Teaching of Quick Paste Skills of Calligraphy

Copying inscriptions is the only way and effective means to learn calligraphy. Copying is an effective way to practice basic skills in the early stage of learning. The physical structure of ancient calligraphy is easy to obtain, but the biggest drawback is that it is difficult to understand the essence of calligraphy-verve. Learning any art, in the final analysis, is to grasp the mystery of art, and what is shown in calligraphy is the understanding and application of rules, skills and verve. In the process of copying excellent calligraphy, we have a deeper understanding of its rules, skills and charm, so as to effectively make up for the shortcomings of "copying". We choose the method of "copying" more.

The author now analyzes several posting methods, and interested book lovers may wish to choose to try it.

First, positive law. This is the most commonly used temporary posting method. This method is to put the model in front of your eyes, write with a brush (hard pen), and imitate the model characters by observing and understanding the law posts. At first, you can write one stroke at a time, one word at a time; When you are ripe, you can read a few words or lines and write them out. This is what is commonly called "facing". Every word and every line in the model has a good memory and understanding. You can write the whole post by impression, that is, the back. The pillar will go to the back level. Practical method is widely used by every learner because it can fully combine eyes, hands and brain and is very effective.

The second refers to the temporary law. This method can be used without paper and pen. For example, during a break at work and during a train journey, you can "learn" or "create" by memorizing demonstration words with your fingers in the air or on objects such as tables and stools. It is in this unique calligraphy learning that we can often deepen our understanding and grasp of the feeling and slowness of writing. This method is not only adopted by contemporary people; It was in the Qing Dynasty that there was an interesting history, such as Zheng Banqiao sleeping with his wife, which was widely circulated.

Third, the heart is in the law. It is also an interesting and effective way to set up a piece of paper and a pen in your mind to learn model figures. In fact, this method is used invisibly by every learner. When you are studying French posts, you should first read the model essays to deepen your understanding. When you are studying, there will be a process of "practicing" or "showing a picture" of the model essay in your mind, even if it is fleeting. This coincides with the theory of the book Intention First. In fact, after a lot of rest and leisure, if we can effectively use the method of "mental presence"-progress will often be revealed in the actual presence.

Fourth, Italy faces the law. This is a method to learn the charm and artistic conception of calligraphy posts, which is widely used by many calligraphers. When studying dharma books, I don't want to draw a word and a picture, but I want the overall charm to be vivid and natural. This is a creative temporary learning method, not suitable for beginners.

Fifth, create a temporary learning method. Some books call it "collecting ancient Chinese characters". Select the characters in the law post for "transplant creation", or couplets, or banners, or fans, and you can "arrow" the post and create a "double sculpture". Wang Xizhi's famous calligraphy post "Preface to the Holy Teaching" was written by monk Huairen. This temporary learning method can effectively eliminate the boring and psychological ills of posting, improve the interest and perception of posting, and is a method deeply loved by learners.

Six, copy complementary method. The traditional method of "copying and supplementing" is to copy first and then present it with a brush (hard pen). Here, the author introduces a new "copying and supplementing method" which is quietly emerging in today's society-first draw the "skeleton" of the model essay with hard drawing. Then use a brush to "add meat" to the "skeleton".

The "skeleton" copied first is a beautifully structured hard pen, and then. The stippling form shown by adding meat is also a process of "regeneration" of model words. This method is not only used for hard pens, but also for writing brushes. It's really a simple and easy way to kill two birds with one stone.

"Copying hard is the key to learning books". Learners regard temporary posts as daily lessons, concentrate on research, use their brains, and get twice the result with half the effort.

Answer 2:

Copying is often called "copying". In fact, "pro" and "copy" are two different ways to learn books. The so-called "pro" is to observe the shape, structure and strokes of the words before putting the copybook on file, understand their spirit, and then write imitation, just like "pro-deep". "Imitation" is to cover the copybook with tissue paper and describe it with the size of words and the thickness of lines. "Qin" is easy to grasp the meaning of copybook, but often can't grasp the structural position of words; However, "imitation" is easy to obtain its structural position and often loses its spirit, both of which have their own shortcomings. But we say that calligraphy pays attention to "similarity in form and spirit", so copying is a very important learning method. To learn pen calligraphy, we should take copying calligraphy as the key to enter the room and lay a good foundation. The more times, the wider the scope and the stronger the foundation. If you compare a post to a painting, it is not like a portrait, it must be lifelike; It's a bit like sketching, so we must absorb the spirit of copybook. Sticking to your post requires eye-to-eye, eye-to-eye, hand-to-hand, and what you see in your eyes can be expressed and displayed in your pen. There is no pursuit of posting speed here. Even if you are proficient in writing, you need to slow down.

According to my posting experience, I think if you want to post well, you must highlight one word-"diligence"! You must be diligent in writing. To read a good book, you need to read it through; Good copybooks also need access. Some people choose words they think are good or words they like to write. Even if I write, I don't write much. Even if you write it three or two times, you will feel bored and familiar. In fact, not only can they not learn a word well, but the spirit of the whole article is even more incomprehensible. This is not good.

Stick the post on your chest and write it word by word, which is called "facing"; Leaving the copybook, I still maintain the image of a post and a word in my mind, and I can write it like it with a pen. This is called "back to back" or "silently facing". When we learn to write, we sometimes "draw blank" in the air or "write blank" in the palm of our hand, so that we can concentrate and learn a font well. This can also be called "back face". What needs to be explained here is, don't be too rigid to be insensitive, so you will lose the initiative in the face, let the copybook be led by the nose, follow the footsteps of predecessors, and only regard the copybook as "laying the foundation"

Be diligent when posting. Diligence should be persisted for a long time, because temporary posts can't have obvious effects in a short time. Therefore, we divide posting into the following stages.

First, learning posts is like posts, which look like gods. Like posts, the form is easy but the spirit is difficult, which requires people who want to post. At the beginning of posting, the situation requires mechanical original works, and the strokes, structures and strokes are as alike as possible, so that it is difficult to distinguish between true and false, which shows that a good foundation has been laid.

Second, focus on one end to investigate its difficulties. I am a beginner in copybook, and I am not impressed. For the difficulties, we need to deliberate and practice repeatedly, and gradually delve into them in writing. For used things, a copybook has its difficulties, and the difficulties of this post are different from those of other posts, and the difficulties are often its own characteristics. When we post, we can break each other, take the essence and get what we want. This method of focusing on one end can still be said to be basic.

Third, be proficient in one post and learn from others. Learning pen calligraphy requires specialized workers, and gradually learn from others' strengths. Specializing in a person's font, even if you learn it well, you will always learn from others. Although "work" is "work", this "work" is not high-level, and we must get rid of it through "acquisition". Here, "work" and "bo" are still dialectical unity. Without special work, there is no need to "harvest". "Bo" should start with "work" and then go to the second stage of the project-unique and unique.

Fourth, seek innovation in face and "reinvent yourself". We should find a new way out from our posts. You can't always get stuck in copybooks. When writing, we should learn copybooks, and at the same time, we should "think highly of copybooks", that is, we should not "die" copybooks. Learn copybooks with attachments, and look up copybooks with attachments. Being able to attach means being able to "kiss" and "create" and seeking "create" from "kiss". Don't die in your post, it will be ugly if you die; When you are dying, even if you try again, it will be in vain. Bottom line: "Stick to your post" and never forget "innovation", and finally "reinvent yourself", get married, write a high style and write a new level.