Calligraphy Yang Zaichun cursive works

Yang Zaichun Mozi was born in August 1943 in Tangshan, Hebei province. He is currently a member of China Calligraphers Association, a director of Beijing Calligraphers Association, a lecturer of calligraphy series on CCTV, a professor at Correspondence University of Painting and Calligraphy in China, and the president and editor-in-chief of Beijing Sport University Press. China's contemporary famous cursive writer. The following are the calligraphy Yang Zaichun cursive works I compiled for you, I hope they are useful to you!

Appreciation of Yang Zaichun's cursive calligraphy

Calligraphy Yang Zaichun cursive works pictures 1

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Yang Zaichun's Personal Achievements

Fold and establish China Calligraphers Association.

At the end of 1976, Mr. Yang and others established the "Beijing Calligraphy Research Association". From 1980 to 198 1, on the basis of "Beijing Calligraphy Research Association", * * * co-founded "China Calligraphers Association"; At the same time, he organized and participated in the first national calligraphy exhibition of China held in Shenyang.

Persistent pursuit of folding career

As a pen name, it reflects the degree of his persistent pursuit of a career, and also reflects a personality and temperament in his pursuit. As a "Mohist", he set such a tone for his calligraphy art: "keeping pace with the times, forming his own style and appealing to both refined and popular tastes".

What is said here is that the topic is too big to keep up with the times. We might as well illustrate it through an example. At the end of 2002, after the publication of a collection of his little moons, people found that most of his poems, photography and calligraphy were his creations. Photographic works are accompanied by poems, which are expressed by calligraphy. After the ingenious integration of the three, his talent, cultivation and experience are confirmed on paper. As far as ideology is concerned, a large number of contents in the collection organically unify the vision of contemporary people with the connotation in historical and cultural accumulation. As a result, pen and ink flow from page to page with great philosophy of the times like spring water. It is through this booklet that careful readers learn about the kung fu behind Yang Zaichun's art and discover his extensive thinking about China's multiculturalism and his exploration of the future development of calligraphy art.

1985, after the publication of his research experience for many years, cursive calligraphy was widely praised by the book circle and society, and was called "the first person to study calligraphy in China". The book was reprinted dozens of times and distributed more than 5 million copies. Later, more than 40 monographs and reference books, such as Structure and Composition of Chinese Characters, Running Script and Lanting Preface, Cursive Script and Symbol, were compiled in succession, with a total circulation of over150,000 copies, especially two books, An Overview of Mozhang and Yang Zaichun Calligraphy, which were personally reviewed and inscribed by Mr. Qi Gong.

Folding CCTV lecture

Since 1990, he has been a lecturer in calligraphy series in CCTV and Beijing TV, and has been invited to give lectures and personal calligraphy exhibitions in Japan, South Korea, Singapore, Malaysia, Switzerland, the United States, Australia, South Africa, Taiwan Province Province and other countries and regions.

Over the years, Mr. Yang has devoted himself to popularizing calligraphy education and injected great efforts into the cultivation of calligraphy talents. More than 0/00 students have been enrolled, and various calligraphy and hard-pen calligraphy books have been published to help teenagers learn calligraphy. 1990 As a lecturer of CCTV, he cooperated with CCTV to organize and broadcast "China Calligraphy Series Lecture", which has been broadcast for three years. At the same time, with the publication of four kinds of teaching materials, it has played a considerable role in promoting the popularization of calligraphy throughout the country and influenced a generation. It can be said that there are tens of millions of students at home and abroad.

Calligraphy style of folding rejuvenation

There is no trace on "a hundred flowers blossom, each table counts" However, this does not mean that he neglected the historical development of calligraphy. On the contrary, it is in the artistic conception of China's calligraphy with a long history and the same strain that he picked hundreds of flowers and brewed a honey alone. His calligraphy pursues the charm of Wei, Jin, Southern and Northern Dynasties, engraves the statutes of Sui and Tang Dynasties, prefers the posture of Song, Jin and Yuan Dynasties, and is elegant and simple in Ming and Qing Dynasties. He was particularly interested in the calligraphy of Su Shi, Huang Tingjian, Mi Fei, Cai Xiang and Cai Jing in the Song Dynasty. Not simply attracted by their font style, but with the help of the emotions of ancestors thousands of years ago, they moisten the existing creative source and seek the background and artistic conception of the times through their calligraphy style. He has traveled all over the country many times, looking for the original works in inaccessible places. Not long ago, he turned down a private business trip just to witness the rare original style of Mi Fei's "Yan" at an auction in Beijing. After watching it, he stayed up all night Last year, he visited Taiwan Province Province as a scholar, and the scholars of the National Palace Museum in Taipei took him and carefully appreciated more than a dozen national treasure calligraphy works in the museum. It is in the cycle of exploration and discovery that his calligraphy personality has been publicized. Every time he creates, he turns his thoughts and emotions into lines of calligraphy art. These lines are randomly placed, alternating shades, clean and decent, and express his spiritual art in the dark lines of pen and ink.

On the universality of calligraphy art from folding

Decades of extensive contact with the society have increased Zai Chun's understanding of a wide range of issues in calligraphy art, and as a result, his calligraphy works have gradually moved towards a society that caters to both refined and popular tastes. He believes that since the art of calligraphy can have a sense of the times and reflect a certain culture, its foundation is to be accepted by the broad masses of the people. If you pursue life, astringency, eccentricity and addiction wholeheartedly, then you are divorced from society. To this end, he strives for the combination of ideological content and characteristics of the times, and the unity and perfection of content and form.

The recently created "Quiet Reading Spring" is picturesque, although it is a calligraphy art. The font is silent, but the author's voice is clanking. Not music, but the harmony and agility of music. His works are not only praised by calligraphy circles, but also loved by ordinary people. At one time, he was invited to give a calligraphy lecture at CCTV. As a result, he spread the art of calligraphy to the whole world.

It is in this clue that the tip of the iceberg of Chunchun calligraphy art realm is transparently displayed.

Speaking of it, Yang Zaichun, who has worked in Beijing University of Physical Education for a long time, is actually one of his hobbies, but it is through his hobbies that people can get a glimpse of his brilliant and generous style and see the magnificent calligraphy building he built with pen and ink.