Yu Meiren Feng Hui Xiao Yuan Ting Wu Lv Original _ Translation and Appreciation

the wind returns to the small courtyard, and the willow eyes and spring continue. With the silence of the diaphragm for half a day, the bamboo sound is still like the new moon. The ice on the surface of the pool is melting before the song is over. The candle is bright and fragrant, and the painting hall is deep, and the temples are full of green frost and residual snow. —— Five Dynasties, Li Wei's "Yumeiren, Wind Back to the Courtyard and Green" Yumeiren, Wind Back to the Courtyard and Green Wind Back to the Courtyard, Liu Yanchun continued. With the silence of the diaphragm for half a day, the bamboo sound is still like the new moon.

the ice on the surface of the pool is melting before the song is over. The candle is bright and fragrant, and the painting hall is deep, and the temples are full of green frost and residual snow. There are 3 Song Ci poems, spring, nostalgic translation and notes

Translation

Spring breeze is blowing back, the weeds in the courtyard turn green, and the willows also give birth to tender leaves, and spring continues to come to the world year after year. Relying on the railing alone for a long time without saying anything, the sound of the flute was similar to that of the newly rising moon and previous years.

the music is not finished, the banquet is still going on, and the ice surface of the pool is just beginning to open. Late at night, the gorgeous and exquisite royal room became deep. I am old, and my worries are unbearable. Appreciation II

This is a work that expresses nostalgia for hurting spring. Judging from the whole poem, it is full of sad feelings of the past, which should be Li Yu's later works, so some people call it the second poem of the late master's desperate words.

This word traces the past to the present, which embodies the author's deep resentment and pain in the vibrant and uplifting spring scenery, and also contains the author's unbearable regret in his attachment and nostalgia for the past. Zhou Ruchang commented: "It's painful and thick, and it's extremely resistant to being swallowed. Scholars who play with it carefully can know many ways and express their deep meaning, and they are not moved by the words that are screaming and floating. " The word "creative background" should be written after Li Yu's subjugation. In the first month of the ninth year of Song Taizu Kaibao (976), Li Yu lost the battle and became a captive of the Song Dynasty. In the past two years, Li Yu has rarely met his old ministers and empresses, and there is no freedom of speech and action, and all parties and banquets are closed, and sometimes poverty is hard to say. This word was written under this background. Appreciation

At the beginning, it is said that the spring breeze has returned to the yard, and the grass in the yard is green again. New willow leaves grow on the wicker in the yard, which are as slender as people's sleep. When spring comes, such willow leaves are born continuously. The information of spring in the small courtyard written here can be seen from the green grass and the stretching and successive emergence of willow leaves. "Liu Yan's Spring Continues", written in detail, is the poet's observation. His sense of loneliness is also revealed here. He wrote about the spring scene when he was in Jinling in "Jade House Spring": "There was a bright snow at the beginning of the evening makeup, and the moths in the spring palace filed in succession. Feng Xiao blew off the water and clouds, and pressed the neon song all over again. " It was in its heyday, just in contrast to the loneliness in detention. Remembering the situation that day, he leaned against the railing for a long time without saying a word, revealing his painful feelings about his thoughts of his old country. At this time, I want to comfort myself, saying that the sound of the wind blowing bamboo and the shining of the new moon are still like those of the past. I think there are bamboos in the yard, the spring breeze blowing and the sound of bamboos. However, compared with the "drunk and exhausted" written in "Yu Lou Chun", the "half-day silence" at this time constitutes a sharp contrast. Li Yu, the monarch of the Southern Tang Dynasty during the Five Dynasties and Ten Kingdoms, was in office from 961 to 975, with a strong word, and his first name was Congjia, and his name was Zhong Yin and Lianfeng lay man. Han nationality, born in Pengcheng (now Xuzhou, Jiangsu). Li Jing, the sixth son of Yuan Zong in the Southern Tang Dynasty, succeeded to the throne in the second year of Song Jianlong (961). In the eighth year of Kaibao, Song Jun broke the capital of Southern Tang Dynasty, Li Yu fell to Song Dynasty, and was captured to Bianjing, where he was made a general and disobeyed orders. Later, he was poisoned by Song Taizong because of the noun "Yu Meiren" which was used to cherish the motherland. Although Li Yu doesn't know politics, his artistic talent is extraordinary. He is good at calligraphy, painting, intonation, poetry and writing, especially Ci. The masterpieces of the ages, such as Yu Meiren, Langtaosha, and Wu Yeti, etc. Li Yu, who failed in politics, left an immortal chapter in the field of ci, and was called the "Emperor of Ci through the ages".

Li Yu

leaps to Chang 'an every year. The guest house is like a family. There is nothing wrong with changing green money for wine, and the red candle calls Lu Xiao sleepless. Easy to pick Chinese characters in brocade women's machine. It's rare for a jade man to do things in his heart. There is a China in the northwest of the man, so don't shed tears on the west bridge. -Song Dynasty Liu Kezhuang's "Yulouchun Xilintui"

Yulouchun Xilintui leaped to Chang 'an every year. The guest house is like a family. There is nothing wrong with changing green money for wine, and the red candle calls Lu Xiao sleepless.

easy to pick Chinese characters in brocade women's machine. It's rare for a jade man to do things in his heart. There is a China in the northwest of the man, so don't shed tears on the west bridge. There are 3 Song Ci poems waiting for the plum blossom in the pavilion, and the willow on the stream bridge is thin. The grass is warm and swaying. Sorrow is getting farther and farther away, and the distance is like spring water. Inch by inch, my heart is tender, and my eyes are full of tears. The height of the building is not close to the dangerous fence. Spring mountain is everywhere in Pingwu, and pedestrians are even outside it. -Ouyang Xiu in Song Dynasty's "Walking on the Sha, Waiting for the Plum in the Pavilion"

Walking on the Sha, Waiting for the Plum in the Pavilion, Waiting for the Plum in the Pavilion, and the Liuxi in the Bridge. The grass is warm and swaying. Sorrow is getting farther and farther away, and the distance is like spring water.

inch by inch, soft-hearted, full of pink tears. The height of the building is not close to the dangerous fence. Spring mountain is everywhere in Pingwu, and pedestrians are even outside it. There are 3 Song Ci poems, graceful and graceful, writing scenery, leaving homesickness, sunny and misty. The green water and the new pool are full. Double swallow to weeping willow courtyard, small pavilion painted curtain high volume. Leaning alone on Zhu Lan at dusk. The southwest crescent moon is arched. The falling flowers and the wind are blowing, and Luo Yi is especially cold in spring. —— Five Dynasties Feng Yansi's "Qing Ping Le Yu Qing Yan Ye"

Qing Ping Le Yu Qing Yan Ye

Five Dynasties: 3 Feng Yansi Song ci poems, graceful and graceful, depicting scenery, women, lonely thoughts.