Dunhuang scripture writing is very different from ordinary calligraphy works, which requires the creator's mood to be extremely high. Once the author wants to copy the scriptures, he must first burn incense, light candles, clean his hands, make wishes and meditate, give up his greed, desire and anger, and become a pure scholar, a dust-free person inside and outside. To the extreme, keep quiet. Everything works together, and I will see it again. Everything must be traced back to the source. After all, it means to be quiet and call me back. Without eyes, ears, nose, tongue, body and heart, there is no sound, fragrance or touch. Holding a brush dipped in black ink, I silently copied the classics word by word in the bright sunshine.
In order to study the calligraphy style of Dunhuang Scriptures, Mr. Liu Guanjun went to Dunhuang ten times in thirty years. In front of the murals in Dunhuang, beside the painting axis, he realized the artistic conception of the ancients when they wrote scriptures. After repeated copying and meditation, his mentality is getting closer and closer to that of the ancients, and his works are increasingly revealing the mature temperament of Dunhuang scripture writing style. The title of the first person who wrote scriptures in Dunhuang is also different.
In 2002 1 month, Master Liu Guanjun was awarded the "China Watch Award" by the state.
20 1 1 year, Mr. Liu Guanjun's Dunhuang scriptures "Prajna Paramita Heart Sutra" and "The Leng Yan Sutra on the Top of the Giant Buddha" went to the Louvre in Paris, France, and participated in the centennial exhibition of China ink and wash together with the works of Qi Baishi, Xu Beihong and Li Keran, which caused a sensation in the world. French President Nicolas Sarkozy signed Liu Guanjun's award certificate. In recognition of his outstanding contribution to reappearing the brilliant achievements of Dunhuang scripture writing style.