Analysis of the four major techniques of ink and wash figure painting
The four major techniques of ink and wash figure painting are base painting, alum painting, gold and powder heaping, and three alum and eight dyes. Do you know the specific content? The following is an analysis of the four major techniques of ink and wash figure painting that I have compiled. It is for reference only. Let’s take a look.
Base technique
The base technique of ink figure painting is mainly for the use of art pigments, unlike watercolors and oil paints that are often mixed with each other. The illegalities of priming can be simply divided into ink priming and color priming.
When painting ink and light colors, generally use ink as a base. For example, when painting the face of ink and wash figures, at the junction of light and dark, the chin and part of the neck, use light ink to make a base first, and then Then wear ocher. For example, if you are painting a hand, you can also use light ink to bake out the undulations on the raised joints and then color them. On the one hand, it can increase the thickness and muscle feel of the hands, and on the other hand, it can avoid the excessive single tone of ocher. If you are painting a blue shirt, using ink as a base for ink figure paintings can also enhance the texture of farm clothes. In addition, when painting a pure outline, In the form of the base color, you can also use the base color priming technique.
If you are painting a grassy slope in an ink landscape painting, first use ocher as a base and then cover it with grass green to show that there is some loess layer underneath the sheet. Or if you are painting with gold, you can also use yellow as a base first. Using storage stone or grass green as a base for green can increase the thickness. In addition, cyan blue is used as the base for the gypsum, magenta and Shuyuan are used for Korean sand, and azurite is used for the front of the meticulous flowers and leaves, and grass green or stone green can be used for the back.
Alum painting techniques
The use of alum to assist painting has gradually been used by Chinese painters. Many contemporary Chinese painters like to use alum water to paint rain and snow, and use raw rice paper to arrange according to sketches. , sprinkle the snowflakes or raindrops made from muscle water, and then apply ink, then wherever there are alum dots, they will become snowflakes and raindrops.
Women, children and floral clothes can also use alum water to outline patterns and then dye them through to make the patterns look natural. They can also be used for festival lights, fireworks, carp scales, and branches hanging with snow. Alum water creates unexpected effects.
The traditional Chinese painting technique of gold-pile powder
In the color paintings of ancient Chinese architectural structures, the technique of gold-pile powder is often used. The technique is to mix seven parts of finely pounded loess and three parts of bean flour into glue to form a mud, put it into a small cloth bag, squeeze it onto the painting through a tube, and then apply it with lime yellow, gum vitriol water and tung oil. When it is still wet and sticky, apply gold foil and rub it slowly to give the picture a thin interior carving feel. This technique is also widely used in Buddhist temple murals to depict clothing, crowns and accessories, which can enhance the festive, auspicious and magnificent atmosphere and enrich the sense of national color.
The technique of piling gold and powder is not suitable for painting on paper and silk materials, because it will easily fall off over time. However, it is still feasible to use the gold sentence method after draining the powder with light clam powder. If the clothing and blank spaces of Chinese ink and wash figures need to be decorated with gold or silver thin foil, they can also be directly pasted on the painting with glue. .
Three Alum and Eight Dyeing Techniques of Traditional Chinese Painting
Alum can play a role in fixing colors and can also mature raw paper. For example, when painting the face of an ink figure painting, if it is dyed with heavy colors, , you can first draw the face of the ink figure painting on raw rice paper, and then spread it with alum water and then apply heavy color. This can not only maintain the pen of the rice paper, but also make the heavy color apply finely and evenly without water lines. If the glue of the color is too small and the color floats on the paper, you can also lightly apply alum water and the color will be fixed.
According to the "Tang Liu Ru Painting Manual", meticulous flower and bird paintings must reach three vitiligo and eight dyes to achieve a perfect effect. For example, the rouge-colored flower heads are painted with sand. After the background color is dyed with rouge, the color It is easy to float and mix with rouge. In this case, you can dye it with a layer of alum water before painting, and it will stop floating. It is not necessary to dye too much each time. After that, every time you dye one or two layers, you should cover it with a layer of alum water. You can dye it eight times at most, so there is a saying of three alum and eight dyes. Paintings with heavy color and standing powder are also placed in front of the painting, and there is also a layer of alum water to prevent the color from bleeding and dehydration.
The techniques for painting green landscapes are generally the same. For landscapes with stone green as the base, before drying and dyeing the yin and yang with grass green, you can also apply a layer of alum water, then apply 10,000 rubbers, alum and dye again. No matter how you over-dye, the color will not run off or mix. However, the alum water should not be too thick, otherwise the picture will become brittle. Rinse the alum water and lick it with the tip of your tongue. If it is too astringent, it means the concentration is too high. If the taste is not astringent but slightly sweet, then the alum water is suitable. It appears in the general bag color, so alum water is no longer used.
Expansion: Sentences to describe ink paintings
1. Ink paintings are lifelike. Rich ink and rich colors, beautiful mountains and clear waters.
2. Ink painting is a historical cultural relic of China, and it also symbolizes the culture and development of the Chinese nation. Ah! Ink painting, I love you.
3. The history of ink painting is particularly long. According to legend, it began in the Tang Dynasty, matured during the Five Dynasties, flourished during the Song and Yuan Dynasties, and continued to develop since the Ming and Qing Dynasties and into modern times. Take the brushwork as the main method and give full play to the function of the ink method.
4. Ink painting is my favorite painting. It is not as rich as oil painting, nor as rich in color as gouache painting. Although it has few colors, it is still elegant and noble.
5. The ink painting is very beautiful. Under the gentle morning sun, among the densely packed green wisteria leaves, there are a few leaves stained yellow by the sun.
6. I have a special liking for Chinese ink paintings. With a few faint strokes, he outlines a paradise-like place, as if he could be in it, turning into a shepherd boy on the back of a cow, playing the bamboo flute in his hand, and the long and profound sound is haunting. Black mountains, white water, the world intertwined with black and white, how clear, pure, simple and unpretentious it is.
7. What an interesting ink painting. A shepherd boy wearing a raincoat is carrying a chicken coop and weaving. Behind him is a clear stream. The soft catkins are carrying a big Japanese melon sinking to the bottom of the lake. Who is this naughty and naive person who did such a stupid thing? After taking a closer look, it turned out to be a few children wearing felt hats and cotton-padded jackets!
8. Although it is difficult to draw ink paintings , but from it I felt a spirit of perseverance and never giving up. You can also get endless fun.
9. He performed simple ink painting to the extreme. The crayfish playing in the water came to life, almost wanting to escape, but the rice paper turned into reality.
10. I am a girl who loves ink painting very much. Whenever I have free time every day, I will pick up a brush and add a little color to the pure white paper. ;