What are Su Shi's main works?

Su Shi's literary view comes down in one continuous line with Ouyang Xiu's, but he emphasizes the originality, expressiveness and artistic value of literature. His literary thoughts emphasize "doing something and not doing something", advocating nature, getting rid of bondage, and "innovating statutes and releasing wonderful ideas". He believes that composition should be "like running water, with no definite quality at first, but always do what you should do and always stop where you can't stop." The artistic realm of "natural arts and sciences, rich body" ("Thank the teacher's book"). Su Shi's prose works are rich, and he is also known as Han Yu, Liu Zongyuan and Ouyang Xiu. The style of the article is concise and smooth, and it is unrestrained. Shi Dehong's "Postscript Dongpo (swimming on the left (xρn) in the pool" said: "His prose is like water, and his waves are naturally written." Su Shi and Ouyang Xiu, both called "Ou Su", are one of the "Eight Masters in Tang and Song Dynasties". Su Shi was the leader who presided over the literary world in the Northern Song Dynasty after Ouyang Xiu, and enjoyed a high reputation among the writers at that time. There was a time when many people made friends with him or accepted his guidance. Huang Tingjian, Qin Guan and Chao, writers of the Northern Song Dynasty, were all trained, rewarded and recommended by him, and were called the Four Bachelor of Sumen. On Fan Zenglun, Jia Yi and Pear Flowers in Donglan 2. There are about 4,000 poems by Su Shi, which have a wide range of contents and diverse styles, but they are mainly bold and romantic, which has opened up a new road for the development of Song poetry. Xie Tiao's "The Original Poetry" said: "The realm of Su Shi's poetry has never existed in ancient and modern times, and everything in the world has been inspired by God." Zhao Yi's "Ou Bei Shi Hua" said: "It is a spectacular sight for a generation to take literature as poetry and go from Changli to Dongpo Yida. ..... Especially out of reach, born with a healthy pen, as cold as a sad pear. Cut together quickly, and there is a sense of secrecy that must be achieved. Therefore, after Li and Du, it is a big family, not as good as Li and Du Chu. " His poems are fresh and vigorous, good at using exaggerated metaphors and unique in artistic expression. A few poems can also reflect the sufferings of the people and accuse the rulers of extravagance and arrogance. The bold and unconstrained writing has a great influence on later generations. "Nian Nujiao, Red Cliff Nostalgia" and "Shui Diao Ge Tou, Ice Dust Mid-Autumn Festival" are widely circulated. His poems include Seven Chapters of Dongpo and so on. There are more than 340 poems written by Su Shi, which break through the narrow theme of writing about love and parting between men and women and have a wide range of social contents. Su Shi occupies a special position in the history of China Ci. He extended the spirit of the poetic innovation movement in the Northern Song Dynasty to the field of Ci, swept away the traditional style of Ci since the late Tang Dynasty and the Five Dynasties, and created an unconstrained Ci school that kept pace with the graceful school, expanded the theme of Ci, enriched the artistic conception of Ci, broke through the boundary between poetry and poetry, and made great contributions to the innovative development of Ci. His representative works include Nian Nujiao and Shuidiao Tou, which created the first example of unconstrained ci, and was also called "Su Xin" with Xin Qiji. Liu Chenweng said in the preface to Xinjiaxuan: "Ci is broad and aboveboard, like poetry, prose and wonders of heaven and earth." Selected Poems of Su Shi: 1 Chibi Fu, 2 Hou Chibi Fu, 3 episodes, 4 first seen when I left Yingkou, it was the day when I arrived in Shouzhou, 5 spring nights, 6 begonia, 7 nostalgia for Hezi, 8 romantic trips to Mianchi, and 9 flower shadows 10 night view of the riverside (this poem was written for the author Su Shi to see the night view of the riverside) 3654.38668686866 24. Give it to Liu Jingwen. 25. On the 20th day of the first month, the county people Pangu and Guo sent the Jade Queen to the East Temple. 26. On the 20th day of the first month, they and Pan Guosheng went down to the suburbs. It suddenly occurred to me that last year was the same day I went to Queenstown to write poems, which was the rhyme of the past. 27 Klang Ganzhou (send some children), 28 divination operators (hang sparse trees without a moon), 29 Liang Zhu (flowers wither, red, green and apricot are small), 30 Liang Zhu (remember seeing the screen for the first time), 3 1 Liang Zhu (Michigan), 35 Dong Xiange (ice muscle jade bone), 36 Dong Xiange (Jiangnan full of wax). Slightly cold) 44 Huanxisha (Italy) 45 Huanxisha (watching fish in the crimson sun) 46 broken word magnolia (spring moon) 47 broken word magnolia (empty bed voice) 48 Jiangchengzi (Cui Wei is ashamed to look at people) 49 Jiangchengzi (on the lake, And) 52 Jiang Maoyi recalled the dream of the 20th day of the first month (ten years of life and death) 53 Linjiang Xianzi (waking up and getting drunk after drinking Dongpo at night) 54 (coming from Jianghan West) 55 (Qingying to the East) 56 Man (thirty-three years) 57 Magnolia Decree (the second Ou Gong West Lake rhyme) 6 1 Nanxiangzi (the first frost trace harvest) 62 Nanxiangzi. 438+0 "When is the bright moon" 72 "Go for a walk" 73 "Jade House Spring" 74 "Night Tour in Chengtian Temple" Su Shi's couplet: Even if there is no way to find it, I will not fall into the wild to live with people. Third, calligraphy Su Shi is also good at calligraphy and regular script, and he is also called "Song Sijia" with Huang Tingjian, Mi Fei and Cai Xiang. He studied under the famous artists of Jin, Tang and Five Dynasties, and made innovations under the influence of Wang Sengqian, Li Yong, Xu Hao, Yan Zhenqing and Yang Ningshi. The end of the pen is ups and downs, naive. Ziyun: "I can't have published a book"; There is another cloud: "Be innovative and don't practice the ancients." Huang Tingjian said: "In his early years, his pen was refined, not as natural as his boss"; Another cloud said, "When I arrived in Huangzhou, my pen was very strong." In his later years, he was influenced by overseas storms. In addition, his knowledge, mind and knowledge are outstanding everywhere, and his life has been ups and downs. His calligraphy style is rich and naive. You can imagine that he is a person by looking at his calligraphy. People and books respect each other. At that time, his brothers, sons and nephews, You, Mai and Guo, as well as his friends and Zhao Lingzhi studied under him. Later, famous historical figures such as Li Gang, Han Shizhong, Lu You, Wu Kuan and Zhang Zhidong also learned from him in the Qing Dynasty, which shows the great influence. Huang Tingjian said in Valley Collection: "Those who are good at books in this dynasty should take (Su) as the first." A survey of Su Shi's calligraphy works: Zhongshan Song Lao Fu, Dongting Spring Song Fu, Renlai Book Post, Folk Teacher's Paper Appreciation Post, Jiang Shang Post, Huangzhou Cold Food Poetry Post, Li Bai's Poem Post, Eryun Qin Taixu Poetry Post, Crossing the Sea Post, Several Poems in Sacrifice to Yellow, Plum Blossom Poetry Post, and Qianchibi Poetry Post. Poetic Rhyme of Talented Persons, One Night Post, Monument to Chen Kuige, Letter to General Manager Xu Ruo, Preface to Huai Su, Intimate Post, Fan Zifeng, etc. 4. Painting Su Shi painted bamboo in ink, learning to write together (that is, writing can be done), which is more concise than writing and has the potential to dance. Mi Fei said that he "made ink bamboo, from the ground to the top. I asked: Why not divide it into sections? Say: When bamboo is born, why is it born one by one? " He is also good at making strange stones. Mi Fei also said: "As a dead branch, bending is unreasonable; The stone is hard and strange and unreasonable, such as the depression in his chest. " It can be seen that his paintings are very strange and he wants to send them far away. His theory of painting and calligraphy is outstanding and his painting theory has far-reaching influence. For example, we attach importance to the likeness of spirit, think that "paintings are similar in shape, and we can see our neighbors", advocate that there is affection outside paintings and sustenance in paintings, oppose similarity and procedural constraints, advocate that "poetry and painting are unified, ingenious and fresh", clearly put forward the concept of "literati painting", and highly value the artistic attainments of "painting in poetry and painting in poetry". It laid a theoretical foundation for the subsequent development of "literati painting". The existing books include Huangzhou Cold Food Poetry, Cliff Ode, Paper of Thanks to the Teacher, Several Essays in Memory of Huang, Thousand Cliff Odes and so on. The surviving paintings include "Ancient Wood and Strange Stones" and "Bamboo Stone Map"; The "Xiaoxiang Bamboo Stone Atlas" discovered in recent years is also his work.