Appreciating pictures of calligraphy works of Buddha statues 1
Figure 2 of Buddha's calligraphy works
Figure 3 of Buddha's calligraphy works
Figure 4 of Buddha's calligraphy works
Figure 5 of Buddha's calligraphy works
A stroke of calligraphy
The brushwork can make the stippling of Chinese characters have a good texture and shape, and the brushwork can give Chinese characters life. Chinese characters have vitality, which leads to a series of problems with life characteristics. Just like a living person, on the surface, people can see whether his limbs are healthy, whether the proportion is symmetrical, whether he is active and what kind of normality he has. But even this would not be enough More importantly, through these external appearances, we can further perceive the core mental state of his soul, such as temperament, temperament, cultivation and pursuit. This is called brushwork.
Objectively speaking, if brushwork and gestures still belong to? External form? In the category of techniques, brushwork is the product of the ideological field above law and beyond pen and ink. It is the general name of consciousness, image, concept and meaning, and it is an abstract mental state that runs through the works and cannot be fully grasped by reason.
Brush strokes are the product of people's subjective consciousness.
When it comes to brushwork, it is naturally associated with China's freehand brushwork. Chinese painting, German music and Greek sculpture are called the three major arts in the world. The reason why Chinese painting is so magical is that it breaks through the realistic technique of concrete expression and realizes the ingenious combination of concrete and image. The highest state is to express one's mind, so that people can see the whole world through a grain of sand and peep at a kingdom through a flower. You can wander between Wan Li square inches. More typical and moving than the truth.
Chinese painting has always emphasized similarities and differences in conception. The old man Qi Baishi has a famous saying. If you don't like it, cheat others. Don't do it if you don't like it. This shows that the main contradiction to be solved in Chinese painting is not the problem of shape. If the image is simple, the art of photography has reached the extreme. But it cannot be completely different. This is cheating others. This is a very vast concept of the universe.
Because of different subjective initiative, different emphasis and aspects of subjective understanding, different levels of expression, different degrees of similarity and dissimilarity, different painters who express the same thing will have great differences, even completely different images. Creators and appreciators can spread the wings of subjective imagination and roam in this space.
Chinese painting is based on China's calligraphy, while China's calligraphy makes lines endless in expressive force, which can vividly reflect natural phenomena such as yin and yang, rigidity, disobedience, black and white, truth and falsehood. Its spiritual taste is consistent with all forms except paper and ink in the natural environment. Silence is harmonious with music, colorless with brilliant pictures.
Therefore, China's calligraphy provides creators with much more creative space than painting. It can not be restricted by any objective material world or objective material form, and the creative subject can transcend the plot, cross time and space, and directly approach the realm of abstract beauty of lines.