Independent cold autumn, Xiangjiang River north, Orange Island.
You see the mountains and plains, and the layers of forests are all dyed;
The river is full of water, and hundreds of people compete for the flow.
The eagle hits the sky, the fish is shallow,
All kinds of frost fight for freedom.
Lonely, ask the boundless earth, who is in charge of ups and downs?
Took 100 couples on a trip,
Recalling the past, the years are thick.
Just a classmate and teenager, in full bloom;
Scholar spirit, Fang Qiu.
Guide the direction, inspire words,
Shit is Wan Huhou.
Remember, when the midstream hit the water, the waves stopped the speedboat!
"Qinyuanchun Changsha" is a poem written by Mao Zedong when he left Shaoshan, his hometown, in late autumn of 1925, and went to Guangzhou to preside over the peasant movement workshop, passing through Changsha and revisiting Orange Island. It is vividly pointed out that the leading force that dominates the China revolution is the China * * * Production Party armed with Marxism–Leninism.
Title: Changsha Qinyuanchun
Creation year: modern
Source: Poetry Magazine (1957 65438+ 10/)
Literary genre: words (long sentences and short sentences)
Author: Mao Zedong
Inscription name: Qin
Creation time: 1925 65438+ February
Poetry interpretation
Yellow Hairstyle Calligraphy "Qinyuanchun Changsha"
This word was written in the autumn of 1926 (the author wrote this word in calligraphy as "1926", see "Ink Continuation of Chairman Mao's Poems", which seems to be a clerical error. 1in the autumn of 926, the author was the director of the Central Peasant Movement Committee in Shanghai, but he has never been to Changsha). The whole poem is vigorous, magnificent and full of emotion. It expresses the grand ideal of young Mao Zedong to "transform China and transform the world". He is optimistic, confident, charming and distinguished, and also shows his full maturity and high achievements in poetry art.
The first part of the whole word is to write about scenery, and the next part is to recall the past. Starting from the sentence "independent cold autumn", it is pointed out that the time and place are in late autumn and the land is in Orange Island in Xiangjiang River. The pen is plain and the tone is soothing. In fact, it is to prepare for the following. Several sentences with the word "look" are a complete set of long sentences, which are completed in one go, revealing the author's extreme dumping of the beautiful scenery in front of him. Numerous parallelism and antithesis sentences make the description of the scenery layered: the mountains are red, the water is blue, and the colors are in sharp contrast; The trees on the mountain are as gorgeous as sunrise, and the boats in the river are as noisy as galloping horses, and the movements set each other off; Looking up at the eagle flying, overlooking the fish swimming, changing the perspective, showing a colorful, vibrant and moving Xiangjiang Qiu Jingtu. So the author can't help but express sincere admiration for "all kinds of frost and sky strive for freedom", and all living and inanimate things live and develop freely in this endless universe. What a desirable scene! From Song Yu's "Sadness, Autumn is Qi" ("Nine Debates"), Sadness for Autumn has become an eternal theme in the works of China ancient poet Mo Ke; Although there are some works praising autumn, such as Liu Yuxi's "The First Smell of Autumn Wind", "Heaven and earth can be destroyed, and the monarch (referring to autumn wind) can rise to the stage after his illness", it is rare in ancient poetry to thank autumn wind for helping him overcome his illness and cheer up his spirit, but its realm and boldness of vision naturally cannot and need not be compared with "all kinds of freedom in frosty days" here. The author's later autumn ode is "a year of autumn wind is thick, not like spring." "Better than Spring" and "Wan Li Frost on the River" ("Picking Sang Chongyang") all reflect the author's attention and interest in magnificent, distant, free and vigorous natural beauty. This kind of praise for autumn scenery makes the mood of Ci tend to be high. However, the head of a hundred feet pole turned into a layer again, and he suddenly asked, "I'm so disappointed. Who cares about the ups and downs of the vast earth?" The whole word reached its climax.
"Who will rule the ups and downs?" This big problem, which covers a long time and space, vast land, human history and realistic struggle, embodies the central idea of this paper. Here, the author's profound thoughts on the future of the times and society are condensed, and his earnest concern and painstaking exploration of the fate of the nation and the motherland are branded.
Since the summer of 192 1, Mao Zedong has been actively involved in party building and various revolutionary mass movements. /kloc-in the winter of 0/924, he returned to Hunan, organized a "revenge meeting" in Shaoshan and other places, carried out a series of revolutionary activities, and organized and publicized the masses. /kloc-in the autumn of 0/926, Zhao Hengti, the overseer of Hunan Province, ordered the arrest of Mao Zedong, and Mao Zedong left Shaoshan warily and went south to Guangzhou, the revolutionary birthplace at that time. This word was written during my temporary stay in Changsha.
Obviously, it is not difficult for us to understand that the author did not indulge in the natural landscape with the leisure of tourists, but with a strong sense of mission to fight for freedom for the nation and liberation for the people, he unexpectedly found a point of convergence with nature. Independent cold autumn
Word intention
The word "independence", "melancholy" and "melancholy" are all based on the optimistic, warm and gorgeous tone of the word, which is inevitably smeared with inexplicable confusion and indifference. It is not a single emotion that adds a sense of heaviness and affection to the work. In particular, the question of "Who controls the ups and downs" grasped the fundamental question in the overall situation of the revolutionary struggle at that time: Who controls the fate of China? This article seems to have a problem but no answer, but it actually has an answer. In the future, the author's "counting romantic figures depends on the present" is an answer made in literary language, while "the people, only the people, are the driving force to create world history" is a theoretical answer. In fact, the next paragraph of this word is also an answer.
The next movie is about the group activities of young "100 couples"; However, he devoted himself to Changsha's travel notes in order to fit the local scenery, reunify the material of the whole poem, that is, painting and narrative, and closely focus on the title of "Changsha".
There are too many memories about Changsha, Orange Island and Mao Zedong. He studied and carried out revolutionary activities in the first normal school of the province for five years, and then lived in Changsha many times. At the foot of Yuelu Mountain, he initiated the establishment of Xinmin Society and vowed to serve the nation together with Cai Hesen, He Shuheng, Chen Chang, Zhang Kundi and Luo Xuezan. He edited Xiangjiang Review in Changsha, set up a Marxist research society, organized evening classes for civilians and cultural bookstores, "pointed out the mountains and rivers", commented on current politics and wrote an impassioned macro chapter. Yuan Shikai is ready to proclaim himself emperor, and his appointed Du Xiang Shang Xiangming actively supports him. Mao Zedong distributed pamphlets everywhere to expose and criticize him. Zhang overseers Hunan, and he led the "Zhang Drive Movement", treating these reactionary warlords like dirt. Another long sentence under the word "cha" is a vivid portrayal of these activities!
Finally, the author described the details of swimming life in those days with huge sums of money. It is well known that the author loves swimming and is especially good at breaking waves in rivers. There is a saying in his "Water Turning Around": "No matter how big the storm is, it is better to walk." Swimming has become a symbolic image in the author's works. As he has explained many times, "revolutionaries can't grow up in greenhouses, but should exercise themselves in stormy waves" and "human society has developed from stormy waves". Therefore, the last three sentences not only show the heroic ambition of the author and "100 couples" to fight bravely, but also show people that this fearless revolutionary spirit is necessary to realize the great revolutionary ideal of "ups and downs".