Wang Xizhi and his son Shao Yi were from the Jin Dynasty. His writing style is natural and varied, which sets a good example for future generations and all people will follow suit.
Wang Xianzhi's 92 Law of Frame Structure was published by China Book Publishing House.
Wang Xianzhi is the seventh son of Wang Xizhi. Suddenly forty-three years old. It is famous for its running script and cursive script. Wang Xianzhi studied calligraphy with his father Xi as a child, and also studied Zhang Zhi. Calligraphy is excellent, especially cursive script, which dares to innovate and has made outstanding contributions to modern calligraphy and cursive script since Wei and Jin Dynasties. Known as a "little saint" in the history of calligraphy, he is also called "two kings" with his father.
Compared with Xihe running script, the running script presented is more beautiful and elegant in vertical and horizontal changes. Whether using a pen or taking advantage of the situation, it is safe and unrestrained, and the movement is combined. As the running script is a random writing, the beginning, line, receipt, establishment, joint writing, sequential pressing and folding of the running script should be fully displayed. In addition, the dryness of pen and ink, the brushwork of Fiona Fang and the combination of rigidity and softness should also be reflected in the characters.
Compared with Xihe running script, the running script presented is more beautiful and elegant in vertical and horizontal changes. Whether using a pen or taking advantage of the situation, it is safe and unrestrained, and the movement is combined. As the running script is a random writing, the beginning, line, receipt, establishment, joint writing, sequential pressing and folding of the running script should be fully displayed. In addition, the dryness of pen and ink, the brushwork of Fiona Fang and the combination of rigidity and softness should also be reflected in the characters.
Horizontal growth is one of the most remarkable features of running script. Special running script inherited this style and created it, setting a good example for future generations. Easy edge mainly refers to exaggerating a certain part of a word, or cutting off a certain part of a word, increasing the inclination of horizontal painting, or raising the upper right corner of the font, or adjusting the ratio of positive and negative angles between frames of the word, so that the font tends to be uneven and pitch to the other side, which is a graceful and steep art class.
The structure of running script should be smooth and harmonious. This requires the dissolution of the Model Law. Running script is developed from regular script, but it cannot be equated with writing regular script. First of all, physically, indulge when it is time to indulge, and shake when it is time to shake. The glyphs should be large and small, inclined, flat and long, and let them be avoided, interspersed at will, and whitened between words. We should make overall arrangements and balance the flow of words harmoniously.
Running script is different from regular script mainly because it is connected with stippling. This connection is mainly manifested in contact and entanglement. Among them, there are two kinds of binding wires: marked binding wires and seamless Italian connection. Lian Bi means that the adjacent strokes are connected together to form a stroke, while matchmaking means that no matter how far the strokes are, they can be connected by bending straight strokes. A series of strokes, such as point to point, horizontal and vertical, vertical and horizontal, etc. Some of them are not involved, and they are also broken. Lian Bi and Si Qian, both running scripts, are means to strengthen contact, and hints and traces play the same complementary role. Only in this way can the words be connected with each other, giving people a flowing and endless feeling.
? Although running script is said to be "a small mistake in regular script", it is another kind of writing after all. Change and cursive script are another way to distinguish regular script from cursive script. Running script is written quickly, many of which are due to the omission of some parts and radicals of words, some of which are cursive parts and radicals. However, the omitted or scribbled parts or radicals should be carried out without affecting the main parts of the word or the outline of the word.
The radicals of running script are more diverse than regular script. Because of the fast running speed and flowing water, complex, time-consuming and dignified writing methods are often abandoned in the radical parts, and concise strokes or strokes are used to summarize them. In addition, there are many ways to write the radical of the same word, which is established by everyone in the running script in the long-term practice. Some of them are even far away from the original radicals, and the position, up and down and distance of the radicals in the structure should be consistent with the main body, so as not to destroy the aesthetic feeling of the whole word. This is why we must master the radicals skillfully when learning running script.
There are too many iron rings in Wang Xianzhi. It was originally collected in the Song Dynasty and inscribed by Song Gaozong. At the end of the volume, there are inscriptions such as Wen Peng and Cheng Taizi. Later generations, such as Wang Duo, learned to copy. There are different comments on "One of Wang Xianzhi's representative works", "Wang Xianzhi's last work before his death" and "meticulous painting and pursuing nature".
? "Dihuang Tang Tie", also known as "Bride Tie", is 25.3 cm long and 24.0 cm wide, with a total of 44 words. The common imitation is the Tang Dynasty, which is now in the Shudao Museum in Taitung District, Tokyo, Japan. Engravings include Chunhua Pavilion Post, Baojinzhai, Baoxian Hall and Yuyantang.
Dihuangtang is a Chinese medicine name, and the Dihuangtang sticker is actually a letter: the bride takes Dihuangtang, which seems to be reduced. Sleep and food are still not good, and worries are lingering. Be sure to mention what you said before. Xie sheng hasn't returned it yet, but? I can't solve the problem of advance and retreat, just consider it a book to ask questions. My wife's condition seems to have eased after eating Dihuang decoction, but her sleep and diet are still not very good. I'm still worried. What you discussed before must have been discussed. Xie Sheng didn't come back. Why? He is unpredictable. I'll write and ask him. "
It can be seen that this is Wang Xianzhi's masterpiece "Yoga Yu is Unintentional Better".
I want to describe the whole post as "vigorous".
The writing of The Bride is slow, leisurely and steady, while "serving the ground and sleeping comfortably" stretches like music, while "food is still" tends to be quiet, followed by "not adding", "deliberating", "thanking one's life", "not returning" and "advancing and retreating" until the last question, one after another.
In the use of pen, Wang Xianzhi took the technique of both internal and external cultivation to the extreme. For example, the word "Xie Sheng" clearly came from Wang Xizhi, but the word "Xie" immediately jumped out and changed at will. There are not many internal words, such as "Er, Ke and Wen". However, there are more extended words, such as "forward, upward and upward", and the arc of the word "advance and retreat" is eye-catching. No matter whether it is external expansion or internal strife, Wang Xianzhi has exerted the power of lines to the extreme, so that we can enlarge this post many times to write, and it is still tenable.
And the exquisiteness of this position can be seen everywhere. Fiona Fang combined, folded into a square and became a circle. For example, the two horizontal folds on the right side of the word "Fu", the words "Tang" and "Shang" appear in the same word with a round pen, which enriches the brushwork. The force point is clear and natural, such as the transition from the last stroke of the word "new" to the next stroke, and the preparation for the next stroke makes people work hard. The word structure is stable and strange, such as the echo of the word "image", two horizontal lines of "no" and two vertical lines of "good". "Presumably" three-character strokes are dense and freely interspersed. I wonder if it will affect Wang Duo and Fu Shan in later generations? "Nothing is returned" is free and at one go. When the word "Xie" was finally pulled out, what we felt was the indulgence and elegance of Jin people!
Strength can be practiced, but escape is not practiced purely by technology, it must be a feeling. Yu Shinan said in "On the Essence of Pen" that "the mysterious writing method must be met by God and indisputable." In On Books, Huang Tingjian showed us a way: take a closer look at the ancient books, but what fascinates us is the beauty of them. But the heart is not mixed, but it is the road to ecstasy.
? Wang Xianzhi was 43 years old. According to legend, this article is the last work of Wang Xianzhi in his prime. It can be said that it embodies his understanding of calligraphy all his life and should reach the peak of his calligraphy art.
To copy this post, you must concentrate on being calm, don't get excited, and concentrate on the end. Don't be too smooth on the paper to avoid greasy stippling and vulgar dyeing. The strokes and ties must be clearly distinguished, and the strokes should be properly pressed, so as not to delay the strokes. In addition, as a training method, I suggest to enlarge this work, and there will be another gain.
Wang Xianzhi's original works no longer exist. We can only learn by copying or engraving. Of course, through comparison, we find that there are still many differences between copying and seal cutting in Tang Dynasty. Dr. Long You of the Central Academy of Fine Arts found: "Ink calligraphy is exquisite and meticulous, seal cutting is simpler, and composition conflicts are more intense. The difference between these two versions makes us realize that there may be a version that is far from the original post. " The word "sleep" in the ink book is basically composed of straight lines, forming acute angles at several turning points. This shape greatly weakens the fluidity when writing, giving people a very sharp feeling. On the contrary, most strokes in seal cutting are natural and harmonious. Influenced by the writing speed, the writing action is mainly circular, and Wang Xianzhi's constant turning action subtly hides the triangular elements that would have appeared. It can be said that it is exactly the same as the turning point of the word "paper" in the funeral notes! "With this comparison, we can choose between different versions of temporary research.
In fact, if you look at Huang Tangtie again, Zhao Mengfu will emerge in your mind. The styles are so close, and some words like "things not returned" in Zhao Mengfu's letters are also very good. Some words such as "presumably" are so close to Zhao Mengfu's writing habits. Is it possible that this work was written by Zhao Mengfu? These are still left to textual research experts to demonstrate.
This article was published in Calligraphy Newspaper (abridged) on August 4th, 20021.
1, Twenty-nine Posts?
2. "God Resists Iron"
3. Dongshan Song Tie
4. Bride's Yellow Soup Post
5. "Duck Head Pill Post"?
6. Summer Post
7. "end of the month"?
8. Tianbao Post
9. "Assembly post"
10. Aunt Post
1 1. Aunt Post?
12. Thin cold column
13. Ruan Xin Fu Tie
14. Yellow doorpost
15. high-speed rail
16, Goose Group Post
17. Mid-Autumn Festival stickers?
18. Suffering from abscess
19. "Zunzu"?
20. December Post
2 1. surrender?
22. "clothesline"