Although Ou Yangxun's fonts are a little long in shape, they are neat and compact, and the layout is very reasonable. The whole article looks imposing, exquisite, but just right. His brushwork is neat, vigorous and meticulous, and the length is appropriate, far exceeding that of contemporary calligraphers.
This is Ou Yangxun's regular script. His regular script is vigorous, skillful and rigorous. Many people in later generations studied calligraphy, and many of them were influenced by Ou Yangxun. His regular script still plays a very important role today. Ou Yangxun's son Ouyang Tong also inherited Ou Yangxun's calligraphy, but it has its own characteristics, and is called "Ouyang".
Masterpiece:
Regular script includes Jiuchenggong Li Quanming, Huangfu Birthday Monument, Huadu Temple Monument, and running script includes Zhong Nimeng's stickers and thousands of characters. He has his own unique views on calligraphy, including eight methods of calligraphy works, teaching strategies and thirty-six methods of brushwork. Huadu Temple Buddhist Pagoda Inscription, Yugonggong Wenyanbo Inscription and Huangfushengchen Inscription are called "the first regular script in the Tang Dynasty".
The ancestor of Outi was born in the first year of Chen Yongding in the Southern Dynasties (557) and died in the fifteenth year of Zhenguan of Emperor Taizong. He is from Linxiang, Tanzhou (now Hunan). Known for regular script and running script. As the largest official calligrapher in the history of calligraphy, his handwriting is called "European style", which is as famous as Yan (Zhenqing), Liu (Gongquan) and Zhao ().