Huang Tingjian and Su Shi were both famous poets in the Northern Song Dynasty. Their poems both focused on the expression of formal beauty. In Huang Tingjian's poem "Farewell to the Prince", we can see that he used the following beautiful language rules:
1. Neat contrasts. In the poem, Huang Tingjian used the technique of antithesis to correspond to the two parts of the sentence, such as "There is a book that cannot be written in the south, and there is no end to my bad words." This contrasts the image of the book with the situation of the swans passing the book, and at the same time expresses The poet's concern and concern for his friends.
2. Phonological harmony. In poetry, Huang Tingjian pays attention to the use of rhyme and oblique to make the phonology of the poem harmonious and beautiful. For example, in the poem, "There is a book, it's hard to reach the south, and there will be no end to my bad words." The last sound rhymes with "ong", which makes the poem more rhythmic and rhythmic when read aloud.
Su Shi's "Autumn" is a seven-character quatrain. The following are some language rules for formal beauty:
1. Highly concise. Su Shi expressed the atmosphere and emotions of autumn in simple language in "Autumn". For example, "You must remember the good times of the year, the most orange and green." In just a few words, the beauty of autumn and the scene of harvest are presented, making people feel the breath and beauty of autumn.
2. Rich in meaning. In "Autumn", Su Shi uses orange, yellow, orange and green imagery to express the beauty of autumn colors and the atmosphere of harvest, while also hinting at the ups and downs and changes of life. This meaningful expression gives the poem a deeper connotation and meaning.
3. Pay attention to evenness. Su Shi used the law of level and oblique in "Autumn" to give the poem a beautiful sense of rhythm and rhyme when read aloud, such as "One year / good scenery / you / must remember, the most / orange / orange / green / time", making the poem more beautiful. The whole poem reads in a rhythmic and catchy way.
In short, both Huang Tingjian and Su Shi paid great attention to the expression of formal beauty in their poetry creation, and created beautiful artistic conception and charm by using different language rules.