Poems of the Emperors of the Tang Dynasty (Part 1)

Since the founding of the United States, there have been less than 50 presidents in just over 200 years. However, Americans like to mobilize historians or media reporters to rank the achievements of previous presidents, ranking them in the top two. The first names are always Lincoln and Washington, and the third place is always Roosevelt Jr. If we follow this example to rank the emperors of the Tang Dynasty, the top two will definitely be Taizong and Xuanzong. Girls may nominate the Wu family, but I really don't like it, and it has nothing to do with gender. If we look at your literary talents and achievements, the situation is completely different, and there will be some unexpected nominations. Listen to me.

From the founding of the Tang Dynasty to its demise, in 289 years, there were fourteen generations, twenty emperors, and twenty-one emperors. Among them, there are only five poets named Xianzong, Jingzong, Wuzong, Xizong and Aidi who have no surviving poems. There were many gentry poetry families in the Tang Dynasty, but none were so continuous. There may be too few poems in existence during this period, or there may be only things like what I got in dreams and Buddhist verses, so there is not much that can be discussed. I would like to select ten outstanding people, in order of their artistic attainments, with a little comment, so that they can be used as talking points for those who talk about Tang poetry. If you are biased and mistaken, those who pray for knowledge will tell you. First place: Xuanzong Li Longji (reigned 685-762, 712-756)

The longest reigning emperor in the Tang Dynasty was Xuanzong, and the one who wrote the most poems and had the most artistic temperament was also Xuanzong. He lost his mother in his early years and was well aware of the cruelty of court struggle. In his early years, he lived in the world, made friends with heroes, and took risks to launch the Tang Long coup. The participants were known as heroes of the Tang and Yuan Dynasties. Dozens of epitaphs have been unearthed, and most of them were lower-level military generals, Ouchi craftsmen, and market heroes. After his father ascended the throne, he used surprise attacks to stage a coup d'état, defeated his aunt Princess Taiping's gang, and gained control of the situation. In the early days of Kaiyuan, he indeed did many things that were conducive to the long-term stability of the country. The country prospered under Kaitian's rule, far surpassing that of Zhenguan's rule. He believed in Taoism, but he always placed Confucianism at the center, and he did not belittle Buddhism. He personally annotated the "Book of Filial Piety", "Tao Te Ching" and "Diamond Sutra" to teach the world and show the atmosphere of cultural diversity. He loved to write poems. Although there are only a hundred or so poems in existence, the main body is preserved through the appendix of "Collected Works of Zhang Shuozhi". From the analysis of the poems written by Su Ting, Zhang Jiuling, Wang Wei, Sun Ti and others, at least there are Dozens of times the poems were not preserved. It can be said that he was an important promoter of the unprecedented prosperity of poetry in the prosperous Tang Dynasty. As far as the artistic achievements of his poetry are concerned, he should be ranked first among the emperors of the Tang Dynasty.

In the first ten years after Xuanzong ascended the throne, he was diligent in political affairs, and assisted by a group of veterans with outstanding vision and ability, achieving the grand opening of the Yuan Dynasty. He purified the imperial court and changed the bad governance since Empress Wu. In view of the situation since Empress Wu that female family members interfered with politics and kings siphoned off power, it was generally successful to limit the interference of concubines, kings and eunuchs. He attached great importance to local governance. He personally selected local officials many times, or appointed important ministers as local governors, or regularly summoned local officials to the court to give personal admonitions. He even personally wrote the "New Commandments of the Commander", which said: "I beg The commander-in-chief, Bao Yi's subordinates. "Remove the old, change the customs, and return to the true." All states and counties are required to carve stones and set up official offices. He also wrote "Given the Inscription to the Governors of the Prefectures on the Right Side of the Seat": "The words of the family are thought of the truth, and the best thoughts are the best. This selection by Yi is a sign of achievements in the Zhou Dynasty. The wise men are advancing quickly, and Li Xianshi is still in health. See. People should be like children, and love should be like a wound. Give lectures and encourage people to cultivate mulberry trees. You can't hide your false reputation, and you can't forget it. It's easy to see your reputation, and your true virtue will be revealed in prison. There is a constant. He cares for the old and nourishes the weak. He knows how to support his relatives in all directions. basic principles of local governance. He would write poems when appointing a prime minister, would write poems on farewell patrols, would write poems on festivals, would write poems expressing his feelings about life, and would often ask all the ministers to respond. During that period, poets were very high-spirited, and writing poems became the norm in the dynasty. It was really embarrassing to be unable to write poems.

During the reign of Emperor Xuanzong, the three religions flourished simultaneously, but the basic status of Confucianism did not change. In the 13th year of Kaiyuan (725), when he was enthroning Zen, he specially went to Qufu to worship Confucius, and wrote "Sighing after Zou Lu sacrificed Confucius": "What is the Master doing? He lived in the same generation. The land is like Zou's town, and the house is Lu. The palace. Sighing that the phoenix is ??missing, hurting Lin and complaining about the poor way. Looking at the two couplets today, it should be the same as the dream. "This poem was selected into "Three Hundred Tang Poems" and is his masterpiece. The first two sentences summarize Confucius's life of seeking the Tao, and then describe the location of Confucius' residence and the sacrifices after his death. The two sentences "Sighing the Phoenix" describe Confucius's defiance of the world, his lonely pursuit of truth, and finally his expression of respect. The poem is very solemn and flowing, showing his ability. Of course, there are more poems about his interactions with Taoist priests. For example, "Send Sima Chengzhen back to the rooftop": "The Purple Mansion is looking for wise men, and they are the ancestors of Qingxi. The rivers, lakes and the city are strange and unique.

Those who heard about secluded dwellings were actually disgusted with the worldly world. Lin Quan gets sex first, and Song Gui wants to calm his mind. The tunnel crosses Jiling and the rooftop connects to the seaside. From here on, the sound emblem will be full of fragrance forever. "He paid tribute and sincerely invited him to the court. He respected him even more and allowed him to practice Taoism. He said that the forest and spring place was more suitable for cultivating his character. However, he also regretted that the sound was blocked. He said goodbye very cordially. He Zhizhang was the most famous scribe at that time. He was famous for his eight works. At the age of thirteen, he asked himself to serve as a Taoist priest after a serious illness. Xuanzong respected his choice and praised him as a noble move comparable to the two scholars of the Eastern Han Dynasty. He personally wrote a poem to favor him and asked the Manchu ministers to go out to the eastern suburbs to see him off. : "I entered Taoism when I was still young, but when I resigned from my old age, I even took out a hairpin. Don't hesitate to be virtuous, it's like having a noble heart. The secret key is found in the world, and the secrets are scattered outside. There is only a blue gate, and the heroes are deeply saddened. "In fact, He Zhizhang was very ill at that time. He just hoped to return to his hometown and be commended by Xuanzong, so that it would be a glorious event and be passed down as a good story for generations.

Xuanzong had good acting skills Of the five brothers, he is the third. According to the primogeniture system, of course it would not be his turn, but he is the hero of rebuilding the Litang Mountains. Both coups were successful. Who dares to fight with him at the critical moment? I have to be polite to my eldest brother Li Xian. The eldest brother is such a smart man and knows the consequences of being rude, so he is resolute and humble during his reign. Both Jie and Gu have full freedom. If you want to care about state affairs and pay attention to governance, you must not do it. many. On a glorious and fengxia day, I passed by temporarily while taking advantage of the scenery. Qili Shen held a banquet, and the Song of Songs was played on the platform. Only by searching again for good happiness can we safeguard the mountains and rivers. "It's said that brothers have a deep love, often drink and sing together, live a happy life, and be at peace with each other, how good it is. I also want to go to my younger brother's house, and I need to care more when there are difficulties in life. Fortunately, King Xue wrote a poem: "I saw Zhang Bin lying in the past, and he talked about human affairs. Violation. Today is a birthday celebration, which is said to be the return of a scholar. Tangdi flowers bloom again, and the redbirds fly again. "This is because King Xue recovered from his illness, and the emperor came to celebrate. Xuanzong also made a large acacia quilt and invited the brothers to have an intimate gesture. Of course, the brothers were very cooperative. Xuanzong's surviving ink writings include "Ode to the Wagtail", which praises the relationship between brothers. Such intimate feelings should be recorded in history. The calligraphy is very good, and it is a masterpiece of Tang Dynasty regular script.

As Xuanzong reigned for a long time, the world was peaceful, and he expressed it in many poems. The joy of having fun together. There is a poem in Dunhuang Posthumous Book 2555 called "Watching Lanterns Downstairs by Imperial Qinzheng": "The bright moon is heavy in the city, and the lanterns are in the nine streets." Open the door to welcome the gentle breeze, and step into the chariot to catch the breeze. The bells and drums come together at night, the music and the sheng begin late. The new □ is not for oneself, but always the same as all directions. "People today think that there is no big problem in Xuanzong's work. The missing word does not affect the understanding of the poem. The poem is written about the Lantern Festival, the bright moon is in the sky, Jiumo is full of lanterns, the spring is slightly revealed, and the gentle breeze is gentle. Xuanzong went up to the tower to watch the lanterns, and felt comfortable. Thousands of people celebrate together, and there is even more joy in the peace of the holy world. Another example is "Fifteen Nights in Xuanyou Palace": "I left Qin and went to Luoshi on patrol. The road meets three or five nights, in the dark middle of spring. The long river outside the pass turns around, and the beauty in the palace is late. The singing bell to the bright moon does not reduce the old travel time. "Encountering the Lantern Festival on the way from Chang'an to Luoyang is consistent with the theme of the previous poem. Between the two capitals, the weather inside and outside the palace is different. Although there is no hustle and bustle in the capital, the song bell and the bright moon are no different from the old travels in the past.

The occurrence of the Anshi Rebellion put an end to the emperor's reign in the Fourth Age of Xuanzong. The reason why An Lushan raised troops was that he was against the Qing emperor and rebelled against Yang Guozhong's rule. The deeper reason was that he had a large number of troops and Xuanzong's confidants and favored women. He ignored the affairs of the state. Did he write any poems about Xuanzong's affair with Yang Yuhuan? It is currently unknown in "Jie Gu Lu" that he composed the song "Good Spring", and in "Zunqian Collection" he wrote the ditty "Hao". "Time": "The treasure bun is more suitable for the palace style, with a lotus face, tender face, and a red and fragrant body. The eyebrows do not need to be opened and painted, and the temples are long according to the teachings of heaven. Don't rely on the power of the country to marry a lover. When we were young, we should not miss the good times. "Even if it is written by him, it may not be true, and it has nothing to do with Concubine Yang. There is a poem by him in "Famous Talks of the Han Dynasty" in memory of Concubine Yang. It was made up by people in the Song Dynasty, so don't believe it. Has he reflected on the chaos in the world? There are very few Dot. It is said that he felt sad when he listened to Li Qiao's "Shui Tiao Song" when he was traveling to Shu. After retreating to Xinei, he liked to recite Liang Kun's poem "The Old Man Yong Wood", which is called "Xu Mo Nong". "Although there is nothing to do, it is still a dream in life", which is a lament about the impermanence of life. After returning from Shu, he wrote a poem about the sword pavilion: "The sword pavilion is high in the sky, and Luan Yu returns from hunting." Thousands of emerald green screens stand together, and five peaks of elixirs bloom. The bushes are lingering and the flags are turning, and the fairy clouds are blowing on the horses. Taking advantage of the time will lead to virtue, and you will remember your talents. "It is said that when he saw the steep mountains, he thought, "The Jianmen sky is as dangerous as this. It has been defeated one after another from ancient times to the present. Isn't it true that virtue is not dangerous?" He had some enlightenment, but that was it.

Don't ask too much from the emperor. Second place: Taizong Li Shimin (reigned 599-649, 626-649)

Taizong's life and achievements need no introduction. It should be added that the rule of Zhenguan was far from achieving national prosperity. The most important symbol was the defeat of the Turks. The barbarians came to congratulate him and respected him as the Khan of Heaven, which established the world order of the Tang Empire. In recent years, the author has written articles "Female Relatives of the Victims at Xuanwu Gate" and "The Other Side of Tang Taizong" (both included in "Walking in the Tang Dynasty", Guangxi Normal University Press, 2018 edition), describing his unknown deeds. It can also be added that Taizong took it for a long time and finally died of accidentally taking Hu Seng's medicine at the age of fifty-one. In his early days, he respected Taoism and restrained Buddhism, but his stance changed after Xuanzang returned to China. When he was dying, Xuanzang translated the famous "Heart Sutra" in the adjacent room of his dormitory, prayed for him, and used it to express his gratitude.

Taizong loved literature and art and wrote many poems, about a hundred of which are still extant. The better ones are those that look back on the past and express feelings. For example, "Walking through the battlefield of Xue Ju": "In the past, I was full of ambition, and I fought for the first time in Tigo. My heart followed the bright sun, and my ambition was as clear as the autumn frost. I moved to the front and was shocked by lightning, and moved to fight in the long river. The camp was shattered and the stars sank, and the formation The clouds split across the sky. The atmosphere calmed down, and the whale salamander disappeared. It belonged to the Huaxuan. Faint. The world is changing rapidly, and people are different from the past. I always want to look at the future and talk about myself. "The pacification of Xue Ju was the first major battle that he independently commanded and won after following his father in Guanzhong. Returning to the battlefield many years later, I lamented the high spirits I felt at that time. I also wrote about the difficulty of the war and its significance to my life. The two sentences "The road of the world is changing rapidly, and people's affairs are different from the present and the past" contain infinite emotion. Another example is "Looking at the sea in spring with light as the rhyme": "Looking at the sea with my lapel open, and playing with the fragrance of spring by Shi. The accumulated currents cross the earth, and the sparse factions lead to the sky. The fairy air condenses on the three ridges, and the eight wastelands are fanned. The clouds roll in the tide, The light shines through the waves. The flowers on the shore are colorful, and the wild geese are wandering. The shape is deep and wide, and the shape is not easy to measure. The waves have become wild, and the green island has become mulberry. "Zhifu thinks of the Han Emperor, and Jieshi thinks of the Qin Emperor. The colorful clothes are not the original intention, but the arches are in the image of the king." It was written on the seaside of Qinhuangdao in present-day Hebei Province in the spring of the 19th year of Zhenguan (645) during the Eastern Expedition to Goryeo. The first half describes the seascape, reflecting the spring scenery, and the atmosphere is extremely open. The last four sentences are expressive, thinking of the relics left by Emperor Qin and Emperor Wu of Han in history, and expressing the great monarch's desire to achieve immortal fame.

The most recited work of Taizong is the poem "Giving Xiao Yu": "The strong wind knows the strong grass, and the rough ground knows the honest minister. A brave man knows his righteousness, and a wise man must be benevolent." The person he refers to is Xiao Yu. When your brothers are at odds with each other, give them firm support. If you read that in Volume 37 of the Book of Jin, there is a line in the praise of historians and officials, and in Volume 62, there is a line in Volume 62 from an ancient saying, in the line "In times of chaos, loyalty comes to light," you will know that this poem must have its roots. Also during the Eastern Expedition, Jiang Que, the general of Zuotunwei, was killed in the middle of an arrow. Taizong wrote a poem to mourn: "At the beginning of the chiseling of the gate, the law was followed, and the fighting began to lead the army. The scales were fluttering and the waves were flying, and the wings were galloping against the wind. Before six The miraculous skill is a failure. I am not wise enough to defend myself, but I am still loyal to my fate. I am mourning in the distance, and my heart is full of sorrow under the desolate tree. "It means everything. It is poetic. It seems somewhat estranged due to the accumulation of rhetoric and allusions. This is related to the era in which Taizong lived and the education he received. Poems since the Qi and Liang Dynasties have all paid attention to gorgeous diction and elegant sentences. It seems that he has read the works in "Selected Works" and "New Odes of Yutai" very carefully. He respected the scribes and always encouraged himself with the achievements of the scribes. There are imitation works such as "Qiu Ri Ji Yu Xin Style", as well as delicate titles such as "Fu De Hua Ting Mist", "Fu De De Broken Flowers and Chrysanthemums", and "Tong Fu Containing Feng Yun". Sometimes they even provide prosthetic hands for officials, such as "Ode to Master Wu Dai": "Go to Belvedere in the early morning, and go to the forest at dusk. The branches are rising for a while, but the trees are still low. It is difficult to support the sun at the end, but it is willing to be fascinated by the wind. Just wait for the delicate hands to compose the music "Shidao" refers to Yang Shidao, and "The Complete Poems of the Tang Dynasty" is written by Chen Shidao, which was modified by ignorant people. Yong Wu is actually a statement on behalf of Wu. The last two sentences look forward to women's care, and the meaning is so delicate. Let’s look at two more songs: “Ode to the Willows in the Pond”: “On the shore, silk threads gather in the shade, and the waves move and bring sparse shadows. Even if you still have green eyebrows, you will feel comfortable in the mirror.” “Picking Hibiscus”: “Playing in the Fangtang together, hand in hand Shangdiao sails. The boat moves into small waves, the wind disperses the floating fragrance, the wandering orioles have no fixed songs, the lotus is scattered and the sound is broken, the water is wide and the trees are thick, and the water flows back to Jianzhang. . "If these poems were compiled into "New Odes of Yutai", they would be outstanding, and anyone could write them. But it happened that Taizong, with his heroic posture, loved this one. No wonder some ministers raised the palace body as a warning. The times and fashions are difficult for anyone to surpass, including Taizong.

I still want to talk about Taizong’s good poems.

It is said that he wrote a poem about Xiaoyao Tower in the river: "I used to ride a horse to go there, but now I drive thousands of horses here." People in the Song Dynasty praised it for its magnificence. When the northern wasteland was flat, he laid stones in Lingzhou and wrote a poem: "Avenge shame on hundreds of kings, eliminate evil and repay eternal glory." It can be an eternal masterpiece. In the sixth year of Zhenguan (632), he returned to his old home where he was born and wrote "Xingqing Shanggong, a poem with ten rhymes": "Shouqiu is the old ruins, and Fengyi is the foundation. Guangdong has inherited the saints, and the hanging arc is also here." When fortune changes at a weak age, he points to the Eight Desolations under his command, and pays homage to all the barbarians from the Tishan Mountains. He also comes to the sea to accompany him to the military tent, and he drives towards Wei Wenchi every day. Yue, Wuwei Ren Baisi. The frost brightens the autumn scenery, and the water is lightly frozen. Six sentences describe the peace of the world and guests from all over the world, two sentences "Duan Ke" describe successful governance and hundreds of ministers serving in their duties, and four sentences "Frost Festival" describe the scenery of autumn and winter, and the great harvest. Finally, returning to the old home is just like the great ancestor of the Han Dynasty who returned to his hometown to compose "Song of the Great Wind" with joy in his heart. Such a poem does have an imperial air. Third place: Zhaozong Li Ye (reigned 867-904, 888-904)

He is the seventh son of Yizong and the younger brother of Xizong. He was not originally the emperor, but Xizong died. At this time, the eunuchs proposed to support his establishment, and he was established because of the support of Yang Fugong, the great minister. He was 22 years old at the time. At that time, people said that he had "a distinguished physical appearance and was expected to be great. Although his fortunes were difficult and dangerous, his intelligence was extraordinary. He was never tired of talking to courtiers and discussing current affairs." His appearance and ability should be considered outstanding, but after the king , Huang Da Chao and the diligent kings in the world, the original order of the Tang Dynasty has collapsed. The previous emperors' worries, such as court party strife, eunuchs' monopoly, and the separatism of feudal towns, have become beautiful memories. There are dozens of armies and separatists in the world, but no one has the strength to unify the world. For the time being, they still recognize the existence of the emperor. No matter how capable Zhaozong was, there was nothing he could do. He was pulled by the forces of all parties and kept patrolling and going out. If he was a dim-witted person, of course he could survive, but he was sober and capable, which made it even more painful. Not many of his poems have survived, but his poems were in the form of music and lyrics, which were widely recited at that time and were also preserved in his Dunhuang posthumous works. In today's terms, he was a very cutting-edge literary young man. First, record the two poems "Bodhisattva Man" preserved in "Stories of China and Dynasties" written by Five Dynasties: "Climb the tower and look at the Qin Palace in the distance, and you can see only two flying swallows. The Wei River flows through thousands of mountains and hills. The wild smoke covers the trees in the distance, and the roads are covered with wild smoke. Pedestrians go. Where are the heroes? "The wind blows under the three peaks, and I can't help but feel like I'm in the hazy mist." The sun is back, does Xuan Qiong know? "The two poems were written in the autumn of the fourth year of Qianning (897), when they were in Huazhou. The previous year, Fengxiang warlord Li Maozhen raised troops to besiege the capital. Zhaozong fled in a hurry, intending to follow Li Keyong in Hedong. In the process, he was stopped by Huazhou warlord Han Jian, and he stayed there for two years. Although etiquette still existed, Zhaozong did feel helpless and boring in life. No matter what, he is the emperor after all, and his situation and pain are different from others. These two poems describe his mood. Denglou refers to the residence of Huazhou Xingzai. Huazhou is to the east of Chang'an, and Lintong Li Mountain can be seen in the distance. The so-called Qin Palace refers to the legendary Afang Palace. The Qin Palace no longer existed in the Tang Dynasty. This only refers to the old palace and garden of the royal family. However, the only thing that can be seen is the flying of two swallows. Looking up into the distance, the Wei River flows through Huazhou City, and even further into the distance there are only mountains. Moving on to the next film, Wild Smoke and Pedestrians, describing the lives of ordinary people, contrasting the loneliness and loneliness of his own imperial life. The last two sentences are a direct call, the world is so big, there will always be one or two heroes who will come out to serve the king and welcome you back to the capital! In the second song, I am like a fallen leaf, falling in Huazhou. The autumn wind and autumn rain add to my worries. Next, write about your daily life. Reminiscing about Miyagi, I feel so melancholy that all I can see is the confused smoke, and there is no hope at all. As for my mental state, I feel drowsy all day long. Even if I don't speak, I feel like I'm drunk and it's hard to wake up. The last two sentences ask God, I should have some certainty when I can go back! In these two poems, he is a down-and-out emperor, as helpless as a child who cannot find a home. "Bodhisattva Man" was a popular lyric poem in the Tang Dynasty. These two poems by Zhaozong can be seen as deliberate imitations of Li Bai's poem "Ping Lin Mo Mo". Zhaozong wrote about life's destiny with words eighty years earlier than Li Yu.

Zhaozong probably wrote more than these two poems at the same time. In addition to the first two poems recorded in Si 267 in the Dunhuang Posthumous Notes, there are at least five or six related poems. One: "The imperial garden illuminates the red silk, and the golden wind falls and touches the branches. The willows are lingering, and the Xuan Palace illuminates the Luchi. Every time I think about the dragon and phoenix palace, I regret the years of calamity. Counting the days returns, as if the Nanshan Mountain is motionless. micro.

"Mr. Rao Tsung-i's "Emperors, Warlords and Song Ci in the Late Tang Dynasty - About "Willow Branch" made by Emperor Zhaozong of the Tang Dynasty and "Bodhisattva Man" written by him in Dunhuang and other people's compositions" (included in "Continued Exploration of Dunhuang Songs") It is suspected that this chapter was also written by Zhaozong, thinking that Hongsi used the solar eclipse mentioned in "Gongyang Zhuan" to describe Zhu Siying's speech, lamenting that no one in the court could support the yang and restrain the yin. Xuan Palace was the residence of the emperor. , it is said that Zhaozong compares himself to Taiwei Emperor Xing, and thinks that although his residence is in danger, he still stands firm. The second part is: "I often feel ashamed and resentful to live under my ministers, but I am grateful for my kindness when I visit." The craftsmen who were sent to repair the palace were dedicated to the task without any end. Fengguo never slept, no one was drunk during the renovation. The day has come back, I hope the world will always know. "Third: "Ever since Luan Jia lived in Sanfeng, he has been thinking about the Lord day and night. I am accustomed to living in the purple and micro room, and my music and songs are not idle for a while. If the salary is divided between the north and the south, who is worried about the country? I'm going back to Luan this night, and I have to teach the country how to be safe. "Mr. Rao believes that it was Han Jian who was unhappy with Zhaozong's stay in Huazhou. Although Han Jian, as the host, had military strength, he still had to adhere to the court etiquette, so he had an answer. There is also a poem: "Thousand-year-old Phoenix Palace contends for supremacy. , when will we be able to contribute to the peace of the country? Luan Jia is on the three peaks, the sky is the same and the earth is different. The universe hates you, and now you are a guest in the dust. There is always loyalty outside the palace, and the sage king is thinking and assisting. "Mr. Rao suspects that it was written by King Qin, the son of Zhaozong, but it may also be written by someone from his subordinates. These works are quoted to show that Zhaozong's lyrics were a public declaration of his unhappiness. It was known to both the government and the public for a while, and it was also spread to Dunhuang, which had a great influence. Big.

"Zunqian Collection" also includes two poems of "Wushan Duan Yun" by Zhaozong, with the note: "I was lucky enough to be in Shu, and the palace people left an inscription on the wall of Baoji Station. "The one who was lucky to be in Shu was Xizong, and the one who was lucky to be in Shu was Zhaozong, which is suspected to be wrong. The two poems are about lingering emotions, such as "The spring breeze is like a young man's heart, and the leisurely love can't help but hate", which is very different from the style of the previous poems.

< p> (Author’s unit: Department of Chinese, Fudan University)