JUNG WOO,/kloc-0, born in February, 1942, is from Yinxian County, Zhejiang Province. He lives in Hangzhou and is now in his department. Under the guidance of Han Dengan, he is currently the director of seal cutting research office of Xiling Printing Society, the national second-class artist, the director of Xiling Printing Society, the member of seal cutting committee of China Calligraphers Association, the vice chairman of Zhejiang Calligraphers Association, the researcher of China Seal Cutting Society and the librarian of Zhejiang Literature and History Research Institute.
Chinese name: JUNG WOO.
Alias: Today Xuan
Nationality: China.
Place of birth: Hangzhou
Date of birth: 1942 65438+ February
Occupation: Vice Chairman of Zhejiang Calligraphers Association
Representative works: Zhejiang seal cutting, China Indian Studies Yearbook 198792.
Personal introduction
Personal profile
JUNG WOO,/kloc-0, born in February, 1942, is from Yinxian County, Zhejiang Province. He lives in Hangzhou and is now in his department. Under the guidance of Han Dengan, he is currently the director of seal cutting research office of Xiling Printing Society, the national second-class artist, the director of Xiling Printing Society, the member of seal cutting committee of China Calligraphers Association, the vice chairman of Zhejiang Calligraphers Association, the researcher of China Seal Cutting Society and the librarian of Zhejiang Literature and History Research Institute. He served as the judge of the third and fourth national seal cutting exhibitions and won the first literary award of Hangzhou Municipal Government. His main works include China Printing Yearbook (volume 18792), Zhejiang School Printing Style, Zhao Shuru and Wang Fuan Printing Style, Zhejiang School Seal Carving, Xiling Press Annotation Edition, and Appreciation of Zhejiang School and Xiling School Seal Carving. JUNG WOO seal cutting calligraphy collection published.
Seal cutting engineering
Seal cutting engineering
Calligraphy works
Calligraphy works
write
A Collection of Famous Works of Contemporary Youth Seal Carving in China
Content introduction:
This episode is one of five books planned and published to commemorate the centenary of Xiling Seal Society. This book contains 32 contemporary young seal engravers and hundreds of fine seal engravings, of which 18 is a member of Xiling seal engraving society.
Zhejiang seal cutting
Content introduction:
Zhejiang seal cutting was founded by Ding Jing in Qiantang (now Hangzhou), Zhejiang Province during the Qianlong period. Ding Jing himself is from Qiantang, Zhejiang. Ding Jing's seal cutting calligraphy style mainly inherits He Zhen and Cheng Yi. He learned from others and systematically studied calligraphy and seal cutting in Qin and Han Dynasties. Ding Jing, who manages printing and polishing calligraphy, pays great attention to knife technique, and is good at expressing calligraphy with knife technique and depicting square with circle. Gu Zhuo is simple, dynamic and unique.
In the middle and late Qing Dynasty, many seal engravers after Ding Jing learned and inherited Ding Jing's artistic style and pursuit, as well as his knife skills, and became Zhejiang School. Among them, outstanding representatives are Jiang Ren, Xi Gang, Chen Yuzhong, Chen Hongshou, Zhao, etc. They are known as the "Eight Schools of Xiling", and they are all from Hangzhou, Zhejiang.
Zhejiang seal cutting is a famous school of seal cutting in China, which has influenced Japanese and South Korean seal cutting. Zhejiang seal cutting has a far-reaching influence in the history of seal cutting, stretching back and forth for more than 200 years, and has a far-reaching influence to this day.
Zhao Shuru's Printing Style of Wang Fuan School
Content introduction:
The collection of China Seal Style Series includes seals from Shang Dynasty to modern times. It can be said that the classification of seals is the synthesis of all kinds of seals. As we know, because of the connotation of the seal itself, the motivation for editing the printed spectrum does not come from the same position. For example, the Collection of Ancient Seals compiled by Mr. Luo in the 1960s is mainly from the perspective of archaeology. Although China's seal script style series must learn from and use the research results of archaeology and history, its perspective is mainly from the artistic standpoint because it focuses on "seal script style", that is, the artistic style of seal script.
1. The printed series of past dynasties (hereinafter referred to as the series) has a volume of 2 1 and is divided into three categories: 1. From pre-Qin to early Qing Dynasty, it is divided into three categories, including pre-Qin printed, Qin printed, Han, Jin, Southern and Northern Dynasties printed (I) and (II). 2. From Qing Dynasty to modern times, the schools of seal script were divided into volumes, including those of Qing Dynasty (I) and (II), those of Zhejiang in Qing Dynasty (I) and (II), those of Zhao (and Hu _), those of Wu Changshuo, Zhao Shuru and those of seal script. 3. According to the special types of seals, there are three volumes, including the printing styles of pottery seals and clay seals, the printing styles of graphics in the past, and the printing styles of Ming and Qing porcelain.
Second, the series has a general order, and understand the purpose of compiling the book; There are monographs to study the academic and artistic problems of seal cutting involved in each volume; Some have chronologies, providing research materials on seals, figures and events collected in each volume; There are biographies of Indians, which provide information about the life, background information and writings of Indians of different schools, so that readers can know more about Indians. Some volumes have chronologies at the end, or there are chronologies without biographies, for two reasons: 1, and some volumes omit chronologies because of the seal years (such as pre-Qin, Qin, Han and Wei Dynasties, Southern and Northern Dynasties, etc.). ). Because the genre seal has not yet been produced, there is no seal. 2. Some volumes have included the contents of the Indian biography in the monograph, so the Indian biography has also been omitted.
Three, the "series" volumes as far as possible in chronological order. If we can't accurately verify the engraving time, we should classify them according to their style characteristics.
4. As far as possible, the interpretation of this series of seals should be regarded as a simplified character today. At present, the unrecognizable seals are all marked with the symbol of "mouth", and the unrecognizable seals (such as Liao, Xia, Jin and Yuan seals) are all marked with "to be tested" for further study.
5. In order to take care of the beauty of printmaking, the seals collected in each volume of Series are not numbered, so according to the distribution of printmaking seals, the descriptions are arranged in a row so that readers can read the seals accordingly.
catalogue
Precautions for using books/guides
The General Preface of China's Stamps in Past Dynasties
Seiko is beautiful, elegant and exquisite.
plate
Zhong Yijing
Zhao Shuru
Wang Fuan
Centennial prints of Xiling
Content introduction:
This book mainly shows the seal works of Wu Changshuo, Zhong Yijing, Kawai Lu Quan and Tong Danian.
All art is inseparable from literature. The sages said: without literature and art, it is absurd; with literature and art, it is prosperous. In history, seal engravers in China first hired craftsmen for the people, and later, because of the participation of literati, they got a bachelor's degree in seal engraving. Since then, there have been two situations: one is to seek art with technology; One learns to ask. When art was born, literature was the connotation, while seal cutting was the dying art, and the latter was more expensive. If a seal engraver has a reputation, he should not only have technology, but also have knowledge and education.
JUNG WOO, editor-in-chief of Qing Dynasty, selected 24 seal engravers from Wu Changshuo, Jing Hengyi, Ding Fuzhi, Wang Fuan, Tang Zuishi, Wang Geyi, Zhu Fukan, Sha Menghai, Fang Jiekan, Han Dengan and Wu Putang. Except one of them is a Japanese Indian, the others are famous seal engravers in modern China. They all have considerable academic achievements. For example, Wu Changshuo, the first president of Xiling Printing Society, was omnipotent in poetry, painting and calligraphy, but he was open-minded. Although he is modest, it just reflects his concern and attention to "learning". After watching this episode, we know that the ancestors of seal cutting collected by JUNG WOO are mostly learned and knowledgeable, and they are by no means "only capable of playing with knives but not writing". This volume of seal cutting highlights clearly reflects this point, which is related to the improvement of seal cutting in China and the development and prosperity of Chinese culture.
Zhejiang seal script in Qing dynasty
Content introduction:
Seal has a long history in China. The series of "China Seal Style Series" can be divided into three categories: from pre-Qin to early Qing Dynasty, by seal genre and by special seal category. It includes seals from Shang Dynasty to modern times, and the classification of seals can be said to be the synthesis of various prints.
As one of the series, The Seal Carving Style of Zhejiang School in Qing Dynasty (I) mainly shows readers the seal carving treasures as a major school in the history of seal carving in China. Although the seal cutting works in this period have various styles, their artistic level is declining. At that time, the printing style was divided into: first, it was antique; second, it was "the habits of Ming people"; third, it was flattering and meticulous; fourth, it was vulgar and weird. This book contains the excellent works of six people from Ding Jing to Chen Hongshou in the eight countries of Xiling at that time. Their printing styles are calm and quaint, blunt and clumsy, or beautiful and ingenious, which represents the highest level of Zhejiang printing style. The printing style of Zhejiang School strives for development through change, which sets a good example for the inheritance and innovation of seal cutting.
As one of the series, The Seal Style of Zhejiang School in Qing Dynasty (Part II) continues to show readers the seal cutting treasures of Zhejiang School as a major school in the history of seal cutting in China after the first book. Although the seal cutting works in this period have various styles, their artistic level is declining. This book contains the outstanding works of the last two schools and their descendants among the eight schools in Xiling at that time. Their printing style is skillful, bold and unrestrained, vigorous and elegant, and they pursue individuality and development to varying degrees, which is also a great advantage of Zhejiang School. Zhejiang School is a towering peak in the history of seal cutting, and its research and exploration in all aspects are timeless.
This series includes not only a large number of patterns of seal cutting treasures, but also Indian monographs and biographies, so as to study the academic and artistic issues of seal cutting involved in each volume, provide life and background information of various Indian schools, and let readers know more about China and seal cutting.
Printed in Han Dengan
Content introduction:
Han Dengan, formerly known as Jing, was born in Hangzhou and Xiaoshan, Zhejiang. At the end of the Qing Dynasty and the beginning of the Republic of China, he enjoyed a high reputation in seal cutting, and his seal cutting works were also famous in history. The works of Indian studies include The Complete Book of Zuo Zhuan's Biography with Continued Ai and Selected Notes of Seal Characters in Ming and Qing Dynasties (the end of Zi). This book, published by Xiling Printing Press and edited by his only son Han He, contains a large number of classic seal cutting works by Han Dengan, and summarizes the essence of his life's creation, so that readers can fully appreciate the charm of China's seal cutting.