Appreciation of Chen Zi's Calligraphy Works
Pictures of Chen Zi's calligraphy works 1
Picture 2 of Chen Zi's calligraphy works
Picture 3 of Chen Zi's calligraphy works
Figure 4 of Chen Zi's calligraphy works
Calligraphy? Rhyme?
Huang Tingjian, a calligrapher in the Song Dynasty, once said: Rhyme is the main theme of calligraphy and painting? Books can be read in rhyme, as if. ?
China's pursuit of books, paintings, poems and other arts, after the development of the Tang Dynasty, gradually changed from theoretical discussion to the pursuit of conscious charm, which made a great leap in art. As far as calligraphy is concerned, it existed as early as the Jin Dynasty? Shang Yun? For example, in the Catalogue of Ancient Paintings by Sheikh in the Six Dynasties, he put forward six criteria for evaluating figure painting, which are called? Six laws? , the first mark? So is vivid charm. ? Regard charm as the first of the six laws. What will it be in Hao Jing's On Calligraphy in the Five Dynasties? Six laws? Analyze and sort it out? Six essentials? , unique in charm? Rhyme? , calligraphy and painting art? Charm? 、? Aftertaste? And then what? Outside the image? And other aesthetic pursuits.
This pursuit of calligraphy and painting art is closely related to the pursuit of poetry art. Tang Tu pays attention to poetry from the perspective of verve and thinks that good poetry must have? Not rhyming? 、? The implication? . Want it? Beyond the image, in the ring? ,? Did you have a good time without saying a word? . This means that we must get the charm from the emptiness outside the symbol, and never understand the meaning outside the rhyme. Song used Zen as a metaphor for poetry, and proposed that poetry should be like this. Antelope hanging on the horn, no trace can be found, its beauty is exquisite? Such as the voice in the air, the color in the phase, the moon in the water, the phase in the mirror, have endless words? . Does this just mean? Empty? And then what? Virtual spirit? To produce charm. Fan Wen, a contemporary, is in his "Poetry Eyes for the Stream"? Rhyme? Made an exploratory explanation:? Meaning rhymes? ,? Lack of rhyme? ,? Walking in Pingyi, not boasting or dazzling, winning by rhyme? . ? Rhyme? Is it? Beyond meaning? . ? Insufficient? ,? Pingyi? Talent? Yunsheng? . Wang Shizhen advocated the theory of verve in Ming dynasty, with special emphasis on it? There is no phase in the mirror, and there is no trace in the water. Hue is empty? , emphasize? Empty? Words, emphasis? Remove? Is it just? Empty spirit? 、? Qingyuan? It's verve.
So, only? Virtual? 、? Empty? 、? Empty spirit? 、? Qingyuan? Fang appeared verve, in? Beyond meaning? 、? Insufficient? 、? Pingyi? To produce charm. So? Rhyme? Is it an artistic aesthetic standard or a process? The heart moves with the pen, and the photo is not confused. The artistic effect achieved is as ethereal as a flower in a mirror and as unreal as a gazelle. Where must people start? Outside the image? 、? In the ring? This ethereal place, okay? A taste other than the taste? 、? Meaning beyond the image? From where? Insufficient? 、? Residual meaning? To understand? Not rhyming? . A word? Rhyme? Is it through? Virtual? Expressive.
Actually, I already had it, okay? Virtual rhyme? Said. Zhuangzi said? The empty room gives birth to white, but the Tao is empty? . Da Zhongguang:? Virtual and real? . Gao Danfu:? Is there an aura in the air before the pen and ink have arrived? . Philosophy? Tao? Gathered in a virtual place, people chew endlessly. Calligraphy and painting? Wonderful scene? Where there is no painting, it is inexhaustible. Created? Reiki? In the empty space where pen and ink have not arrived, it is endless. Virtual leads the realm of imagination to the depths. Only? Virtual? Only in this way can imagination spread its wings and fly. Only? Virtual? Let people imagine, endless aftertaste, but only? Virtual? Only in this way can people chew the mysterious and endless charm and charm.
Calligraphy? Virtual? In contrast to black and white, it refers to the blank in composition. As far as the reality is concerned, it also refers to the virtual front and out of focus in the pen, including the pursuit of the little three style, naive, simple and clumsy. The pen center is lifeless and lacks charm. Adding some imaginary fronts, such as flank and flying white, will make calligraphy escape and bring charm. Mi Fei once said to Song Renzong when talking about calligraphy. Cai Jing can't write, Cai can, but he lacks ease. Cai Xiang rejoices with ci, Du Yan releases ci, Huang Tingjian paints ci, Su Shi paints ci, and I brush ci. ? Miffy said to himself? Brush words? In fact, he boldly innovated calligraphy and pursued it with a pen? Brush? Virtual spirit, pursuing natural fun. He also proposed:? Guilty hands, innocent vibrations? Other people's traditional customs, such as music, posing, painting, painting and coquetry, are all broken. Most of his words are oblique, and they are naive in Wei and Jin dynasties, so they have the charm of virtual front. His originality lies in laws and regulations. If Cai Sheng is in the degree, Su Sheng is in the interest, and Huang Sheng is in the posture, it can be said that rice is better than rhyme. He successfully dealt with the unity of calm and flying.
So-called? Have a aftertaste? And then what? Insufficient? , is to avoid prevarication everywhere, there must be no effort. If you push hard everywhere, it will hurt you. French artist saint? Pei Wei once said: Infection is not equal to energy. Some writers are more powerful than talents, while others are just energetic. It's not totally commendable, but he must be hidden, not naked? Beautiful works will not make you crazy, but fascinate you. ? Do you want to bring a pen? Want to break it? Among them, if there is carelessness, it has its own profound meaning and is memorable. The pen is unfinished, the meaning is farther and deeper, and the charm is born. That kind of works blindly, the lines are too dignified, which makes people feel that there are too many carvings, lack of connotation and charm.
Is China's calligraphy good? Rhyme? In the same way. Works that are too rough and blunt are not of the same kind. Rhyme? It is a kind of spiritual accommodation, and it is bound to pursue the rhythm and joy like running water. Is there a lack of craftsmanship? Scholar? The connotation of culture, especially in calligraphy, is not bookish, so it can't be counted. Rhyme? . Of course, if it is extended to style, it is generally bold, unrestrained and simple, which is difficult to classify? Rhyme? . Others that are too mature and mellow are not of the same kind, because rhyme focuses on the expression of spirit, not all aspects of skill. For example, Tang Kai may have laws, but few people may seek anything from them. Rhyme? . Zhao Mengfu's handwriting is no stranger, but it is inevitably meaningful and skillfully decorated. Familiarity hurts elegance, and familiarity is close to vulgarity. So since the Ming Dynasty, many people have said that Zhao Shu is vulgar, even Liang Wenshan of the Qing Dynasty said so? Zi ang's calligraphy custom. ?
Spirit, qi and rhyme are often used together. Although there are similarities among them, they are different. Taking white as black and knowing white as black is the verve dialectics in China's calligraphy creation.