Calligraphy also sings, horizontal and vertical, that is, notes, songs also use gas, wrist strength is singing, and moving songs have floated since ancient times! Calligraphy also dances, either vertically or horizontally, or with a twist of a pen. The center is offset, withered or moistened to show its wonderful charm, and the footsteps in the historical space move, leaving a series of classic dances. Calligraphers in ancient and modern times are all such singers and dancers. Among contemporary calligraphers, Xiao Hu Hudequan is an outstanding representative. Hu Dequan's calligraphy has a unique artistic charm, similar to the beauty of nature. Can not be forced, strict statutes, excellent flexion and extension, or become a magnificent Long song, or become a gentle dance. His calligraphy is "the desert is lonely and the smoke is straight, and the long river sets the yen." The majestic image has the extraordinary momentum of "Dapeng spreads its wings for nine days and hangs over Wan Li for three thousand years", and its calligraphy art style is exquisite, natural and harmonious, free and easy, which deeply infects the majority of calligraphy lovers, even rural farmers and urban citizens. Hu Dequan, pen name Xiaohu, is a poet and calligrapher. 1970 was born in Maiji District, Tianshui City, Gansu Province in July, and graduated from China Correspondence College of Painting and Calligraphy. He is currently Deputy Secretary-General of Qingxin Painting and Calligraphy Institute of China Qingxin Culture Association, Secretary-General of Gansu Branch of China Qingxin Painting and Calligraphy Institute, researcher of China Culture Hall of Fame, director of China Calligraphy Artists Association, academician of China Oriental Poetry and Calligraphy Art Research Institute and director of China Literature Artists Association. Xiao Hu began to learn calligraphy at the age of twelve, and later studied under Mr. Su Bo. Looking closely at Xiao Hu's calligraphy, besides the word "Buddha" in his calligraphy works, we can also see the style of Jin and Tang Dynasties, and there is a charm of Wang Yan between his strokes. The rest of the calligraphy posts make the first-time appreciators think hard, but when they come to the end of the road, they suddenly realize it. It is a big mistake to comment on Xiao Hu's calligraphy with the rigid view that pens and characters are related. In fact, Xiao Hu studied Yan and other schools extensively in his early years. However, since he followed the famous teacher, he has focused on the Song posts, such as Su Dongpo-Huang Tingjian, and then read the posts. In particular, he finally saw the similarities. Song Tie was born in Jin and Tang Dynasties, but he developed a new way. Since the Song Dynasty, China's calligraphy has not only changed in strokes, but also innovated in style. The so-called Song Dynasty calligraphy of later generations is related to their changing the ancient method and pursuing the artistic conception and interest of calligraphy in brushwork and structure. Monographs are fantastic in structure and creative in composition. Transposition is often used to break the boundaries between words, so that lines form new combinations and the rhythm changes strongly, which has special charm. Xiao Hu was immersed in Song posts. After years of loneliness and penance, he integrated his knowledge and attached his unrestrained temperament, and finally made a positive result. There are three reasons why people like the word "Xiao Hu" at first sight. The first is to inherit the historical roots and accumulate cultural details. Xiaohu's calligraphy not only has the ancient rhyme of Jin, Tang and Song dynasties, but also is good at writing cursive script and seal script. Calligraphy is full of desert glory and shows the great beauty of Populus euphratica spirit. The so-called soil and water also support one person. In his calligraphy, you can smell the north wind in the northwest, and you can feel the massiness of Xihe Huang Wenhua. Such as the word "Buddha", dignified and rich, pure charm of Jin and Tang dynasties; "Heaven rewards diligence" is strong and heroic. "Mountain is the peak" and "Phoenix Mountain" embody the exquisiteness of China's hieroglyphics. That arrogant man's legs, climbing the peak is not worth mentioning, and man himself is a towering peak. At first glance, the word "phoenix" was written backwards, thinking that it was a slip of the pen. I thought that the calligrapher deliberately did it, and the phoenix was harmonious and connected. Who can say that his cultural foundation of seven-step poetry has no influence on his calligraphy? The second reason is that we are determined to change and have a distinct personality. Real calligraphers are unconventional and dare to innovate. After touching ink in Linchi for decades, I woke up with morning dew. Mr. Xiong Bingming, a sculptor of calligraphy and painting in China, once said: "China's calligraphy is actually expressing the realm advocated by China culture." Form serves content. There is no need to be bound by stereotypes in this state. Therefore, in Dequan's calligraphy, we see strange phenomena caused by different contents: solemn, lyrical, wild, combining rigidity with softness, there is a shocking spirit in rushing to foreigners, or like thunder or gentle spring breeze, like the ancients, purely ingenious and without artistic soul; Unlike the ancients, just like duckweed without roots, it grows wantonly and pollutes a clear river. The difference between similarity and dissimilarity is just right, which forms Hu Dequan's unique calligraphy style. Although the author didn't see Xiao Hu's words with his own eyes, he read his words and thought about his posture, but his writing must be tightly biting the paper, rustling and walking like a dragon snake, piling up like horseshoes, blowing sand like hooves, the turbulent intersection of time and space and the surge of emotion surge, and writing my heart by hand regardless of the so-called rules. How can the flowers and plants in the greenhouse be compared with the flowers and plants everywhere? The third reason is that the temperament is flamboyant and the atmosphere remains unchanged. The core reason why people like his words is that from his words, we can see the true beauty of natural mountains and rivers, and we can see his lush and colorful mood. The concentration of monasticism in the secluded valley, the words in the wild, and all kinds of art types, whether poetry, painting or calligraphy, are great works infused with great feelings of true nature, and the words of true nature are often beyond the law. How much talent, how much talent, how much anger and how many strong songs there are, it is really difficult to measure the sea with an example. True temperament, good words. For example, Yan Zhenqing's "Many Pagodas" and "Diligence Monument" are loved by the world and follow the rules, which is also the way to get started in calligraphy. But his "Sacrifice to the Nephew" is the most touching, expressing his true colors, a work of blood and tears, a work from afar, and a work that breaks the ground! Such natural works are the most difficult to copy, and stones without feelings are difficult to open. Calligraphy is not only a stroke, not only a frame, not only a layout, but also a moving place in Long song, dancing with wide sleeves, the blood of the brave, and a lofty dream! As the saying goes, words are like people, which is the truth. Xiao Hu's affectionate brushwork and rich colors have injected human spirit and temperament into calligraphy and made it full of vitality. Although people have never met before, they feel cordial, and they know Xiao Hu from his words. Xiao Hu's calligraphy is full of praise. Among them, a Liaoning poet commented: "This is the greatest calligrapher I know, with a wonderful pen and a top figure. I don't say I'm superior, but I'm still a gentleman. Its extensive knowledge and excellent quality, lofty and lofty mind, erudite and insightful knowledge, smart learning tools, learning and learning at home, calligraphy outside, what you see is wide, what you take is fine. It is a rare scholarly world, exuding personality charm. The works are fascinating, graceful and bold, smooth and gorgeous, and convey implicit and dignified. The connotation of knowledge culture is quite rich, with distinct literati temperament. It can be said:' words can teach people, and light can guide people'. Tiger's glyph structure is exquisite and his technique is precise. In this elegant realm, calligraphy is elegant and elegant, which makes people intoxicated at a glance. It can really be said:' the heart is as far as wild crane dust, and the poem is as clear as curling.' "。
(For details about Hu Dequan, please refer to Baidu Encyclopedia) We sincerely wish Hu Dequan's calligraphy art everlasting!
Hu Dequan Mo Cai Fu Style Author: Yong, Qin, Han, Wei, Jin, Tang and Song Dynasties ... The calligrapher is vigorous, the peaks are protruding, the two kings are attached, he is drunk, his face is full of bones and willows, he is crazy about Yang Xiuou, and his rhyme is pale yellow, and Su ... The mountain is very high! Calligraphy of literati in the Republic of China, connecting the past with the future, achieved beautiful scenery; Nowadays, calligraphy is surging, although it is difficult to catch up with the ancients, but it has no ancient and modern skills, but also has extraordinary colors, vividly, and the Chinese nation is magnificent. For example, the rise of Maijishan in Huang Xi's hometown-Tianshui Hudequan is the true biography of a teacher, Su Bo, who practiced calligraphy as a teenager and was an outstanding calligrapher in Shaanxi, Gansu and Ningxia. As for the magic of using a pen, it is difficult to understand it in detail. Talented people express their arms with strange ambition, and the soil is imitated in calligraphy. It is poetry, temperament, interest, simplicity, childlike interest and brilliant ink color. Learn from Song people and be kind; The steps are too white and unromantic, and The Book of Songs becomes elegant. Embrace spring flowers to warm the sun into the heart, and embrace autumn water as the emblem; When the willow branches are scattered across the rainbow arc, the brushwork is graceful, the meticulous brushwork is affectionate and gentle, and the pen and ink are vigorous and powerful; Life is colorful, involving clear water and tasteless, and chaos all over the world melts into black and white. Lin Tao roars with thick ink and sticks respectfully. His books are also full of bones and muscles, rich in writing, rich in soup, long and faint, with loud drums, fluttering strings, dazzling and colorful, blurred and changeable, clear and clear, and loud in yellow bells, so it is obvious and invisible, and melts into charm. I was lucky enough to exhibit his calligraphy with Dequan in Heilongjiang, Kyrgyzstan and Zhejiang provinces, or to paint for friends impromptu, or to elaborate exhibitions, and I was impressed and moved by his heroic attitude and his thoughts. Dequan calligraphy is deeply loved by everyone. I feel that its creativity is unique, with Tang and Song styles, such as the word "Buddha"; There are new ideas of the times, such as "China Feng Shui". It seems ancient but not ancient, and the rules are far away. Depending on the connotation and feelings of the book, I will meditate every time I comb my hair, and there is noise all around. The book is in a valley. It has entered the artistic beauty, how can I tell through all these clouds? . When writing, it is full of poetry, with long rhyme and heavy ink symphony. Gradually sweating, gradually relaying with Du Kang, calligraphy is the exquisiteness of the embroidery worker, and calligraphy is also the heavy physical strength of the hammer, seeking full charm. Although weak, but the face is bright and artistic smile. Feel its calligraphy style, there are northwest fields, smell the north wind of the desert, and the eagle hits the sky directly, which is magnificent and broad. There is a kind of brute force and domineering in brushwork, and some unreasonable brushwork surprises me. Suddenly, the melon was cut, split and became a family, which was reasonably accommodated in a perfect layout. For example, many strokes in this post are illegal. God, the word "Tian" is actually a reverse stroke, but it looks harmonious as a whole. Looking at his calligraphy, I feel the character, Geng, rate and fire of his northwest man. For wine, the grain is not bling, it is a simple and honest Maotai. The rich aroma of wine in calligraphy is attached to its profound cultural accomplishment, especially the unique instrument of seven-step poem, which makes its calligraphy artistic charm increase sharply. I feel majestic, Long song is sad and sorrowful, and the word "Buddha" makes people pay tribute; "Words don't spit fast ..." Post, elegant; "An upright person, an upright person" is more sincere. Excited and majestic voices gushed from the blood, such as Song of Youth and Gorgeous Sunset. All works of art full of great feelings and surging out are great works, even rock-breaking works. The most striking feature of Dequan's calligraphy works is to pour out true feelings and sincerity. Recently, Zhejiang and Hangzhou held the "Painting and Calligraphy Exhibition of Ministers, Generals and Famous Artists of China", and Dequan became the highlight of the exhibition, and major media focused on Dequan in succession. Dequan is in the prime of life, which is the blowout period of his artistic creation, and it is also the time for him to constantly improve and perfect. Art is endless, and it is also a compulsory course for Dequan to learn from the tablet and stick to his post every day. Sometimes you need to have a rest and tidy up, which is the only way to glory. Fu Sheng wanting more, wrote a poem:
Cherish the ink, spread your wings, show the artistic conception of Xiao Lake, overflow the ink, overflow the roots of integrity, flood the earth, shed the inkstone, walk the lightning, wave the drunken sword of Tianshui, show the dragon flying in the clouds, the chest of the brave, and strive to write the ethereal spirit full of love. Danxia will naturally climb the peak and have a brighter tomorrow.
(Ding, pen name Harmony, Kevin·Z, 1956 was born in Shanghai. He used to be the secretary-general of Shanghai Seal Association and assisted in the management of Shanghai public security special industries. He was the secretary and director of a factory in Shanghai, the general manager of a shopping mall in Shanghai, the director of Shanghai Hongkou District Book Review Association, the editorial board of Reading Exchange, the director of Shanghai Hongkou District Film Critics Association, the host of Film Theory, and a member of the literary criticism group of Shanghai Workers' Cultural Center. Over the years, he has published articles on literary criticism-newsletter-news-art appreciation in China Film Newsletter, Film Review, Shanghai Arts and Crafts, Wen Wei Po, Jiefang Daily, Xinmin Evening News, Youth Daily, Labor Daily, Shanghai Business Daily and Shanghai Culture and Art Newspaper. )
It is planned to publish Poems Collected by Calligraphy of Hundred Family Names and Poems Collected by Xiao Hu.