Tang Xiangsong, 1963, from Enshi. Member of China Hard Pen Calligraphers Association, member of Hubei Calligraphers Association, and head of the Preparatory Committee of Enshi Hard Pen Calligraphers Association. I began to learn calligraphy, brush calligraphy, hard pen calligraphy and seal cutting 20 years ago in calligraphy theory, and I have made little progress in training and educating people. Hard-pen calligrapher, from Mr. Wang Zhengliang, published three pen copybooks: Learning Essentials of Pen Calligraphy, Self-study Collection of Pen Calligraphy and Three Steps of Writing, and edited the Collection of Zhou Guozhi Prize National Hard-pen Calligraphy Competition.
Chinese name: Tang Xiangsong
Nationality: China.
Place of birth: Enshi
Date of birth: 1963
Occupation: Calligraphy artist
Main achievements: calligraphy creation
Representative works: Learning Essentials of Pen Calligraphy, Self-study Collection of Pen Calligraphy, and Three Steps of Chinese Character Learning.
outline
10 has won many awards in various national hard-pen calligraphy competitions, and hard-pen calligraphy works were selected into the second Sino-Japanese Hard-pen Calligraphy Boutique Exhibition, awarded the title of 100 hard-pen calligraphers in China in recent 20 years by China Hard-pen Calligraphers Association, and rated as excellent instructors by Calligraphy Newspaper. He has twice entered the Calligraphy Training Center of China Calligraphers Association to study brush calligraphy, and studied under masters such as Shen Peng, Zhou Erfu, Lin You, Gongda Yan, Xiong Baiqi and Li Gangtian. Participated in the teaching achievement exhibition and retrospective exhibition of China Calligraphers Association Training Center for many times and won awards. In 2006, he was selected for the fifth seal cutting exhibition of China Calligraphers Association, and published his theory and theory in Calligraphy Guide, Youth Calligraphy Newspaper and China Pen Calligraphy.
Social review
Tang Xiangsong is the only hard-pen calligrapher in Enshi who has published three pen copybooks by a regular publishing house and won the grand prize in the most authoritative hard-pen calligraphy competition in the country, ranking among the top 100 in the country, which is unparalleled in the whole state. Under the personal guidance of famous calligraphers such as Zhang and Zhang, the level of calligraphy is improving day by day. He has participated in the teaching achievement exhibition and retrospective exhibition held by the training center of China Calligraphy Association in China Art Museum for three consecutive times, and won the first prize in the calligraphy competition of China Industrial and Commercial Bank. He is also the only calligrapher in our state who has participated in the 4th Book Fair, Post and Telecommunications Cup Book Fair and 2 1 Century Calligraphy Exhibition held by Hubei Calligraphy Association for three consecutive times. His works have been published in China Pen Calligraphy, Calligraphy Newspaper and Writing for many times, and his biographical works have been included in many dictionaries. He is a traditional strength calligrapher, who is good at both pen and ink and knows everything, especially regular script.
His regular script has always been introduced from Chu Suiliang, and he is also learning European style, and involves the North Monument, which is solemn but smart. The lower case is based on Wang Xizhi's Huang Tingjing, and Zhao Mengkai's book is used to gain momentum, which is beautiful and free and elegant. Its pen calligraphy has the charm of a brush, which is characterized by being thin and hard.
Tang Xiangsong is generous but not arrogant, modest and open-minded, but frank, giving people the impression that he is always optimistic. In the tide of market economy, he can keep a pure land in Mo Chi and be diligent in writing. He travels in the black and white world every night, talks with the ancients and interprets the true meaning of calligraphy art, and teaches calligraphy to young people on weekends. Squeeze into the book world with down-to-earth hard practice spirit, and be unique among the soft and hard pen calligraphers in Quanzhou.
The construction of national culture needs the exploration and pursuit of a group of doers like him in order to carry it forward in the inheritance. He taught his understanding of calligraphy art to the younger generation, sowed the seeds of hope for the rejuvenation and prosperity of national cultural undertakings, and embodied the slogan of revitalizing national culture. Therefore, we need policies and atmosphere to prosper national culture, pave the way for explorers like him and create conditions for higher achievements.