Wang Lin's resume

He has held art exhibitions in more than ten provinces and cities across the country. His works have won awards in various large-scale art exhibitions at home and abroad 100 times. He has been invited to participate in more than 100 public welfare exhibitions, including the painting and calligraphy exhibition for the 0/00th anniversary of the founding of Peking University, the painting and calligraphy exhibition for the 40th anniversary of the founding of CCTV, the painting and calligraphy exhibition for the birthday of Comrade Liu Shaoqi, the painting and calligraphy exhibition of Tibet Hope Project, the painting and calligraphy exhibition of Huangdaozhou and the academic invitation exhibition of China National Academy of Painting. Participated in the nomination exhibition of China Artists Association for more than ten times. Philippine Business Daily has made many full-page special presentations. He has published 4 monographs and nearly 1,000 articles and works in various newspapers and periodicals. Biographies are introduced in several dictionaries, such as Who's Who in the World, Contemporary Entrepreneurial Talents in China and China Dictionary of Outstanding Experts and Scholars. In recent years, he has studied the culture since Qin and Han Dynasties, focusing on stone reliefs, brick reliefs, Wen Tao and Han Dynasty. He has published more than ten academic articles in China Culture Newspaper, China Cultural Relics Newspaper, China Business Daily, Calligraphy Newspaper, Painting Circle and Artistic Conception. At present, he is the vice chairman of Artists Association of China Metallurgical Science and Industry Group, the deputy secretary-general of China Cultural Relics Society, the executive director and deputy secretary-general of Beijing Federation of Trade Unions Workers' Painting and Calligraphy Association, the academician of Capital Entrepreneur Poetry and Calligraphy Institute, and the vice chairman of Beijing Financial Street Federation of Literary and Art Circles.

Beautiful and Elegant ── A Record of Wang Lin's Flower and Bird Paintings

Yu Shaoping.

Wang Lin is a very talented flower and bird painter. I remember when I first saw his flower-and-bird sketches in Beijing, I was deeply impressed by his elegant brushwork and natural painting style: light, peaceful and elegant, simple and elegant brushwork, natural and southern painting style.

In the long development process of Chinese painting, it has accumulated incomparably rich techniques and abstract pen and ink forms, and the masters of Chinese painting in past dynasties are struggling to find them. Master Huang Hongbin said: "Qi is in brushwork and rhyme is in ink." Pen and ink are the foundation and life of Chinese painting. Seeing nature with pen, feeling with ink can directly reflect the painter's taste and style. Wang Lin knows this very well. Ivy League, Eighth National Congress, Xugu, Baishi and other masters, pen and ink are neutral. From Wang Lin's flower-and-bird sketches, we can see that he has made great efforts in the pen and ink of Chinese painting. For him, the study and research of traditional pen and ink is equivalent to his examination of the beauty of China tradition.

Wang Lin draws easily and his works are natural. Attitude is a state, a natural expression of true feelings, dispersed, escaped and hidden. Pen and ink are in things, and everything is heart. He fused pen and ink between nature and mind, transcending the secular world, and made his works have a high standard, with both form and spirit within one inch. He has a good grasp of the artistic conception and image of traditional aesthetics, which fully embodies his talent. I would like to see the pen and ink images created in Wang Lin's flower-and-bird paintings, the melancholy and lonely flying birds, the semi-helpless folding of flowers, the unintentional interest in pen and ink, and the extremely broad artistic conception, all of which reveal elegance and rolling.

Wang Lin is good at using ink and wash, and the changes presented by ink and wash can be used freely, delicately and accurately in his works. Pen and ink are free, and the natural interest in their hearts fascinates and moves the viewers, which has a strong appeal. His works always show a kind of spirituality, conveying the spirit of reappearing nature through Mo Yun.

Xu Wei once said, "Don't look like a rhyme for survival." We expect him to carry forward this style.