are unanimously recognized by peers. The seal left by Luo Kunzi is not good.
Luo Gazi died in Jinling Cucumber Garden on 1968 at the age of 55, so in the eyes of many researchers, due to his untimely death, he should not have formed an independent and distinctive personal style. For example, Qin Shiwei, a late Nanjing Indian, said after reading Luo Maozi's legacy: "I accidentally read Comrade Wang Daoyun's" Mr. Luo Maozi's Legacy-Seal Brochure ",but I feel that although I have been to Mount Damo, I have never been mired, and freedom and originality are here. I am sorry for my short life, otherwise I will not be able to limit it. " Qin Shiwei believes that although Luo Maozi's seal cutting is original, it is very representative that "it involves law but not mud". Luo Ganzi studied under Ma Wanli, Pan Tianshou and other famous seal engravers, and Huang Mufu's style also had a certain influence on him, but Luo Ganzi still had his own style in seal engraving.
Professor Huang Yun said: "There have always been more than a dozen works that symbolize the mature style of an Indian, and since the first half of the 1960s, there have been more than a dozen works of Lokazi that are astounding (in the 1960s, there were so many beautiful women in the mountains, which changed the world, peach blossoms, hundreds of works, left-handed calligraphy and painting).
Professor Zhu Guangyao of Jiangsu University thinks that although Rocha died tragically and prematurely, it is not entirely because he didn't form his own printing style, especially putting him in the candlelight shadow of Huang Mufu is unfair to Rocha who is sleeping. Due to the limitations of the special era after the founding of the People's Republic of China, Rockazi's printing style obviously does not have the following groups and influence to become a faction. We might as well name it.