Influenced by his father, he liked painting since he was a child. From 65438 to 0928, he studied flower-and-bird painting with Li, Chen Donghu and meticulous flower-and-bird painting from Beijing Hushe Painting Association. He has participated in regular exchange art exhibitions sponsored by China-Japan Painting Association for many times, and his works have been exhibited in international exchange art exhibitions in Japan, the United States, Britain and France. Later, he was admitted as a researcher of flower-and-bird painting in the first phase of Chinese Painting Research Institute of Antiquities Exhibition Center. He studied under Mongolian masters Huang Hongbin and Zhang Daqian, and his artistic career was improved. Before and after the Anti-Japanese War, he was employed by Beiping Academy of Fine Arts and Beihuamei as a lecturer in flower and bird painting, and was appraised by Hushe Painting Association. At the same time, he organized a painting meeting with painting friend Yan, and taught meticulous flower-and-bird painting and boneless painting. Students are all over the country, famous painters such as Wu Wenbin and Li Jinglan. He is active in painting circles with his painting friends Tian Shiguang and Yu Zhizhen, and his works have been published in various painting magazines for many times and participated in art exhibitions. Creative pen is steady and changeable, rich and elegant in ink color, fresh and elegant in layout, and advocates imitating nature. The flower-and-bird painting has both form and spirit, and has profound traditional skills. His main works are: Misty Rain in the Lotus Pond, Four Screens in December, Four Happy Pictures of Peach Blossoms, Western jackdaw in the West of Snow Tree, Lotus Mandarin Duck and so on.