Just like in the early Western Zhou Dynasty, the national fortune was prosperous, and its calligraphy had to wait for a certain period of transformation before gradually establishing its own paradigm, so the calligraphy in the late Western Zhou Dynasty did not decline categorically. The typical and mature technology accumulated in the heyday made the writers in the late Western Zhou Dynasty swim freely in their creation. Even Zhou Liwang, who is famous for his violence, can faithfully convey the elegance and integrity of his heyday in his self-proclaimed calligraphy of "hurting his husband" and "hurting his husband's clock". Nevertheless, the late calligraphy still contains new elements different from the past, which makes the calligraphy of this period present a unique form. This new element can be summarized in two ways: one is change and the other is decline. Change is a rebellion against the slightly simple middle-term calligraphy; The decline is related to the expansion of local vassal forces and the decline of dynasties. Changes began in the era of Li Wang; The fading factor was latent and broke out suddenly after Wang Xuan Zhongxing.
In fact, there are many great works in calligraphy in this period. The inscriptions on bronzes such as Pan, Pan, Mao, etc. are all masterpieces of bronze calligraphy in the Western Zhou Dynasty. They have different styles, distinct personalities and irreplaceable artistic value.