1. Verses about writing calligraphy
Verses about writing calligraphy 1. Verses about writing calligraphy
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Original publisher: Every Plop Ant
Sentences about describing calligraphy: 1. The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander. 2. The flowing clouds and flowing water, the writing strokes are like clouds and smoke. 3. With one stroke, it looks like a runaway horse soaring into the sky and away from the dust; or like a dragon flying into the sky, moving around, coming from nothingness, and returning to the void again. This almost crazy impulse of primitive vitality encompasses the heaven and the earth. The aura of the universe. 4. Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, dispersion and tranquility of Laozi and Zhuangzi. It often changes in a way that does not seek richness, and omits the worldly glitz in the writing in order to seek emptiness and distance. Real meaning. 5. Observe that his strength is not lost, his posture is extended but not exaggerated, and his handwriting flows like water and clouds. 6. Du Shijie has strong bones but is thin in calligraphy and painting. If there are no leaves in the frost forest, the waterfall will fly in. 7. A group of crocodiles are playing in the sea, and cranes are dancing in the sky (Emperor Xiao Yan of Liang Dynasty commented on Wang Xizhi) 8. Floating like floating clouds, as powerful as a frightening dragon. The iron book and the silver hook are the best in ancient and modern times. 9. Huaisu is like a strong man wielding a sword, his expression is moving, and he moves forward and backward without missing the mark. 10. With a few scribbles, a picture of a soaring dragon will appear on the paper. The dragons he painted are lifelike, majestic and varied. When Chen Rong paints a dragon, he often does not paint the entire dragon, but paints the dragon's head or claws, which appear and disappear, as if hearing its sound or seeing its shape. He also splashes ink to form clouds and sprays water to form mist. It is so magical that people call it Suo Wenglong (Chen Rong's name is Suo Weng). 11. The fonts are upright and staggered, large and small, open and close, and the line thickness changes obviously, with ups and downs. The last line is crooked, so crooked that it almost falls over, but this tilt is not rigid, but more free, reflecting his willful side and his own style. Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, with the beauty of coming down like thunder to collect its fury. He writes quickly,
2. Poems about calligraphy and painting
1. Book, Tang Dynasty: Li Qiao, cut the bamboo slips to see the dragon, and see the traces of birds near the pond.
The Eight Diagrams of Hetu came out, and it was the beginning of Jiuchou in Luofan. The dew drops are full of spring light, and the clouds are still full of strength.
Please look deeply into the wood, not even an inch is empty. Translation: There are few birds singing by the pool, the environment is quiet and relaxing, I lean on the railing and carefully review the words on the letter.
Calligraphy is the origin of Chinese culture, and the existence of Luohe led to the emergence of "Luoshu". The dew drops are round and powerful, and each stroke is like a broken cloud forcefully hiding the time.
Please observe every stroke carefully. Every inch is round, smooth, and well-developed. 2. After the cursive scroll written in drunkenness, Song Dynasty: Lu You. There are five soldiers hidden in the chest, and there is no way to try.
The wine is like flags, drums, pens, knives and spears, and its power falls from the sky to the Milky Way. The stone pool in Duanxi is thick with ink, and the candlelight shines in all directions.
After a moment, I rolled up the wine and saw that the smoke and dust from thousands of miles away were clear. The husband should be well-established while he is alive, and he should do his best to keep his luck in check.
When I go out of Wuyuan fortress at night, I don’t hear people’s words and hear the sound of whips. Translation: I have a military strategy in my heart, but I want to try it out but there is no way out, so my ambition is empty.
Cursive writing is like marching into battle. Drinking before writing is like the flags and drums in the army, which are powerful. The pen in the hand is like the sword and gun of the soldier, and its momentum is like the Milky Way pouring down from the sky. Using an inkstone produced in Duanxi to grind ink, under the illumination of candlelight, the writing strokes were as smooth as flying.
Finishing the cursive writing in an instant and drinking from a cup, it was like winning a battle, eliminating the national crisis, restoring peace, and feeling very happy. Aspiring men should establish their careers and establish themselves. The fate of the Jin invaders has been fulfilled and they should be quelled.
When will we be able to attack the Jin people in the north like when we sent troops to attack the Xiongnu at Wuyuan Fortress during the Han Dynasty? I can already imagine the very solemn scene of our army. I only heard the sound of whips and horses, but no human voice. 3. Sun Xinlao's poem about Mo Miaoting Pavilion Song Dynasty: Su Shi When the cocoon paper from Orchid Pavilion entered Zhaoling, the ruins in the world are like dragons.
Yan Gong’s reforms brought out new ideas, and the thin tendons penetrated into the bones like an autumn eagle.
The father and son of the Xu family are also very handsome, with strong character but hidden edge.
The legend of Yishan is engraved with codes and punishments, and the writing skills remain in the sun for thousands of years. Translation: The original "Preface to the Lanting Collection" written on cocoon paper has been buried in Zhaoling, and the glyphs of Wang Xizhi's dragon and tiger leaping are still left in the world.
Yan Zhenqinggong changed the calligraphy to create new ideas, and the characters are as strong as an eagle in autumn. The calligraphy of Xu Qiaozhi and his son is also extremely delicate, with no sharp edge but vigorous and vigorous strokes.
The stone inscriptions on Mount Yi serve as an example. The inheritor of calligraphy for thousands of years is Li Shi Yangbing. 4. Inscribed orchid, Qing Dynasty: Zheng Xie Standing on the top of Qianshan Mountain, the deep cracks in the rock are filled with wonderful fragrance.
It is not without the floating clouds under our feet. We don’t know each other when we come and we don’t stay when we go. Translation: Orchids grow on the tops of rocks, and their fragrance spreads everywhere. In the protruding rocks and crevices, the wonderful floral fragrance is rich and fragrant.
It’s not that there is no noise of rolling clouds under our feet, it’s just that the orchids don’t want to pay attention to them, they don’t know when they will come, and they won’t keep them when they leave. 5. Black Plum Blossoms Yuan Dynasty: Wang Mian The tree at the head of the pond where I wash inkstones has flowers blooming with faint ink marks.
Don’t let others praise you for your good color, just flow clear energy and fill the universe. Translation: There is a plum tree beside the inkstone washing pond in my house, and the blooming plum blossoms show faint traces of ink.
There is no need for others to praise its beautiful color. It only needs the fragrance of plum blossoms to permeate the world.
3. What are the poems about calligraphy?
1. We all know each other in this world, but this man is not like that.
Xinglai Shu is a saint, and his drunken words are especially brilliant.
From: "A Gift to Zhang Jiuxu after Drunk" by Gao Shi of the Tang Dynasty.
Translation: People in the world make friends casually, but this old man does not. His calligraphy comes naturally when he is in a mood, and his language is especially bold and crazy when he is drunk.
2. The short paper is laid slantingly, making grass leisurely, and the fine breasts of the clear window are used to share tea.
Don’t sigh in plain clothes because of the dust, you will still be home at the Qingming Festival.
From: "The First Spring Rain in Lin'an" by Lu You of the Song Dynasty.
Translation: Spread out a small piece of paper and write slowly and slopingly, each word in order. Boil water, make tea, skim foam in front of the window on a sunny day, and try to taste famous tea. Don't lament that the dust in Kyoto will stain your white clothes. During the Qingming Festival, you still have time to return to your hometown in Sanin by Jinghu Lake.
3. I haven’t seen the old immortal in ten years, and dragons and snakes are flying on the wall.
If you want to criticize the governor, you still sing the spring breeze of the willows.
From: "Xijiang Moon·Pingshan Hall" by Su Shi of the Song Dynasty.
Translation: I haven’t seen the old immortal for ten years. Only his ink marks on the wall are still as powerful as dragons flying and snakes dancing. I wrote this poem under the "Ou Gong Liu" in front of Pingshan Hall to commemorate Ouyang Xiu, a hero in the literary world and the former governor of Yangzhou.
4. Orchid Pavilion cocoon paper enters Zhaoling, and the ruins in the world are like dragons.
Yan Gong’s reforms brought out new ideas, and the thin tendons penetrated into the bones like an autumn eagle.
The Xu family's father and son are also extremely handsome, with a strong edge hidden in their words.
The legend of Yishan is engraved with codes and punishments, and the writing skills remain in the sun for thousands of years.
From: "Sun Xin Lao Qiu Mo Miao Pavilion Poetry" by Su Shi of the Song Dynasty.
Translation: The original "Preface to the Lanting Collection" written on cocoon paper has been buried in Zhaoling, and the glyphs of Wang Xizhi's dragon and tiger are still left in the world. Yan Zhenqinggong changed the calligraphy to create new ideas, and the characters are as strong as an eagle in autumn. The calligraphy of Xu Qiaozhi and his son is also extremely delicate, with no sharp edge but vigorous and vigorous strokes. The stone inscriptions on Mount Yi show an example. The inheritor of calligraphy for thousands of years is Li Yangbing.
5. Cut off the bamboo slips to see the dragon and the birds, and the birds are near the pond.
The Eight Trigrams of Hetu came out, and it was the beginning of Jiuchou in Luofan.
The dew drops are full of spring light, and the clouds are still full of strength.
Please look into the wood, not even an inch is empty.
From: "Book" by Li Qiao of Tang Dynasty.
Translation: There are few birds singing by the pool. The environment is quiet and relaxing. I lean on the railing and carefully review the words on the letter. Calligraphy is the initial source of Chinese culture, and the existence of Luohe led to the emergence of "Luoshu". The dew drops are round and powerful, and each stroke is like a broken cloud forcefully hiding the time. Please observe every stroke carefully. Every inch is round, smooth, and well-developed.
4. What are the poems that describe calligraphy and painting?
1. The Duke of Chu painted an eagle with horns on it, with a murderous aura as deep as the moon.
------"Jiang Chugong Painting the Horned Eagle Song" by Du Fu of the Tang Dynasty 2. Emei is higher than the westernmost sky, and Luofu is directly connected to Nanming. ------Li Bai of the Tang Dynasty, "Dang Tu Zhao Yan Shaofu Pink Painting Landscape Song" 3. When the wind and frost rise, the goshawk painting is special.
------ "Drawing an Eagle" by Du Fu of the Tang Dynasty 4. The Duke of Chu painted an eagle wearing horns, and the murderous spirit reached Youshuo. ------"Jiang Chugong Painting the Horned Eagle Song" by Du Fu of the Tang Dynasty 5. The maple trees growing in the hall are strange, and smoke rises from the strange mountains and rivers.
------Tang Dynasty Du Fu's "Song of Landscape Barriers in the New Painting of Liu Shaofu" 6. Seeing a falcon in the high hall, the rustling sound moves the autumn bones. ------ "Painting Falcons" by Du Fu of the Tang Dynasty 7. The seat in the middle of the Tuo River flows from Minshan Mountain to this hall.
------Tang Dynasty Du Fu's "Ten Rhymes of Drawing Pictures of Tuojiang River in Minshan Mountain" by Du Fu of the Tang Dynasty. 8. Paint one piece of water in ten days, and one stone in five days. ------Du Fu of the Tang Dynasty, "The Title of Wang Zai's Landscape Pictures and Songs" 9. The descendants of the general Wei Wu are now common people and Qingmen.
------Tang Dynasty Du Fu's "Pictures Presented to General Cao" 10. The painted pine looks like a real pine tree, but you can't remember it until you think about it. ------ "Painting Pine" by Jingyun of the Tang Dynasty 11. The biography of cang moss painted in pink for thousands of years, the color is still intact.
"Painting Stone" by Liu Shang of the Tang Dynasty 12. Zhou Fang painted a slim waist on the screen, and half of the blue color was sold out over time. "Screen Quatrains" by Du Mu of Tang Dynasty 13. Who said that sad paintings can't be painted? Paintings depict human feelings and human feelings.
"Jinling Map" by Wei Zhuang of the Tang Dynasty.
5. Ancient poems about calligraphy
Songs in cursive script
Tang Dynasty: Li Bai
The young master’s name was Huai Su, and his cursive script was popular all over the world. Called Dubu.
The Beiming fish flies out of the ink pool, and the pen tip kills all the Zhongshan rabbits.
The weather is cool in August and September, and the halls are full of drunkards and poets.
Several boxes of plain linen silk, Xuanzhou stone inkstone with bright ink.
After my master got drunk, he leaned on the rope bed and swept away thousands of them in a moment.
The wind and rain are blowing, and the falling flowers and flying snow are so vast!
He stood up and kept moving toward the wall. A line of numbers was as big as a bucket.
It’s like hearing gods and ghosts, and seeing dragons and snakes running away from time to time.
The people on the left and right frowned like lightning, as if they were fighting with the Chu and Han Dynasties.
Every family in the seven counties of Hunan had barriers and books written all over it.
Wang Yishao and Zhang Boying have been named after several waves since ancient times.
Zhang Dian has lived long and died, and I have learned this principle rather than learning from the ancients.
In ancient times, everything was born, so why should Gongsun Auntie dance naked?
Translation:
A little boy, a little monk, named Huai Su. Your cursive calligraphy has a completely different style and is unique in the world.
You use so much ink that you could feed whales in the Arctic Ocean. You used so many rabbit brushes, no wonder all the rabbits in Zhongshan were killed.
The weather here is cool in August and September. The drunken poet fills the hall.
There are several boxes of white cloth and paper on the ground, which are all things that others asked you to write on. There are stone inkstones from Xuanzhou placed on the table, emitting the black and bright light of ink.
After my little master got drunk, he would take a nap on the rope bed for a while. He suddenly stood up and scanned thousands of words in a matter of seconds.
Like a sudden storm, the sound is shocking. It's like flowers and snow flying in the air, and the sky is vast. Sometimes my hand keeps writing against the pink wall, and the words are as big as a bucket.
Everyone who watches your writing is as terrified as seeing a ghost. All I could see were flying dragons, dancing phoenixes and giant pythons swimming away.
The strokes of the painting move from left to right, clashing from left to right, like lightning all over the sky. It was also like the war between Han and Chu that saw back and forth.
How many famous families are there in the seven counties of Hunan. The screens and painted walls of that house don’t contain your writing?
Wang Xizhi or Zhang Boying, are they also called Caosheng? Comparing with you, you will know that their reputation has been wasted for hundreds of years
My crazy drinking buddy Zhang Xu, also known as the Grass Sage, is now an old Lianpo and can't even eat. , now he can no longer live up to the title of Grass Saint. My little master's writing style does not follow the rules of the ancients.
From ancient times to the present, everything has relied on innate talent to reach the highest level.
Why do you need to be like Zhang Xu and watch Gongsun's sword dance in "Huntuo" to be inspired?
6. Sentences describing calligraphy
1. The pen is full of ink: the pen and ink are used very freely and fully.
It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping.
Describes the vigorous and free-spirited style of calligraphy. He also writes on behalf of the commander.
2. The writing is like clouds and smoke. 3. With one stroke, you can see it like a runaway horse soaring into the sky and away from the dust; or like a dragon flying into the sky, moving around, coming from nothingness, and returning to the void again. This almost crazy impulse of primitive vitality encompasses the heaven and earth. The aura of the universe.
4. Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, detachment and tranquility of Lao and Zhuangzi. It often uses a kind of change that does not seek richness and is reflective in the writing. It means leaving behind the glitz and glamor of the world in order to seek the true meaning of space and distance. 5. Observe that his strength is not lost, his posture is stretched but not exaggerated, and his handwriting flows like water and clouds.
6. Du Shijie has strong bones but is thin in calligraphy and painting. If there are no leaves in the frost forest, the waterfall will fly. 7. A group of crocodiles are playing in the sea, and cranes are dancing in the sky (Emperor Xiao Yan of Liang Dynasty commented on Wang Xizhi) 8. Floating like floating clouds, and acting like a frightening dragon.
The iron book and the silver hook are the best in ancient and modern times. 9. Huai Su is like a strong man wielding a sword, his spirit is moving, and he is circling forward and retreat without missing the mark.
10. With a few scribbles, a picture of a flying dragon will appear on the paper. The dragons he painted are lifelike, majestic and varied.
Chen Rong often does not paint the whole dragon, but paints the head or claws of the dragon, which flicker and appear, as if hearing its sound, as if seeing its shape, and splashing ink into clouds, spraying water into The fog is so magical that people call it "Suoweng Long" (Chen Rong's nickname is Suoweng). 11. The fonts are interlaced, large and small, open and closed, and the thickness of the lines changes obviously, with ups and downs.
The last line is crooked, so crooked that it almost falls over. However, this tilt is not rigid, but more free, reflecting his willful side and his own style. Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, which has the beauty of "coming like thunder and gathering its wrath".
He writes quickly, uses the pen powerfully and exerts heavy force. 12. Be simple and unpretentious and accept the universe.
13. The teacher’s words are a symbol of years and years, and each stroke is sonorous and powerful. 14. Be assertive and domineering, without being restrained at all, even writing in one stroke, like a god, coming and going without a trace.
15. The teacher’s words are like petals, the fragrance spreads far and wide, becoming more and more fragrant. 16. The dragon and the snake race and wear through the iron inkstone.
17. Its color, its shape, its density, dryness and wetness, its discontinuity and rolling, the thickness and thickness of the dew are all infinitely variable, and the weather is myriad. 18. The majestic brushstrokes and sweeping gestures are unintentional and have the most vitality-filled characteristics.
19. The ancient ink is lightly rubbed with a few fragrances, and the new inkstone bath shines brightly, either vigorously or gracefully, like a graceful beauty, like a vigorous and brave warrior, or like the spring breeze blowing in the face of flowers. One piece may be as deep and cold as the north wind entering the pass. 20. Like a strong man drawing his sword, his appearance is moving.
21. Manqing’s pen is full of facial muscles and willow bones 22. Luan soaring and phoenix Zhu: Zhu: flying high. It is a metaphor for the flying gesture of calligraphy strokes.
23. Luan Piao Feng Bo: Luan: a legendary bird like the Phoenix. It turns out that calligraphy is described as free and unrestrained.
It is also a metaphor for the separation of husband and wife of advanced students. 24. Flying dragon and snake: describes the vigorous and vivid calligraphy strokes.
Su Shi's poem "Xijiang Moon·Pingshan Hall": "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall." 25. Flying dragon and dancing phoenix: Like a flying dragon, like a flying phoenix.
The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
26. Giving examples: Zuo Qiu Ming wrote a biography of "Chun Qiu" and classified the calligraphy of "Chun Qiu" into several categories and gave a general explanation. Later, the style of classifying and exemplifying a book was called "example and enlightenment".
See "Making an Example". Powerful and penetrating the back of the paper: It originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.
27. The sword was drawn: the sword was drawn from its sheath and the bow was opened. Describes a situation that is tense and on the verge of breaking out.
Later, it also means that calligraphy is vigorous and powerful.
28. Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
29. Initial writing of Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have small regular script calligraphy of "Huang Ting Jing". In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right."
Later used to describe doing things just right. 30. Beauty Hairpin: Describes the beauty and beauty of calligraphy or poetry style.
31. Penetrating three-thirds of the wood: The original description is the strong calligraphy pen (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), now it mainly describes the profound and powerful analysis, description and discussion. The power of similar words can be seen through the back of the paper, and it is an apt description of the root of calligraphy.
32. The paper is like clouds of smoke 33. Li Bai of the Tang Dynasty's "Cursive Script Song": "I only see dragons and snakes walking away from time to time, and the left and the right are frowning and shocked." 34. Although the presentation has a fatherly style , is not a novelty.
Looking at the style of his calligraphy, he is as sparse and thin as a dead tree in the middle of winter; looking at the traces of his writing, he is as restrained as a hungry official of the Yan family. 35. Three points into the wood 36. Wang Xizhi has profound attainments in real calligraphy, cursive calligraphy, and all kinds of calligraphy.
His real calligraphy has a clever and dense shape, opening up a new realm; his grass is long, thick and slender; his running script is charming and vigorous. People call his calligraphy "floating like floating clouds, as powerful as a frightening dragon"; "dragon leaps over the sky gate, tiger lies in the Phoenix Pavilion".
37. Graffiti: letter: let one go, casually; letter pen: write casually; graffiti: figuratively written words are poorly written and scribbled casually. Later, "graffiti" or "graffiti" were used to describe poor calligraphy or random writing.
There are also people who claim to be doing graffiti to show their modesty. 38. Xinbi scribbling: Xinbi: writing casually.
Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.
39. Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful.
40. The pen moves the dragon and the snake, the iron draws the silver hook.