1. The picture above is a common calligraphy style in Han Meilin. Most of them are graphic characters, and calligraphy comes from seal script, which should
1. The picture above is a common calligraphy style in Han Meilin. Most of them are graphic characters, and calligraphy comes from seal script, which should belong to exaggerated seal script or deformed seal script.
Secondly, there is no font in Han Meilin's works, and his regular script retains the vigorous, broad and full feeling of Yan Zhenqing; His seal script imitates the bronze inscription, and sometimes deliberately expresses Zhong Ding epigraphy with modern pen and ink, which conforms to the aesthetic taste of calligraphers in the Qing Dynasty, just because he treats the ever-changing seal script with a painter's eye, pays more attention to the beauty of structure, and endows it with various interests, which are more like words and paintings; His official script attempts to show the significance of Qin and Han bamboo slips and silks. It is often refined into interesting symbols by strengthening a certain feature written by ancestors with pen. As the material of painting and the gene of innovation, its writing motivation is very clear.
3. Han Meilin is a talented contemporary plastic artist in China. He has great attainments in painting, calligraphy, sculpture, ceramics, design and even writing. He is a tireless art practitioner and pioneer with unique artistic style and distinctive personality. In particular, he devoted himself to absorbing the essence of China's culture and folk art before the Han Dynasty, which was embodied in his works of art with modern aesthetic concepts and internationally accepted vocabulary. National first-class artist, professor of Tsinghua University Academy of Fine Arts, researcher of Central Museum of Literature and History.
Four, his creation covers a wide range, including painting, calligraphy, sculpture, ceramics, dyeing and weaving, paper cutting, logo design and other fields. He absorbed the essence from China's traditional culture, especially the culture and folk art before the Han Dynasty, and the advantages of western art. He skillfully combined the eastern and western artistic techniques such as realism, exaggeration, abstraction, freehand brushwork, meticulous brushwork and impression, and created a large number of meaningful, vivid and interesting paintings, sculptures, unrestrained calligraphy and magnificent urban giant sculptures, forming a unique artistic style that embodies modern aesthetic concepts.