The sound of frogs and cicadas is annoying. A metaphor for a poor discussion or article.
Original content:
"I don’t know who wrote eight small poems with titles on the boat Chen took when he left the capital"
Frogs croaked in the green grass, and cicadas moored in the grass. Noisy Yangpu.
My trip was also by chance, and it was raining recently.
The birds are so happy that they forget about the hook, and the fish are so happy that they forget to hook the bait.
Why choose where to settle down, when the world is turbulent.
Fireworks are shaking the village, and the morning light is still faint.
Everywhere is good in the countryside, but Yuan Ming and Hu will not return.
I walk without any trouble, and my faith is flowing with ease.
The city of Chuanliu Village is bustling, and the gate is cold and the waves are rising.
The boat people are suffering from the heat and stay here at Qiaomu Bay.
The clear moon has not yet risen, and the black clouds are like decaying mountains.
The sound of the earth is called Wanqiao, and the wind disperses the Tianchi.
In a moment of noisy, buckets and dustpans were hung up.
Yingshui is not Hanshui, it is also called grape green.
I hate the fact that there is no Xiangyang son, so I ordered him to sing the Tongtang song.
Although my poems are clumsy, my heart is calm and my voice is harmonious.
After all the troubles in the past year, there is no wave in the ancient well.
About the author:
Su Shi (January 8, 1037 - August 24, 1101), also known as Zizhan, also known as Hezhong, also known as Dongpo Jushi, known in the world as Su Dongpo, Su Xian. Han nationality, a native of Meishan, Meizhou (now part of Meishan City, Sichuan Province) in the Northern Song Dynasty. His ancestral home is Luancheng, Hebei Province. He is a famous writer, calligrapher and painter in the Northern Song Dynasty.
In the second year of Jiayou's reign (1057), Su Shi became a Jinshi. During the reign of Emperor Shenzong of the Song Dynasty, he served in Fengxiang, Hangzhou, Mizhou, Xuzhou, Huzhou and other places. In the third year of Yuanfeng (1080), he was demoted to Huangzhou and served as deputy envoy of Tuanlian because of the "Wutai Poetry Case". After Zhezong of the Song Dynasty came to the throne, he served as a bachelor of Hanlin, a bachelor of imperial examination, and a minister of the Ministry of Rites. He also went to Hangzhou, Yingzhou, Yangzhou, Dingzhou and other places. In his later years, he was demoted to Huizhou and Danzhou because of the new party's rule. Emperor Huizong of the Song Dynasty was pardoned and returned to the north, but died of illness in Changzhou on the way. During the reign of Emperor Gaozong of the Song Dynasty, he was given the posthumous title of "Wenzhong" as a posthumous gift to the Grand Master.
Artistic achievements:
Calligraphy
Su Shi is good at writing running script and regular script. Together with Huang Tingjian, Mi Fu and Cai Xiang, he is known as the "Four Masters of Song Dynasty". He studied the masters of Jin, Tang, and Five Dynasties, and then integrated the creative styles of famous masters such as Wang Sengqian, Xu Hao, Li Yong, Yan Zhenqing, and Yang Ningshi to form his own style. He once claimed: "I have no creativity in writing" and "I come up with new ideas and do not follow the ancients". Huang Ting insisted that he: "In his early years, he was very skilled in using pen, but he was not as natural as his elder brother." This shows that Su Shi experienced many ups and downs in his life, which caused ups and downs in his calligraphy style. His extant works include "Chibi Ode", "Huangzhou Cold Food Poems" and "Jidao Wen in Honor of Huangzhou".
Painting
Su Shi is good at painting ink bamboo, and pays attention to spiritual similarity in painting. He advocates that there is emotion outside the painting, and the painting must have sustenance. He opposes similarity in form and the constraints of procedures, and advocates that "poetry and painting should be the same as the original." , Heavenly craftsmanship and freshness", and clearly put forward the concept of "literati painting", which laid a certain theoretical foundation for the future development of "literati painting". His works include "Scroll of Ancient Trees and Strange Rocks", "Scroll of Bamboo and Stone in Xiaoxiang", etc.