1975, Wang fangze was born in rural Hunan. He was originally a poor rural boy, but later he discovered his talent in the process of working. He is good at calligraphy. It is precisely because of this that he began to make his mark in calligraphy and won many awards. Some bosses appreciated his calligraphy very much, and later he fired his calligraphy at a high price. Wang Fangze was only 27 years old at that time. This is unexpected, but there is only envy and jealousy about his existence. After all, everyone can write, but not everyone has such good luck.
In 2005, Wang Fangze's luck came to an end. That year, due to various reasons, he was banned by major media. The value of a calligrapher's words depends entirely on his fame. Without his fame, there is no way to develop. Now Wang Fangze's reputation has been ruined, which means it is difficult for him to make steady progress on the road of calligraphy. To this end, he was once poor and embarrassed. Later, in order to get out of trouble, he thought of many good ways. He studied everywhere and came to China Academy of Fine Arts and Central Academy in Hangzhou. Finally, the experience of studying in these schools made his writing more perfect. He finally broke away from his narrow vision, changed from a speculator in the calligraphy market to a real calligrapher, and was reborn.
This time, the media can't ban him because the artistic value embodied in his lines is beyond the reach of ordinary people. For calligraphy works, the most important thing is never whether the work is neat and perfect, but whether it can arouse people's feelings. Good works of art, whether calligraphy or any form, will eventually hit a certain point in the audience's mind, which makes people feel very surprised, as if they were friends with words. Finding your bosom friend in a painting and calligraphy is a kind of brushwork. The more authentic Chinese characters are, the easier it is to cause * * * sounds, which is equivalent to a * * * vibration in composition, and it is the soul fit between splashing ink.
In order not to be abandoned by the market again, Wang Fangze also adopted some very unique methods to help him return to nature in this way. This way is to add some characteristic elements to his words, add rural characteristics to his paintings and calligraphy, and combine his own words with tradition to produce a series of classic works, such as "Spring Evening" and "Ode to a Peasant Woman". Now he has made great achievements and people admire him.