Point-virtual pen, gradually press the back of the pen to close it.
Horizontal-Press the pen to start pen collection, which tends to hide the pen, then turn right and press the pen to return to pen collection.
Vertical-when you start a pen by pressing the pen, you tend to hide the pen, then go down, or collect the pen by pressing the pen (hanging down), or pick up the pen in a hanging needle shape.
Left-click the pen to start, there is a tendency to hide the pen, left-click and then follow the trend.
Sip-press the pen to start writing, hide the pen slightly, then go down to the right, zigzag, and then start writing conveniently.
Pick- press the pen to start the pen, which tends to hide the pen, and then pick up the pen to the right.
Folding-when you press the pen and start writing, there is a tendency to hide the pen. When you finish writing at the fold, stop writing, and then press back to withdraw the pen.
Hook-the horizontal hook is folded, and the pen tilts out of the front after folding; The vertical hook is like a vertical hook, but it is convenient to press the pen back and lift the pen to the left when drawing vertically; When the arc hook starts to write, it tends to hide the pen according to the pen, then curve, and at the same time turn the pen back to the hook, so as to pick up the pen conveniently.
2. Correctly handle the structural relationship of chalk characters, so that the strokes are properly combined and the fonts are rigorous and beautiful.
The key to the practice of chalk writing is the combination of strokes, and the key to the combination lies in correctly handling the positional relationship between strokes, interspersed echo relationship and so on.
(1) Keep the shape of the square.
Chalk characters are square characters, but the founder of the characters is not absolute, but the overall feeling. Most of the words are just the beginning or end of some strokes on the edge of the box (a few are slightly beyond), and the rest are in the box. In the process of practice, we should first form the understanding that "the word is square", and then pay attention to properly express the feeling of the whole word: the strokes on the side and across the side are in good position, and the strokes not on the side are written in place.
(2) Structure and proportion analysis
Chalk words are divided into single words and combined words. The words of combination structure are divided into up-and-down combination, up-and-down combination, left-and-right combination, left-and-right combination, up-and-down combination, internal-external combination and staggered combination. It is very important to practice chalk characters, analyze the proportion of each part of the combination structure and accurately locate the strokes of each character. At the beginning, we can deliberately divide the proportion of each part of the combined structure font. After repeated practice, we can master the combination proportion and finally achieve the goal of proportion matching.
(3) It embodies the characteristics of tightening up and loosening down.
The chalk word structure is like the human body structure. Most of the upper part is compact and the lower part is stretched. From the aesthetic point of view, only the combination of density and density can produce aesthetic feeling. In a painting, the combination of objects and images is "sparse but opaque", with appropriate transition levels and beautiful forms. A word is a painting-tight but not crowded, loose but not empty, moderately tight and in sharp contrast, forming a harmonious and beautiful appearance. If we grasp the law of tightening and loosening when practicing chalk characters, we can break through the difficulty of "easy and even" stroke combination.
(4) Emphasize tight inside and loose outside.
The practice of chalk characters emphasizes that every word should be written as "A" and there should be no loose feeling. The solution is to write the words compactly inside and spread them out outside. Strict and inseparable words, just like all the strokes are concentrated in the center, with cohesion, form a whole; For example, it diverges outward from the center, which is very stretched and has a free and easy feeling. It can be seen that the contrast between the internal and external accumulation and dispersion of chalk characters is not only another means to solve the problem of unified stroke arrangement, but also a condition for forming beautiful glyphs. Strengthen the practice of tightening inside and loosening outside, and train with Mi Zige and Huigong Pavilion, and the effect is very good.
(5) pay attention to the left and right.
Another notable feature of chalk characters is that the strokes on the left side are relatively closed and the strokes on the right side are relatively open. This contrast can highlight the spirit of words and give people a sense of arrogance. There are two reasons for the chalk characters to be closed on the left and put on the right: one is the influence of stroke personality-most of the strokes on the left have the characteristics of closing momentum, while most of the strokes on the right are opposite; Second, the need for structural change-comparison produces beauty, and change sees the spirit. In practice, the structural convergence and liberalization of words are generally emphasized, that is, the left half of words converges and the right half loosens. Training according to the principle of "closing left and opening right" can prevent problems such as full opening of writing, blooming all around, no contrast in publicity, dull taste and so on, and can also avoid problems such as inadequate writing, insufficient opening, excessive collection and triviality of strokes.
(6) Suitable for interspersed echoes.
There is not much room to adjust the stroke position of chalk characters, and the differences in writing are not comfortable at all, especially some subtle treatments related to the relationship between strokes, which make the practitioners more embarrassed. Therefore, for practitioners, it is an arduous task how to compete and intersperse, how to deal with it, how far the intersperse echoes, and how to handle the positional relationship of strokes. According to experience, the effective solution is:
(1) Pay attention to the model words and know how to use a pen.
The role of painting in echo: If three groups of parallel lines become [] [] [] or] [] [], their connotations have changed obviously, then the subtle changes of lines will make the relationship between lines change qualitatively;
(2) Mastering the rules and writing skillfully through training: the reasonable competition and interpenetration of strokes strengthen the connection between the parts of the characters, and the strokes take care of each other, making the fonts inseparable.
(7) strive for the stability of the center of gravity.
Although chalk characters are square characters, they are mostly balanced and asymmetrical. If you don't pay attention to them when writing, your focus will shift and stagger. Sometimes the center of gravity is unstable because of writing skew, sometimes the center of gravity is lost because of the unbalanced left and right components of writing or top-heavy, and sometimes the stability of words is destroyed because of the influence of stroke insertion. Therefore, in writing practice, we should first write the words correctly, and then through further training, we can show the feeling of left and right equilateral and unequal shapes of words and the effect of standing and stabilizing words, so that we can deal with the alternating strokes that affect stability. Generally, don't write oblique chalk without mastering the driving ability.
(8) Remember to be empty.
Because chalk characters are square characters, it is convenient to practice in the box. But when practicing in squares, which strokes must be clear? Which strokes contract? What kind of stroke is abnormal? According to the analysis of people's visual sense, all strokes parallel to the border give people a sense of expansion, so writing such strokes should be appropriately contracted, which is called full collection, such as writing the word "country"; All strokes that intersect the box make people feel more suitable, such as writing the word "single". However, words that rarely intersect with the box are very small when written in the box, such as the diamond-shaped "ling", and the appropriate size can only be felt by proper disconnection. In fact, writing chalk characters pursues the visual consistency of size, but the actual inconsistency. Then, when writing, only when it is released in a timely and vague way can the overall feeling of words be kept appropriate.
(4) To practice running script calligraphy, on the basis of following the above principles, we should also conduct special training on stroke cohesion and stroke methods according to the characteristics of quick strokes.
Running script originated from regular script, so it is a correct practice routine to practice running script after mastering the writing method of regular script. "The key to mastering the running script with a pen and manipulating it well lies in the skills of frustration and pressing. The running pen can't be straight, but it pours down. Running script is everywhere, every point of painting has three turns, one wave and one stroke, three folds and one pull, and the pens are all rotating. " (Xiangde Min) Therefore, when practicing, we should grasp that "the pen is like a letter, the pen is like grass, the dots are connected, the pen is dead, the main pen is calm, and the Lian Bi is light and fine." (Xiangde Min) Writing principle, improve gradually through repeated improvisation, and don't rush into it.
Running script and running script have the characteristics of natural fluency and beautiful Shu Lang, and being well written can be pleasing to the eye. Especially the running script, the writing speed is roughly equal to the thinking speed of people, which is especially suitable for recording and teaching.
(5) The basic requirements of the expression form and style of chalk characters.
1. About bearings.
Writing chalk characters not only requires standardization, but also emphasizes the spirit of writing-vividness. The same person writes, sometimes smartly, sometimes listlessly. The main reason is the state problem. When you are energetic, high-spirited, and have a strong desire to write (inspiration), when you write in a well-coordinated state, just like writing a letter, you can express it at will. When your emotions are integrated into it, your chalk words will have a sense of unity and pride. So don't write chalk for the sake of writing, don't be in a state of heavy heart and restless mood, and don't be heartless. Write your feelings in a book and borrow words, and you will have both form and spirit.
2. On the issue of style
It is not easy to "form a whole" by writing chalk words well. But it is not impossible to work hard and practice in the right way. However, everyone has their own habits in writing, and everything they write has their own characteristics. This representation has corresponding levels in different periods and at different levels. If the basic skills are not solid, it is unacceptable to pursue a style, or to say that you have formed a style. For example, if the style of "children's style" is written by a famous writer, it will be regarded as a return to simplicity, and if it is not well written, it will not be written. For example, some people can't use chalk, and there are many pens, which are dark. It's not enough to just call it style. There are graffiti, and there is no source. It is even worse to say that this is a style. As a teacher, writing chalk characters should be standardized, energetic and not pursued too much.
Write in chalk. Every teacher. Every normal student is an unshirkable responsibility, a professional basic skill that cannot be flawed. Then how to write chalk words is particularly important.
I realized some experience in practice. Dare not enjoy it alone. Give it to me. For your reference:
(1) Start with regular script. Step by step. From slow to fast. Gradually transition to running script.
(2) Select copybook. It is best to choose a pen copybook suitable for your own writing characteristics as a reference model for practicing chalk writing. Brush calligraphy pays great attention to the shape of strokes. So it is not suitable for chalk copybooks.
(3) the method of posting. Repeated writing in an all-round way. Draw inferences from others. And so on. Practice for use.
(4) chalk characters are required to be written horizontally. Don't confuse earthworms with sand. Therefore, it is best for beginners to draw a clearance grid on the blackboard when studying. Practice carefully. Over time. Form a skill. It's also a rule to draw casually.
(5) when you are a beginner. After writing for a while, I stood in the distance. Observe and compare. Analytical research. Foster strengths and avoid weaknesses. Constantly improve.
(6) Always use chalk to read books on the blackboard. Don't be impatient when discussing exercises with each other. Perseverance. There will naturally be great progress.
(7) The chalk characters should be beautiful and smart. There are ups and downs. Don't "while the dragon and the phoenix dance". Its messy Lian Bi demands: the pen is connected with nature. I'm not trying to gild the lily. Although it means broken. Without losing its "true colors" in short. Chalk characters help teachers to clearly show the teaching content to students. Therefore, the running script should be lively and organized. Don't dazzle people.