Chen, 1975, a native of Dazhu, Sichuan, lives in Beijing. Mr Wu Yueshi is his disciple. Researcher of China Academy of Fine Arts, member of China Artists Association, member of China Calligraphers Association, president of Beijing Tashan Painting Academy, and tutor of Chinese painting private school class of Beijing Tashan Painting Academy. His works have been interviewed and introduced by many art galleries, museums and private collections, many art newspapers and TV stations. Published poetry collections include: Mo Archives, Life is Earth, Questioning on the Journey, Seal Carving of Chen Calligraphy and Painting, Hundreds of Landscape Fans, Chen Sketch Collection, etc.
Chinese name: Chen
Nationality: China.
Ethnic group: Han nationality
Place of birth: Dazhu, Sichuan
Date of birth: 1975
Occupation: painter and calligrapher
Graduate school: Central Academy of Fine Arts
Main achievements: Member of China Artists Association and China Calligraphers Association.
Representative works: seal cutting of Chen's paintings and calligraphy
achievements of art
It was rated as the most academic painter and the most collectible painter. His works are painted and printed from books. Books, paintings and prints are quiet, lofty and harmonious, with great artistic characteristics. Known as the representative of the comprehensive artistic accomplishment of poetry, calligraphy and painting in contemporary painting circles. He has held solo exhibitions in Beijing, Guangzhou, Shandong, Anhui and other places, and his works have been collected by many art galleries, museums and private individuals.
Landscape painting adopts the method of Song and Yuan Dynasties, especially Ni Zan, Wang Meng, Shi Tao and Jian Jiang. Flower and bird paintings were taken from Xu Wei, Badashanren, Wu Changshuo and Qi Baishi. Their Chinese paintings are simple, gentle, distant, quiet, self-inspired, full of Zen, showing a quiet and peaceful, ethereal and harmonious poetic landscape. Calligraphy is the second king, Mi Fei, Su Dongpo, Shen, Zhao and Jin Nong; Combined with Oracle Bone Inscriptions, Six Dynasties steles, Cao Zhang and Han Li, the brushwork of his calligraphy works is Gu Zhuo, with simple stippling, muddy weather, arrogance and stubbornness without losing gentleness. Seal cutting has Oracle Bone Inscriptions and inscriptions, which are ghosted with a knife and printed from books. His seal cutting works are grotesque, simple and vigorous, with unique style and no lack of ancient meaning.
Artistic feature
The artistic style of his books, paintings and seals inherits the style of "simplicity, beauty and simplicity"; The spirit of "ethereal harmony in the garden" brings the "heart" close to the stippling lines, creates the environment with the "heart", and goes straight into the elegance, naive and full of Zen.
His brushwork is full of ups and downs between front and side changes. There is smoothness in astringency, elegance in astringency and atmosphere in elegance. In his paintings, poems, books, paintings and seals have different shapes, but they show amazing consistency in style and spirit. His paintings and prints can be described as extremely exquisite.
Publication of works
Art, China calligraphy and painting, Jiangsu Pictorial, China painter, Oriental art, art observation, China painter, China calligraphy, art market, collection world, China calligraphy and painting market, Rong Baozhai, art, painting style, art newspaper, China calligraphy newspaper, Youth Digest.
Major publications
Ink file
Life is dirty.
Asked in the queue
Chen painting and calligraphy yin
Landscape sector map
Chen's collection of calligraphy and painting essays
Collection of Chen's calligraphy works
Chen's Poetry and Landscape in Tang Dynasty
Chen Hua LUN
The painting language of Zhuting is very fancy. Strange habitat, especially pleased to be surprised in the middle! Go to Wan Li Road and read ancient books; It is better to visit famous mountains than water, watch the rain and dew, nourish the heart, and come out from the mountains and rivers in your chest.
Since Zhao, the theory of "painting and calligraphy are of the same origin" in painting has been regarded as a standard by painters of all ages and put into practice. Therefore, people who are good at calligraphy and painting are good, and practicing calligraphy is the only way to enter painting.
Bamboo court painting is not much ink, but there are many warts. "It is better to push a cart of weapons than to hit people with an inch knife", but it is better to be simple and complicated!
The Chinese painting of Zhuting is based on the level of realm. Chinese painting has three realms: one is to see mountains and the other is to see water; The second is to see that mountains are not mountains and water is not water; The third is to see the mountains or the mountains, the water or the water. Therefore, Chinese painting is not about technique, but about modeling.
Bamboo court painting language teacher Fa Gu, learning from nature and learning from heart are indispensable.
Painting in the bamboo court is the ultimate of writing, and the book is the voice of the heart. It is better to paint poetry with the heart of writing!
The combination of pen and ink in Zhuting painting is an element of Chinese painting. Pen without ink, ink without pen, ink without pen without ink, pen and ink must be _ _, dense, is chaos.
Mr. Wu Changshuo, a painter in Zhu Ting, said to himself, "The old man paints the spirit, not the shape", which can be seen from his ink. Although the emphasis is on "qi", the law is there. Although "meaning" is emphasized, there are forms. The old man Baishi also said, "Too flattering is not like deceiving the world", so law, meaning and form complement each other and are indispensable.
Zhu Ting's painting language has charm, rhyme comes from pen and ink, and pen and ink comes from the heart, so there is a saying that "law comes from the heart"; Charm should be based on clear air, escape air and bookish air.
Bamboo court painting language books can't be ancient without brush seals, books can't fade without Wei and Jin Dynasties, books can't be correct without Tang Kai, and books can't be strange without Song and Yuan Dynasties. Books can't have feelings unless they enter the Ming and Qing Dynasties.
Zhu Ting's painting and writing should be harmonious, skills and techniques should promote each other, and painting should be the same.
The language of bamboo court painting is landscape painting, and the word "fate" is precious. Life is reason, spirit is qi, and meaning is realm. Hao Jing, a landscape painter of the Five Dynasties, said in "Bi Tan": "Seek the wonderful and create the true"; Qianshan is a painter, only one peak is green, so sketching is to write "truth".
Zhu Ting painted official script, which inherited the meaning of ancient brush seal, and opened official script in the second half. According to the age, Tang and Qing dynasties, "Li should be refined and dense". Xili, when pursuing simplicity and elegance, waves are not made of waves.
Famous comments
Shi Tian's paintings are fresh and powerful, which is due to years of gentle cultivation of poetry and calligraphy. His landscape painting is entirely his own style, but the statutes come from tradition, and the landscape is like fish scales, which is ancient and new in meaning. The real rise of Chinese painting, especially freehand brushwork, depends on these people in the sixties and seventies. Ten fields have great potential and are the best of this generation.
Wu Yueshi
There are great talents in ten fields. He has a profound understanding and outstanding attainments in calligraphy, seal cutting, painting and many other aspects, especially in landscape painting. Geng Jie is ten fields, sincere and pragmatic. His art, like his own, has profound connotations. He never preaches, and everything is expressed by actions. Not only that, but he also followed the principle of simplicity and metaphysics in Chinese painting, and actually managed the structure in a virtual place, both virtual and real. This is what everyone who wants to know about Chen and his landscape paintings should know. "People are as picturesque as they are" is a cliche, but it is fundamental.
-Yang Zhongliang
Chen's way is a release of forbearance. He used loose and hairy lines and dry ink to deduce a distant and quiet landscape. Draw a brief outline and use fewer strokes. The texture of rocks is mostly replaced by the rendering of clouds and water. Landscape structure, mostly long or square, has a stable end, so what is the ancient meaning?
-Qiu
Appreciation of Chen's works