Learn sketching and landscape painting. Only through long-term and strict sketching training can landscape painting have a sense of beauty, such as: integrity, three-dimensionality, sense of space, texture, accuracy and brightness, etc., as well as the clear pursuit of texture. . There is no ancient sketch training, and mountains, rocks, trees, including points, lines, etc. are relatively independent. Use sketches to train the visual instinct of mountains, rocks, trees, points, and lines, as a whole. "Learning sketching and landscape" means making traces of sketches. As long as you feel comfortable with the traces you draw, you will have some experience. After a long period of preconception training, the hand will become a permanent habit, which is still difficult to change even after a long period of calligraphy training.
Sketching emphasizes the principle of respecting nature and reflecting the object. Therefore, "nature" and "search for Qifeng manuscripts" have become the most frequently used mantras of modern landscape painters. In order to facilitate the understanding of Chinese landscape art from the perspective of sketching, decades ago, this book transformed the traditional "charm" into the concept of "combination" and summarized it as "scattered angles". Therefore, today's landscape paintings are "really" a mess of landscape paintings consisting only of scattered angles. Because sketching is close to daily visual experience, grafted sketching landscapes look more comfortable than before. Because the sketcher's trained eye is good at capturing the characteristics of the subject, the grafted sketched landscape looks more traditional than the traditional landscape.
Those modern landscapes that praise "traditional models" must have many "coincidences" with the beauty of sketches. This is because we are using the ink sketches of our ancestors, and we need to examine carefully to discover the early aesthetic visual landscape sketches in China. We have to admit that in the long-term popular education drawings, "sketch" has been deeply embedded in the landscape painting system, completely rewriting the history of Chinese landscape painting and changing the traditional vision of traditional Chinese painting.
Maybe we are not willing to accept this fact, or we are not willing to accept this statement, and then analyze a painter, a painter, and compare paintings, so that we can find the answer. It is now possible to use information development and computer image analysis methods to sample as many modern landscape painters as possible, enlarging the picture of their work to see the details; zooming out their works to see the "components". The pen and ink, preferences, composition, techniques, stone walls, orientation and other factors of contemporary landscape painting are compared one by one with ancient paintings and ancient painters based on their art learning experience and the formation process of landscape painting, and theoretical sketches and drawings are compared.
Compared with the pictures in traditional Chinese paintings, the pictures in traditional Chinese paintings have the natural African mountains, trees, stones, and landscapes as the background. The desire to be close to nature is difficult to imagine in this step. This step completes almost half of the natural process of Chinese landscape painting and completes the illusion of handling the spatial relationship between landscape and water. Three centuries later, the other half of the natural landscape painting was completed, which was the landscape painting of the Sui Dynasty mission sent by the comprehensive programming technology of village, pen, point and dye without cunguang Chinese painting empty hook. Some scholars cannot tell from the figure paintings, stones, and the sea surface located in the northeastern part of Taiwan Island that they are from the Sui Dynasty, and infer that the Chinese painting documents should be from the recent past, although the date is not from the mid-Northern Song Dynasty.