The regular script of Fa is as shown below:
Regular script: Regular script is also called Zhengkai, Zhenshu and Zhengshu. It gradually evolved from the official script and became more simplified, horizontal and vertical. "Cihai" explains that it has "a square shape and straight strokes, which can be used as a model." This type of Chinese character font is the current popular handwritten traditional Chinese character.
Kaishu is also a kind of official name. "New Book of Tang·Hundred Officials 2" records that there are 20 regular script writers in Zhongshu Provincial History Museum and 18 regular script writers on national history. Kaishu, as an official name, is also called Kaishu Shou. The person in charge of writing is juxtaposed in the same organization, and the specific division of labor is different. "Tongdian·Twenty-Two Officials" records that the regular script writer is an official with outstanding honors from outside the country. In the Song Dynasty, there was no regular script calligrapher, only regular script.
"Sage of Calligraphy" - Wang Xizhi, the most influential calligrapher in the history of calligraphy is undoubtedly Wang Xizhi, a calligrapher and writer of the Eastern Jin Dynasty. The word Yi is less.
Langya was born in Linyi and later moved to Shanyin in Kuaiji (now Shaoxing, Zhejiang). He is known as the "Sage of Calligraphy". He is also good at poetry, but his literary talents are mostly hidden by the name of calligraphy and are not valued by the world. He once served as General Youjun, Internal History Officer of Kuaiji, etc., and was known as the King of Youjun in the world. He is known as the "Sage of Calligraphy".
Wang Xizhi's running script "Lanting Preface" is known as "the best running script in the world". Commentators say that the writing style is as floating as floating clouds and as powerful as a startling dragon. Wang Xizhi's handed down ink can make you appreciate the "brilliant and unparalleled" "These four words have a profound understanding.
His work is wonderful and never boring. Chinese calligraphy reached its highest personal peak in his writings. Subsequent generations only developed and improved it to varying degrees in certain aspects: whether it was meaning or method, rhyme or momentum. In theory, there is nothing better.