Cang Fu: Formerly known as Cai Zhonghua, born in Cangzhou, Hebei Province, the word Meng Zhan. , alias Cangfu, self-named Yunhe, was born in a scholarly family by the Hutuo River in the 1970s. Calligrapher, founder of Heron Society, advocate of contemporary calligraphy education, and calligraphy consultant of Sanduoxuan Art Museum, a century-old shop in Guangzhou.
Chinese name: Cai Zhonghua
Alias: Cang Fu
Nationality: China.
Ethnic group: Han nationality
Date of birth:1September 9, 972
Occupation: calligrapher
Main achievements: Canglang Society was established and "Three Realms of Calligraphy" was put forward.
Representative works: Collection of the Sky, Dripping Water from the Ancient Eaves.
brief introduction
Cang Fu, an excellent calligrapher, can seal cutting. Zeng, who is good at "literati painting", laughed at himself. "My painting is nothing more than Chou Shi, dead trees, disorderly branches and fine chrysanthemums. It's just for the interest of the book itself, and it can't be elegant. 2 1 century, encouraged students to stick to the rules, and established the Heron Society in 2008.
Character experience
1972 was born in a scholarly family by the Hutuo River in Cangzhou, Hebei Province.
1983 I picked up the brush for the first time and wrote the regular script font of the primary school textbook.
1990 won the face-to-face copybook, which is a treasure.
1992, engaged in locksmith.
1994, specializing in metal lettering and posting constantly.
1998, resigned and took up stone carving, painting and calligraphy, and printing.
Worked in Beijing Liulichang in 2005.
In 2007, he was invited to visit Sanduoxuan.
In 2008, he returned to his hometown and founded the Heron Society.
Artistic style of painting and calligraphy
Cang Fu's "Poetry, Painting and Calligraphy" is self-taught and has a style.
As Mr. Cao Changhui said, "Cang Fu writes posts with sophisticated brushwork, strokes between words or withered vines in the mountains; Or a snake-shaped sword like a military commander; Between you and me, light and natural. Compared with what I used to hide, the style has changed. Delighted, write this passage and cheer for China friends; Calligraphy is worth a lifetime. The realization of life has its own path; Now that the road of calligraphy has been enlightened, how far is life?
Artistic thinking
1, explaining calligraphy
Since Yang Xiong put forward the theory that "the book is the painting of the heart" in the Eastern Han Dynasty, calligraphy has become an art and has been cherished by successive dynasties. From the Wei and Jin Dynasties to the Tang, Song, Yuan, Ming and Qing Dynasties and then to the Republic of China, famous artists came forth in large numbers. My generation firmly believes that calligraphy, as a branch of Chinese quintessence, will advance and retreat together with Chinese civilization. The prosperity of computer calligraphy can't replace literati calligraphy in the end, but set off the treasure of literati calligraphy, because calligraphy is not only an art, but also the embodiment of the writer's humanistic spirit and the hidden trace of the true portrayal of the writer's feelings. Therefore, the humanity, spirituality and individuality of calligraphy art are worthy of lifelong pursuit, and calligraphy will also show its unique charm with the progress of the times and shine brilliantly in the world art forest! —— In June 2008, Cang Fu was in Beijing.
Calligraphy is the art that people use time, experience and emotion to turn ink into lines. There is a saying that "words are like people" because the real art of calligraphy is not a simple imitation. It's not artificial. It is the accumulation of culture, the infiltration of thoughts, and the emotional catharsis of life experiences in an instant! - .
After writing the first paragraph, Mr. Cangfu founded Canglu Society in his hometown. In this paragraph, Cang Fu firmly believes that calligraphy will flourish. In addition, it also emphasizes the "character theory" of calligraphy, and writing is to write people.
2. calligraphy theory
Engaged in diversified calligraphy teaching for many years, he has formed his own teaching system and put forward "the second and third realm of calligraphy"
There are three realms of Cang Xie's calligraphy: first, he feels attentively, second, he writes patiently, and third, he insists on practicing. The perseverance of the three is hard to keep!
In the different stages of learning calligraphy, what kind of mentality do you have to learn in order to upgrade yourself to a new artistic realm? In the process of calligraphy learning, there are epiphany and gradual enlightenment, which belong to ideological consciousness, but it takes a long time to master calligraphy techniques. High-tech development and fast-paced life make children impetuous. How to study hard in calligraphy practice, understand the writing method of each stippling, write each word patiently, and cultivate children's persistent learning ability. It is a good improvement for children's impetuous mentality. -Four years, Cang Fu.
Mr. Cang Fu also edited many calligraphy textbooks, such as Hard Pen Calligraphy Textbook, Analysis of Yan Zhenqing's brushwork and Difficult Writing.
3. Teaching and educating people
Quotations from Cang Fu
1, don't carve with the ugliness of stone, don't chisel with the firmness of jade, don't chisel with the toughness of gold, stone carving has its flavor, jade carving shows its rhyme, and gold chisel is vivid. -traces of Yi Younian.
I like all the beautiful things in the world because of my ugliness. Over time, I walked step by step and felt the beauty of nature, only to find the ugliness in my heart. Since we know that "the heart is ugly", why not correct it immediately, correct it, correct it, correct it, correct it, correct it, be bodhicitta, and feel at ease. As for beauty, it is also called beauty! "Where's the Ugliness" I realized on the eve of the Sino-Japanese War of 1894-1895.
3. The "hometown of culture" is neither grand nor luxurious. It is a place where people learn and sublimate their thoughts. Just like Liu Yuxi's My Humble Room Inscription, there is no Ding Bai between us. What is "humble"? I remember when I was a child, my great-grandfather said that he had been chased by Japan before and wouldn't let him go to other places for classes. Perhaps this was his ideal "cultural holy land" at that time.
4, "boundary", some people have poetry in seven steps, and some people have to be "tired" after taking a thousand steps. The borderline of life is like a watershed, a desert, a cliff and a borderline. It is nirvana. I was born in Wu Jia, and I am a monk.
5, the vitality of art, don't go with the flow, herd mentality is the most terrible, if a person's thoughts have no roots, just like "duckweed in water" tracing back to ancient and modern times, all the classic works of art handed down, when you approach it, face it and read it, the artistic charm it carries will deeply attract you, the form it shows will shock you, and its story will make you cry quietly.
Character review
Mr. Guan Cangfu painted chrysanthemums, and he felt it and wrote a few words. Mr. Wang's calligraphy, painting and poetry all reflect his life course. In the postscript, Mr. Bai "lonely chrysanthemums don't compete with flowers, but seek glory with pines and cypresses", feeling the lack of painting, and explaining "my painting has history" with humorous poems. Hehehe, I have known Mr. Wang for many years, and I have also written poems and songs. November, Dragon Meeting between China and Japan
China friends write posts with sophisticated brushwork, strokes between words or withered vines in the mountains; Or a snake-shaped sword like a military commander; Between you and me, light and natural. -June 6th, the year of nonyl.
Pen ploughing and inkstone fields sow dragon's breath, and ink moistens spring buds. Liu Shuqiang
1. "Dragon Bamboo" is also called the bamboo of life. This style is rare in Cang Fu's works of art. From the "bamboo shape", we can see the momentum of dragon dance in the sky, and we can see its tenacious vitality and endless inheritance! Wu Jia Winter Moon, Huang Yuangu's "Treasure Mr. Cangfu's Language of Ink and Bamboo"
2. Cang Fu's calligraphy works have developed their own style after a change of 19 years, and have gone through five stages: childhood dream, factory engraving, tablet inscription, Beijing fine arts, and founding _ Lushe. In Mr. Kurashiki's decades of life, he never put down this pen. When he passed death twice, he interpreted him with a pen with a unique belief. After writing this couplet, the Heron Society was established. A few years later, lower case calligraphy reached its peak, and it was proposed to hold the "Three Boundaries of Tibetan Calligraphy" in Wujiaqian.